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The Realization Of The Basso Continuo In German And Italian Music, 1680-1750, John Saunders Jan 1978

The Realization Of The Basso Continuo In German And Italian Music, 1680-1750, John Saunders

Senior Scholar Papers

The technique of the basso continuo (or firgured bass) serves as one of the major unifying elements in almost all music written between 1600 and 1750. As such the realization of the basso continuo forms a particularly sensitive area of performance. This paper investigates some specific genres of music as well as historical evidence in order to draw conclusions about the kinds and number of instruments that should be used to perform continuo parts The study begins With an investigation of chamber music continuo practice. The paper examines 86 Italian trio sonatas written between 1680 and 1699. This examination focuses …


Verdi's Settings Of Shakespeare : From Play To Liberetto To Opera, Ann S. Earon Jan 1974

Verdi's Settings Of Shakespeare : From Play To Liberetto To Opera, Ann S. Earon

Senior Scholar Papers

As a Senior Scholar pursuing the topic, Verdi's Settings of Shakespeare: From Play to Libretto to Opera, I have endeavoured to study a project relevant to my majors, Music and English. During first semester, I carefully analysed Shakespeare's plays, Macbeth, Othello and Falstaff. The highlight of my project was in January when I travelled to New York City and spent the day working with the Metropolitan Opera Guild. I was also able to see a performance of Verdi's Othello with Jon Vickers in the lead role. During the second semester, I studied the musical aspects of the compositions. I spent …