Arts and Humanities Commons^™

General Recital - December 9, 2004, Music Department

General and Sophomore Recitals

This general recital is from Decdember 9, 2004

General Recital - November 30, 2004, Music Department

General and Sophomore Recitals

This general recital is from November 30, 2004.

General Recital - November 1, 2004, Music Department

General and Sophomore Recitals

This general recital is from November 1, 2004.

Fright Night, Music Department

Concerts

"Danse Macabre, Opus 40" by Camille Saint-Saens, "In the Hall of the Mountain King" by Edward Grieg, "Mars: The Bringer of War" from 'The Planets' by Gustav Holst, and music from 'Harry Potter and the Sorcerer's Stone' by John Williams. Performed by the Eastern Symphony Orchestra. Conducted by Richard Robert Rossi.

General Recital - October 19, 2004, Music Department

General and Sophomore Recitals

This general recital is from October 19, 2004.

General Recital - October 5, 2004, Music Department

General and Sophomore Recitals

No abstract provided.

All Recital Programs For Fall Semester 2004, Music Department

General and Sophomore Recitals

This document contains all recital programs for Fall Semester 2004.

Ridington, Amber Flower, B. 1969 (Fa 200), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 200. Transcriptions and cassette tapes (14) of interviews that Amber Ridington, Western Kentucky University student, had with Joe Marshall, Bowling Green, Kentucky, and other individuals who were knowledgeable about the operations of the Quonset, 1946-1959, a music and recreational venue in Bowling Green, Kentucky.

Help!: An Annotated Bibliography Of Resources For The Beginning Choral Conductor, Bonnie Marie Ashby

Theses and Dissertations

This bibliography is intended as a resource for choral conductors at the beginning of their journey of musical and personal development. While this project cannot possibly cover every aspect of or resource on choral music, it is a beginning. I admit I have spent more time researching my personal weaknesses and have not covered as thoroughly areas in which the choral conducting program at Brigham Young University is exceptionally strong. Even so, I hope this compilation will help address common challenges of beginning choral conductors.

The bibliography is divided into sections by topic, with additional sections on Internet sites and …

News From Cart, Deborah Nemko

Bridgewater Review

No abstract provided.

Automatic Drum Transcription And Source Separation, Derry Fitzgerald

Doctoral

While research has been carried out on automated polyphonic music transcription, to-date the problem of automated polyphonic percussion transcription has not received the same degree of attention. A related problem is that of sound source separation, which attempts to separate a mixture signal into its constituent sources. This thesis focuses on the task of polyphonic percussion transcription and sound source separation of a limited set of drum instruments, namely the drums found in the standard rock/pop drum kit. As there was little previous research on polyphonic percussion transcription a broad review of music information retrieval methods, including previous polyphonic percussion …

General Recital - April 29, 2004, Music Department

General and Sophomore Recitals

A general recital program from April 29, 2004.

General Recital - April 27, 2004, Music Department

General and Sophomore Recitals

A general recital program from April 27, 2004.

General Recital- April 20, 2004, Music Department

General and Sophomore Recitals

A general recital program from April 20, 2004.

General Recital - April 6, 2004, Music Department

General and Sophomore Recitals

A general recital program from April 6, 2004.

Music As A Bridge To Literacy For Young Deaf Children In Classrooms, Fara Wilson

Undergraduate University Honors Capstones

This thesis examines the relationship of music to literacy development for young deaf learners through the use of a theoretical conceptual study. Theories from six different areas of research literature (music and learning, musical intelligence, music and literacy, music and school learning, and music and deaf education) were compared to the experiences of deaf people through an autobiography and interviews. The connection of all three sources of data encourages further research on the potential impact that music may have on a deaf child’s literacy development.

All Recital Programs For Spring Semester 2004, Music Department

General and Sophomore Recitals

This document contains all the recital programs for Spring Semester 2004.

General Recital - March 23, 2004, Music Department

General and Sophomore Recitals

This general recital is from March 23,2004.

General Recital - March 9, 2004, Music Department

General and Sophomore Recitals

This general recital is from March 9, 2004.

General Recital - February 24, 2004, Music Department

General and Sophomore Recitals

This general recital is from February 24, 2004.

From The Heart To The Heavens: Hymn Festival, Calvin Institute Of Christian Worship

Symposium on Worship Archive

The hymn festival handout, which focused on different means of worshiping: from the heart, in the congregation, with Christians of all times, with Christians of all places, and with the heavenly hosts.

General Recital - January 20, 2004, Music Department

General and Sophomore Recitals

No abstract provided.

