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Full-Text Articles in Arts and Humanities
Casting The Bigger Shadow: The Methods And Business Of Petrucci Vs. Attaingnant, Sean A. Kisch
Casting The Bigger Shadow: The Methods And Business Of Petrucci Vs. Attaingnant, Sean A. Kisch
Musical Offerings
The music printing of Ottaviano Petrucci has been largely regarded by historians to be the most elegant and advanced form of music publishing in the Renaissance, while printers such as Pierre Attaingnant are only given an obligatory nod. Through historical research and a study of primary sources such as line-cut facsimiles, I sought to answer the question, how did the triple impression and single impression methods of printing develop, and is one superior to the other? While Petrucci’s triple impression method produced cleaner and more connected staves, a significant number of problems resulted, including pitch accuracy and cost efficiency. Attaingnant’s …
Improvisation: The History Of Unplanned Notes In Structured Music, Daniel T. Galey
Improvisation: The History Of Unplanned Notes In Structured Music, Daniel T. Galey
The Research and Scholarship Symposium (2013-2019)
Since improvisation is an important aspect of music in today’s society, questions arise whether improvisation was essential in music from the past or whether it even existed in the past. Rather than discussing the origin of improvisation, this paper will discuss the evolution of improvisation starting in the medieval period. This paper argues that improvisation did exist in the medieval period, and seeks to show certain ways in which it was evident and how it developed in the Renaissance and Baroque periods. Many historically documented books discuss the music from different time periods. I specifically study the aspects of music …
In The Shadow Of Petrucci: Why Attaingnant And His Methods Are Lost In History, Sean A. Kisch
In The Shadow Of Petrucci: Why Attaingnant And His Methods Are Lost In History, Sean A. Kisch
The Research and Scholarship Symposium (2013-2019)
The music printing of Ottaviano Petrucci has been largely regarded by historians to be the most elegant and advanced form of music publishing in the Renaissance, while printers such as Pierre Attaingnant are only given an obligatory nod. Through historical research and a study of primary sources such as line-cut facsimiles, I sought to answer the question, how did the triple impression and single impression methods of printing develop, and is one superior to the other? While Petrucci’s triple impression method produced cleaner and more connected staves, a significant number of problems resulted, including pitch accuracy and cost efficiency. Attaingnant’s …