Arts and Humanities Commons^™

Perreando To New Lyrics: Integrating Feminist Reggaeton In Expressive Art Therapy A Literature Review | Perreando A Nueva Lírica: Una Revisión Literaria Sobre Integrar El Reggaetón Feminista A Las Terapias Con Artes Expresivas, Marilina Arsuaga

Expressive Therapies Capstone Theses

This paper presents how feminist reggaeton can be used as a creative tool for women's empowerment. The literature review explores the work that has been done with feminism in expressive arts therapies, defines what feminist reggaeton is, and presents different considerations to incorporate the musical genre into a therapeutic intervention. Among these considerations, there is the social stigma that is held about the musical genre and female gender; the community-based work; the importance of cultural identity centered on the Latinx, more specifically Puerto Rican; and recognition of the LGBTQ+ community in the creative spaces. To navigate these issues, the author …

A Musicology Of Record Production - Research Creation, Gender, And Creative Reflective Practice In Project-Paradigm Music Production, Lydia Wilton

Electronic Thesis and Dissertation Repository

This research-creation project elucidates the “methodology” of producing records. As an artist-researcher, I investigate how a record producer uses the recording studio as a “musical instrument”. My primary research goal is to answer two fundamental questions about record producing that have yet to be addressed and which cannot be explored successfully by other means: “Does the record producer’s creative agency have musical consequences?”, and “If so, what are they?” Through the creative practices I adopted for this project’s artefact - an album of nine tracks, called Blasphemy, that I produced for the London, Ontario-based rock band Nameless Friends - …

Fatale, Fragile, And Furiosa: Redefining Female Tropes For A New Generation Of Feminism In Jeanne Shaffer's Three Faces Of Woman For Clarinet And Piano, Olivia Harrison

Music Undergraduate Honors Theses

Among the discipline of music, the representation of women in music professions and the artform itself reveals great disparities between gender identities. In spite of this, musician and composer Jeanne Shaffer approaches the ongoing fight for women’s representation and equity in music. Shaffer’s piece “Three Faces of Woman” for clarinet and piano (1995) depicts three delineations of femininity that women are reduced to. Influenced by cultural minimalization of women, Shaffer’s piece uses different compositional genres as vehicles to illustrate these ever-present stereotypes and the unyielding need to combat them. The first movement presents the trope of the Femme Fatale; the …

’90s “It Girls”: Britpop At The Postfeminist Intermezzo, Benjamin Halligan

Journal of Feminist Scholarship

In considering the Britpop genre of music and its moment of popularity in the mid/late-1990s, the few female-fronted Britpop groups created space for more compelling articulations of existential matters than were to be found in standard Britpop fare. This article argues these articulations are most appropriately read as arising from a moment of feminist thought in transition: a premature “victory,” under the sign of postfeminism, in which the struggles of Second Wave feminists could be seen to have delivered equality. This moment results in an encroaching and contested sense of entry into maturity, and a loss of youth. The groups …

Times Are Changing: Addressing Racism And Sexism In Die Zauberflöte, Cassidy Wiltjer, Anna Winn, Linnea Johansen

2022 Festschrift: Mozart's Die Zauberflöte

The eighteenth century philosophy regarding discrimination based on gender and race do not align with the philosophy of the modern era. Mozart’s Die Zauberflöte, written in 1791, is full of racist and misogynist remarks which are woven carefully into the music and plot of the opera. Racism is evident through the character of Monostatos and the claims that his status as a Moor make him less valuable as a human being. Additionally, the character Sarastro exemplifies a rational and powerful male while the Queen of the Night, while powerful in her own right, is the villain: an unruly, emotional woman. …

Embodying The Divine Feminine: Doja Cat’S Use Of Vocal Timbre, Text, And Body In Planet Her To Construct A Feminine Soundscape — Annotated Bibliography, Tommy Dainko

Musicology and Ethnomusicology: Student Scholarship

In 2021 Doja Cat released her album Planet Her, an imagination of a planet where there was no bigotry, and everyone could live in peace. The main theme of her album, however, revolves around femininity and the divine feminine. This paper will examine how Doja Cat constructs these concepts through a variety of ways. This paper will use Black feminist work to position Doja Cat’s work as feminist. Through the use of a variety of ‘feminine’ vocal timbres—both hers and from featured artists on her album—Doja Cat creates a feminine soundscape. Doja cat also embraces femininity and embodies the …

