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Mixing For Parlak And Bowing For A Büyük Ses: The Aesthetics Of Arranged Traditional Music In Turkey, Eliot Bates
Mixing For Parlak And Bowing For A Büyük Ses: The Aesthetics Of Arranged Traditional Music In Turkey, Eliot Bates
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In this paper I explore the production aesthetics that define the sound of most arranged traditional music albums produced in the early 2000s in Istanbul, Turkey. I will focus on two primary aesthetic characteristics, the achievement of which consume much of the labor put into tracking and mixing: parlak (“shine”) and büyük ses (“big sound”). Parlak, at its most basic, consists of a pronounced high frequency boost and a pattern of harmonic distortion characteristics, and is often described by studio musicians and engineers in Turkey as an exaggeration of the perceived brightness of the majority of Anatolian folk instruments. Büyük …