Performance And Music In The Poetry Of Ciaran Carson, Seán Crosson Dr.

Seán Crosson

Ciaran Carson has established a reputation as one of Ireland's most important poetic voices. However, Carson is also an accomplished musician whose work reflects the liminal borderland that has always existed between Irish music and Irish literature. Music is a prominent theme throughout Carson's work with songs and musical allusions frequently a feature of his poems. While music has influenced Carson's work thematically, it has played a formative role in one of the most distinctive features of his poetry until recently - that is his use of the long line. This paper argues that it is even possible in some …

The Transformation Engine, Bruno Degazio

Publications and Scholarship

The Transformation Engine is a software music composition system for the Macintosh computer, based on a hierarchical model of musical structure derived from the theories of Heinrich Schenker. It implements processes of musical transformation in real time, i.e. Schenkerian prolongations (“composing-out”) can be executed while the user listens to a high performance MIDI rendering of the music. The Transformation Engine also employs technical devices derived from the musical theories of Joseph Schillinger. The software has been used for algorithmic composition using planetary position data and chaotic processes as drivers for musical transformations. It also has applications to traditional forms of …

A Basic Interpretative Analysis Of Instrumental Music Education Majors' Approaches To Score Study In Varying Musical Contexts, Jeremy S. Lane

LSU Doctoral Dissertations

The purposes of this qualitative study were to 1) provide a holistic description of procedures used by undergraduate instrumental music education majors (N = 21) in music score study tasks; 2) examine relationships among these procedures and their use in varying musical contexts; 3) examine relationships among score study tendencies, education level, and overall musical ability; and 4) provide general comparisons of undergraduate music education majors’ score study procedures and those implied by expert conductors’ major disciplinary ways of thinking. Each subject participated in two one-on-one interview sessions with the investigator. During each session, subjects “thought out loud” as they …

Albert George ("Al") Hibbler, John A. Drobnicki

Publications and Research

Al Hibbler was a singer who had success both as a solo artist ("Unchained Melody") and with big bands (Jay McShann, Duke Ellington).

Issue 02, Cariso! Spring 2004, Columbia College Chicago

Cariso! The Alton Augustus Adams Music Research Institute newsletter

Cariso! is the newsletter of the Alton Augustus Adams Music Research Institute (AMRI), which was located in the U. S. Virgin Islands and operated by the Center for Black Music Research at Columbia College Chicago from 1999 to 2006. Issue articles include: "AMRI to Host Public Event in St. Croix", Quelbe is Official Music of the Virgin Islands", "Quelbe Past and Present", "AMRI to Host Rockefeller Fellow Colloquium in St. Croix", "The Adams Institute Becomes a Reality: The Opening Ceremony", "Cariso Chronicles: The Original Music", "Dance Competition, Tradition, and Change in the Commonwealth of Dominica", "May Lecture in St. Thomas …

Where Does Creativity Come From? And Other Stories Of Copyright, Michael J. Madison

Articles

This Commentary on Lydia Pallas Loren, Untangling the Web of Music Copyrights, 53 Case W. Res. L. Rev. 673 (2003), observes that debates over a variety of copyright law issues can be - and in fact, often are - structured in narrative terms, rather than in terms of doctrine, policy, or empirical inquiry. I suggest a series of such narratives, each framed by a theme drawn from a feature film. The Commentary suggests that we should recognize more clearly the role of narrative in intellectual property discourse, and that intellectual property narratives should be examined critically.

Interactive Computer Music For Double Bass, Jeremy C. Baguyos

Music Faculty Publications

The rise of the academy as patron of art music, the philosophical underpinnings of "futurists" like Russolo and Busoni, the increasing power and cost-effectiveness of computer-based systems and the new compositional directions of the Post World War II avant-garde have all contributed to establishing the genre of electroacoustic music in the United States. Composers have increasingly turned to electronics for new source material and as a result, there is an entirely new repertoire that was generated to take advantage of the emerging technologies and aesthetics. For the double bass, this new repertoire included compositions like Jacob Druckman's Synapse/Valentine (1969), Charles …

Music, When Soft Voices Die | 10-96410, James Q. Mulholland

Music Faculty Scores

Music, When Soft Voices Die

Part Number:
10-96410

Price:
$1.80

Voicing:
SATB

Lyrics By:
Percy Byshe Shelley (1792-1822)

Music By:
James Q. Mulholland

Commissioned by Waukee High School, Waukee, Iowa, Ryan Beeken, Director
For performance at the 2005 National ACDA Convention, Los Angeles, CA