The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America, Chelsea Lane

Dissertations, Theses, and Capstone Projects

In 1930s North America, women—for the first time—were accorded permanent principal positions in significant American orchestras. Edna Phillips, Alice Chalifoux, and Sylvia Meyer, all students of the legendary harp pedagogue Carlos Salzedo, have been celebrated as pioneers for the prestigious employment they obtained in the Philadelphia Orchestra, Cleveland Orchestra, and National Symphony Orchestra, respectively, between 1930 and 1933. Despite the impressiveness of these accomplishments, however, the narrative of their “firstness” is not wholly accurate. In actuality, female harpists have occupied orchestral posts as acting principals, substitutes, and second harpists since the very inception of orchestras. The cause for their early …

Grrrls, Grrrls, Grrrls: Incorporating Feminist Theory Into Punk Rock Composition, Bryan M. Waring

Composition/Recording Projects

This project argues that one can make rock music with anti-sexist values by incorporating feminist criticism and gendered performance into the composition of punk rock music. To test this thesis, the history of feminism and its implementation within musical discourse were examined. Using feminist music theory as a lens for observation, several songs from female artists and mix-gender bands within the punk genre were analyzed. This was done in order to find similarities in compositional practices and to explore punk rock’s symbolic representations of gender. Areas covered were the expression of jouissance by the proto-punks, the use of détournement by …

Crooked Smile, Kaitlin Jacobson

Vázquez-Valarezo Poetry Award

As a songwriter, I love connecting my poetry to songs. There are so many similarities between life and music, and that is just beautiful to me. I wrote this poem about very real experiences I have had, about the idea of sugarcoating reality for the sake of what life really looks like under the surface. This is similar to my songs, when my melodies are seen as catchy but the lyrics are overlooked. As a queer woman, there have been many times where I have felt silenced, or where my pain has been overlooked and my lyrics haven't been taken …

Hildegard: A Trailblazer?, Emilie Schulze

Musical Offerings

Hildegard von Bingen, a Christian mystic, influenced theology, philosophy, and music during the Middle Ages. Some people today claim her as a forerunner for women’s rights because her works gained such prominence people assume she had the authority to teach men in the church. However, this assertion places unnecessary strain on Hildegard, misreading her works and her place within the structure of the medieval Catholic church. Hildegard’s writings did not seek to equalize men and women. Rather, in her life and in her works, she appealed to her humility, virginity, and close relationship with the Holy Spirit to minister. This …

Ann Flood, Mairéad Farrell, And The Representation Of Armed Femininity In Irish Republican Ballads, Seán Ó Cadhla

Articles

This article critically considers the representation of armed femininity within the attendant song tradition of Irish physical-force Republicanism, with specific focus on the personal and cultural consequences for two prominent female Republican activists, both of whom successfully traverse the gender demarcation lines of war. While noting the didactic, often misogynistic, trajectory of works narrating ‘transgressive’ females within the broader ballad tradition, this article seeks to determine whether or not the interwoven essentialist tropes of death, martyrdom and resurrection — all deeply-embedded ideological constructs within the framework of Irish Republicanism — successfully supersede calcified patriarchal mores and in so doing, facilitate …

The Voice Of The Other: The Influence Of Capitalism On The Representation Of Gender And Race In Western Classical Music, Marie Comuzzo

Masters Theses

This thesis argues that in order to understand the non-representation of women and BIPOC in the Western musical canon, the analysis of their cultural musical production and reception must start in early modern period, a time heavily influenced by the establishment of capitalism. Intertwining political feminist studies, critical race theory and musicology critique, I argue that the witch hunts and the inhumane colonial practices in Africa and the America (fundamental to establish capitalism as a global system), had an important role in shaping Western musical culture as homogeneous and monolithic. Thus, I first trace the change in female customs in …

Discourse And Discography: The Pushback Of Female Writers, Characters, And Pop Stars, Amara D. Stroud

Honors College Theses

In my senior thesis, I will be analyzing and comparing early modern literature and “pop” music in order to follow the development of women’s ability to gain power. Throughout history, there has been an ongoing struggle for women’s equity in education, publishing, and socially acceptable actions. While it may seem that comparing literature from the 17^th Century to current pop lyrics, there are major connections that show a consistent female struggle - the inability to voice one’s true feelings due to the reaction of an educated man or an unchanging society. My thesis will focus on literary works such …

Discourse And Discography: The Pushback Of Female Writers, Characters, And Pop Stars, Amara D. Stroud

Honors College Theses

In my senior thesis, I will be analyzing and comparing early modern literature and contemporary popular music in order to follow the development of women’s ability to gain power. Throughout history, there has been an ongoing struggle for women’s equity in education, publishing, and socially acceptable actions. Though the connection between literature and pop music is unordinary, there are major connections that show a consistent female struggle - the inability to voice one’s true feelings due to the reaction of an educated man or an unchanging society. Overall, the response of female characters, authors, and artists is to show their …

