Arts and Humanities Commons^™

On Improvised Music, Computational Creativity And Human-Becoming, Arto Artinian, Adam James Wilson

Publications and Research

Music improvisation is an act of human-becoming: of self-expression—an articulation of histories and memories that have molded its participants—and of exploration—a search for unimagined structures that break with the stale norms of majoritarian culture. Given that the former objective may inhibit the latter, we propose an integration of human musical improvisers and deliberately flawed creative software agents that are designed to catalyze the development of human-ratified minoritarian musical structures.

A Glimpse Into Quiroga’S Musical Roots, Aldemaro Romero Jr.

Publications and Research

“At the music conservatory, I was told that popular music is not music, and that’s one of the things that connected me with your dad, Aldemaro Romero. He could do classical, Bolero, so I felt connected because I felt ‘there’s someone who had the same problem that I did.’ I felt like classical music is, of course, beautiful, but I needed something else.”

That is how Selene Quiroga, an artist recently invited to Baruch College, explains why she crosses the borders between classical and popular music, as she did in a concert titled “Aldemaro Romero: Venezuelan Fiesta” where she performed …

The Mystery Of The Schubert Song: The Linked Data Promise, Kimmy Szeto

Publications and Research

Linked open data promises global interconnectedness of a vast amount of data. Web technologies promise to lower the barriers to accessing information and to enable knowledge production of massive scale. But can the web of data answer a music reference question? Starting with a seemingly impossible search for a Schubert song, this article describes how linked data technologies could overcome some limitations of catalog searching. However, technical and conceptual challenges are intertwined in the library community’s effort to publish linked data. Through an analysis of contrasting data models, this article offers a linked data reading of medium of performance and …

Dominican Migrants, Plural Identities, And Popular Music, Angelina Tallaj

Publications and Research

No abstract provided.

Marlow Has Music And Journalism In His Dna., Aldemaro Romero Jr.

Publications and Research

Not that many people are capable of excelling in two apparently different professions at the same time. Or at least that’s the assumption in today’s world, when it seems that specialization is the way to go if you want to succeed. Yet, from time to time, we encounter people who are exceptions to the rule.

One of those exceptions is Dr. Eugene Marlow. Even his academic background shows how versatile he can be. He holds a master’s degree in music composition from Hunter College in New York and a doctorate in media studies from New York University.

World Music And Activism Since The End Of History (Sic), Peter L. Manuel

Publications and Research

While the decline of protest music in the USA has often been noted, a global perspective reveals that progressive, activist protest musics occupied lively niches in many music cultures worldwide (e.g., of Jamaica, India, Spain, Latin America) during similar periods, roughly the 1950s-80s. While on one level these music movements were embedded in particular socio-political movements, on a broader level they reflected an ardent commitment to the secular universalist ideals of the Enlightenment. The subsequent dramatic decline of all these protest musics—roughly since Fukuyama’s much-debated “end of history”—reflects a broader transformation of the global political climate. This transformation has both …