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Full-Text Articles in Arts and Humanities
The Concept Of Tala In Semi-Classical Music, Peter L. Manuel
The Concept Of Tala In Semi-Classical Music, Peter L. Manuel
Publications and Research
This article explores certain rhythmic features distinctive of the concept of tal in North Indian light-classical music, especially thumri. Particularly salient is the way that ambiguity of beat counts in tals called dipchandi, addha, and jat reflect how these tals are traditionally conceived in terms of drum strokes (dha dhin dha dha dhin etc.) instead of beat counts, which are in fact variable. Published in: National Centre for the Performing Arts: Quarterly Journal (Bombay) 12(4), December 1983. pp. 7-14.
The Musical Language Of Kindertotenlieder No. 2, V. Kofi Agawu
The Musical Language Of Kindertotenlieder No. 2, V. Kofi Agawu
Publications and Research
Three times during his compositional career, Mahler turned to the medium of the orchestral song cycle either to experiment with or to refine certain technical procedures. This resulted in a variety of methods for establishing large-scale tonal coherence, using song as a resource for later symphonic composition, and stylizing folk material, melodically and rhythmically. These compositional techniques are clearly exemplified in Mahler's three cycles, Lieder eines fahrenden Gesellen (1883-85), Kindertotenlieder (1901-04), and Das Lied von der Erde (1907-08).
Instruments In Sacred Vocal Music At Braunschweig-Wolfenbuttel: A Study Of Changing Tastes In The Seventeenth Century, James Leonard Brauer
Instruments In Sacred Vocal Music At Braunschweig-Wolfenbuttel: A Study Of Changing Tastes In The Seventeenth Century, James Leonard Brauer
Dissertations, Theses, and Capstone Projects
No abstract provided.