The Revival Of Scott Joplin’S Treemonisha In A Black Feminist Context, Alec Larner

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Audience Influence On The Composition, Revision And Interpolation Of Traditional Irish Ballad Narrative, Seán Ó Cadhla

Doctoral

The following thesis critically examines the essential thematic malleability of traditional Irish song narrative, with particular focus on the penetrative influence of the audience on both composer and performer alike. Such narrative fluidity is specifically examined within the context of works narrating attested historical events, output which could be reasonably assumed to adhere to factual and chronological consistency. The research concludes that the audience continuously exerts a powerful cultural influence on the performance space, and further demonstrates the considerable extremes that both composers and singers will routinely embrace in order to satisfy the constantly shifting demands of their audiences, even …

“The Personal Is Political”: The Power Of Female Voices In 1970s Pop Music And Beyond, Jennifer Morrow

Backstage Pass

This essay examines how, in the male-dominated structures of the popular music industry, narratives about women have been marginalized, ignored, and undervalued. The female singer-songwriter, my research suggests, is, by definition, a contradiction and subversion of traditional gender roles, and this position has been claimed by female musicians as a form of rebellion and resistance. In the scope of my research, I focus on how female pop artists have embraced songwriting as a medium for authentic self-expression, and how these narratives have been embraced as autoethnographies that represent the collective experiences and frustrations of women in a patriarchal social landscape. …

“The Cause, It Just Comes First”: Tori Amos And Third-Wave Feminism, Amanda S. Roberts

Graduate Research Theses & Dissertations

This dissertation is a textual analysis of Tori Amos as a feminist artist. Because Amos has had a successful and enduring career, she presents a unique opportunity to explore the ways third-wave feminism has influenced popular culture and vice-versa. This dissertation utilizes both a feminist and cultural studies lens to understand Amos, her work, and her fan community as texts. Through a chronological study of Amos’s catalog, I will demonstrate how Amos’s works have adapted to the demands and interests of third-wave feminism, moving from emotional non-narrative, to active political engagement with some mis-steps, and finally to an understanding of …

Ch. 08 - Embracing And Navigating Uncertainty: Estelle Jorgensen’S Contribution To International Wisdom, June Boyce-Tillman

The Road Goes Ever On: Estelle Jorgensen's Legacy in Music Education

This chapter will address the multiplicity of models and metaphors set out in Jorgensen’s Pictures of Music Education (2011). Boyce-Tillman will examine the concept of wisdom and its necessity for choosing a particular strategy in a particular context. Illustrations will be pulled from the author’s pedagogical experiences in and outside formal institutions like the university, school, and church. Wisdom is a necessary component of Jorgensen’s search for justice, and it builds upon an awareness of the value-systems underpinning how a Subject makes choices, particularly in the search for a common humanity. The aim of the chapter is to illustrate how …

Cyber-Narrative In Opera: Three Case Studies, Naomi Barrettara

Dissertations, Theses, and Capstone Projects

This dissertation looks at three newly composed operas that feature what I call cyber-narratives: a work in which the story itself is inextricably linked with digital technologies, such that the characters utilize, interact with, or are affected by digital technologies to such a pervasive extent that the impact of said technologies is thematized within the work. Through an analysis of chat rooms and real-time text communication in Nico Muhly’s Two Boys (2011), artificial intelligence in Søren Nils Eichberg’s Glare (2014), and mind uploading and digital immortality in Tod Machover’s Death and the Powers (2010), a nexus of ideologies surrounding voice, …

Uncovering Alice Bag: An Alternative Punk History, Emily Macune

Scripps Senior Theses

The intention of this thesis is to provide an alternative counter-narrative to the mainstream histories of punk that center white men. By focusing on the contributions of fem queer and POC punks, I aim to legitimize punk music as a form of resistance against systems of oppression that are oppositional to the commodified forms of mainstream punk. Using Alice Bag, as my central case study as a fem queer punk that is often left out of punk historical narratives, I contextualize her work through feminist, queer, and media studies lenses to bridge the gap between academia and forgotten personal experience.

Re-Composing Feminism: Australian Women Composers In The New Millennium, Talisha Goh

Theses: Doctorates and Masters

In the age of postfeminism and fourth-wave feminism online, Australian women composers are theoretically able to “have it all,” however, the proportion of women in the occupation appears to have plateaued in recent years. In this thesis, I explore the multiple ways in which gender and feminism interact with practising Australian women composers. Feminist musicology has had a large impact on the Australian musicological scene, with theorists such as McClary and Macarthur bringing the subject of women in music to the fore in the 1990s, aiding efforts to advocate for reform on behalf of women composers. Additionally, third-wave feminist scholars …

Girls Rock Camp, Erica Lashley

Senior Honors Projects, 2010-2019

The objective of this creative honors project was to create, plan, fund, and spearhead a week-long day camp for girls ages 8-18 to learn the basics of a rock instrument and collaborate with other girls to form bands and perform. This paper synthesizes my experience organizing, fundraising for, and counseling Harrisonburg’s first Girls Rock Camp, which took place August 14-19, 2017. In this paper, I outline the purpose and importance of Girls Rock Camp, the research and planning conducted to design the project, and the camp experience. I aim to provide insight, words of wisdom, and inspiration for future projects …

Women's Hit Cheating Songs: Country Music And Feminist Change In American Society, 1962-2015, Madeline Rachel Morrow

Electronic Theses and Dissertations

This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015. The study of a total of fifty qualifying songs included a focus on their lyrical and musical content, the performers' personae and careers, and the way the particular outside factors of feminism and changing gender relations in American society may have influenced them. These songs do not show a purely linear progression of or emphasis on social change, in spite of country music's pride in conveying the truth about the lives of its songwriters, …

Gender Counts: An Analysis Of Gender In Irish Theatre 2006-15, Brenda Donohue, Ciara O'Dowd, Tanya Dean, Ciara Murphy, Kathleen Cawley, Kate Harris

Books/Book Chapters

In 2016, thanks to support from The Arts Council / An Chomhairle Ealaíon, #WakingTheFeminists commissioned groundbreaking research into the gender balance in Irish theatre. Here are the results.

The research was conducted by a team of six researchers led by Dr. Brenda Donohue, in collaboration with Irish Theatre Institute and the Centre for Drama, Theatre and Performance at NUI Galway. Their work looks at key creative roles in ten of the top Arts Council-funded theatre organisations in the country over a ten year period from 2006-15

The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers

Electronic Theses and Dissertations

With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. Placing Parton’s actions in conversation with music’s …

Individual Thought Patterns: Women In New York's Extreme Metal Music Scene, Joan M. Jocson-Singh

Theses and Dissertations

Extreme metal music (EMM) is both an umbrella term and a sub-category of heavy metal. Although women have a small but steady presence in heavy metal, this number shrinks when applied to the EMM scene. Using ethnographic research, participant-observation and interviews, this study surveys women in New York's EMM scene to address participation, gender performativity and feminist musicology.

Korngold's Leading Ladies: A Comparative Study Of Female Characters In The Operas Of Erich Wolfgang Korngold From 1915 To 1927, Brandon Larry Dow

Graduate Theses and Dissertations

Portrayals of women in art have always been a sensitive subject due to the unequal distribution of power between the sexes within the Western patriarchal society and, more recently, due to newly acquired criticism of artistic misogyny. The operas of Erich Wolfgang Korngold showcase varying interpretations of female characters that waver between misogynist objectification and disparagement and ardent endorsement of feminine prominence. This thesis discusses three of Korngold’s operas (Violanta, Die tote Stadt, and Das Wunder der Heliane) and examines them through the lens of the tumultuous and ever-changing political and Social landscape of women’s issues in Vienna in the …

Hildegard Of Bingen: Visionary Woman Who Encouraged The Role Of Feminism, Melissa K. Treharn

Undergraduate Distinction Papers

This paper will discuss the life of Hildegard of Bingen and how her musical and lifestyle choices can be defined as that of a feminist. Hildegard was a nun during the mid 1100's who was given the gift of visions. These visions, sent from God, told her about how she should be living her life and the lessons she should be teaching her followers. However, as a woman during this time, Hildegard had no power or any opportunities to share these ideas with others without being shunned as stepping outside of her "gender role." It was not until she gained …

A New Approach: The Feminist Musicology Studies Of Susan Mcclary And Marcia J. Citron, Kimberly Reitsma

Musical Offerings

One of the currently prevalent analytic approaches in academia is feminist theory and criticism. Its combination with musicology has influenced the field for the past four decades. The goal of the new approach, loosely termed “feminist musicology,” has been to discover, analyze, discuss, and promote the representation of women and the “feminine” essence in various disciplines of music. Today, feminist musicology is highly researched, published in books and journals, and presented as scholarly papers at various musicological conferences around the world. This new approach introduces the ideologies of feminism to the study of music.

Susan McClary and Marcia J. Citron …