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Full-Text Articles in Arts and Humanities

The Preparation Of A Graduate Eb Alto Saxophone Recital, Thomas G. Barber Jul 1970

The Preparation Of A Graduate Eb Alto Saxophone Recital, Thomas G. Barber

All Master's Theses

For years there has been a controversy about whether a person must be a good performer to be a good teacher. It is the writer's hypothesis that the musicianship developed in becoming a better performer will help one to become a better teacher.


Stylistic Characteristics Of Randall Thompson's Choral Music, Robert Hugh Creigh Jul 1970

Stylistic Characteristics Of Randall Thompson's Choral Music, Robert Hugh Creigh

All Master's Theses

Randall Thompson's choral music, widely performed by professional groups, colleges, and choirs from public schools, establishes this composer as one of the foremost in contemporary music. In view of such popularity, it would seem that choral directors should more fully acquaint themselves with some of the idiomatic characteristics of his style.


75th Annual Convocation, Sherwood Music School Jun 1970

75th Annual Convocation, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 75th Annual Spring Concert at Orchestra Hall (220 South Michigan Avenue) on May 26, 1970 and the Convocation ceremony at The Kungsholm (100 East Ontario Street) on June 16, 1970


A Performer's Analysis Of Eight Piano Sonatas Of Nicholas Medtner, Sarah Louise Kinley May 1970

A Performer's Analysis Of Eight Piano Sonatas Of Nicholas Medtner, Sarah Louise Kinley

Undergraduate Honors Thesis Collection

The piano sonatas of Nicholas Medtner are only a portion of the great heritage bequeathed to the piano by one of the most unique and significant, although relatively unknown, modern Russian composers. Medtner's personality penetrates his compositions but can be truly discovered only through considerable study of and acquaintance with his music. "But to the earnest and sincere student approaching with goodwill and sympathetic spirit, this music will yield treasures of grave and sad, but great and most moving, beauty.


Maurice Gagnon Photograph, Franco-American Collection Jan 1970

Maurice Gagnon Photograph, Franco-American Collection

Franco-American Music Traditions Exhibit

Ethnomusicologist Bau Graves has written about Maurice Gagnon (1927-1973): “Maurice Gagnon is remembered as a dynamic performer by those who him play. At the age of ten, he was already an ace harmonica player and could attract an audience and earn money playing in clubs. He played a repertoire of jigs and reels and also composed a number of tunes some of which he recorded as 45’s and one LP album. These recordings, released between 1964 and 1970, are a historical scarcity: only a relative handful of disks of traditional Maine Franco-American music have ever been available to the public.”


The Mountain Dews Photograph, Franco-American Collection Jan 1970

The Mountain Dews Photograph, Franco-American Collection

Franco-American Music Traditions Exhibit

Chuck Frechette, Bill Beauchesne, and Marcel Larrivee [L to R] have performed together since 1965. They began playing for Le Club Musicale Literaire, and after adding more members, became The Mountain Dews. Their repertoire includes western and bluegrass music. Bill first heard a bass washtub on the Ted Mack Amateur Radio Hour. He figured out how to make one and how to play it. Bill was 12 when he got together with a group of neighborhood friends playing guitar, harmonica, and washboard. Their gigs included bean suppers in church basements. Other members of the Mountain Dews have been Roland Boileau, …


The Superintendent's Point Of View Concerning Music In The High Schools Of Washington State, Morris Ray Pedersen Jan 1970

The Superintendent's Point Of View Concerning Music In The High Schools Of Washington State, Morris Ray Pedersen

All Master's Theses

A common philosophy of administrators and music educators should be prerequisite for a successful music program. This philosophy should permit enough flexibility to allow for individual differences and yet be rigid enough to encompass general education needs and goals. It can only be shared through communication. The place of music within the curriculum will be understood through this communication between the music educator and the chief administrator. It shall be the purpose of this study to encourage the shared philosophy and communication relationship between school music educators and their administrators.


An Evaluation Of The Music Holdings Of The Purdue University Library, Thomas E. Gerrish Jan 1970

An Evaluation Of The Music Holdings Of The Purdue University Library, Thomas E. Gerrish

Libraries Faculty and Staff Scholarship and Research

No abstract provided.


Two Bach Preludes And Fugues Transcribed For Wind-Band, Douglas Duane Nott Jan 1970

Two Bach Preludes And Fugues Transcribed For Wind-Band, Douglas Duane Nott

All Master's Theses

The problem was to transcribe for the modern wind-band Prelude and Fugue in G Minor and Prelude and Fugue in D Minor. Both compositions were originally written for organ by Johann Sebastian Bach.


Outlines: An Original Composition For Concert Band, Bruce Albert Stephenson Hunter Jan 1970

Outlines: An Original Composition For Concert Band, Bruce Albert Stephenson Hunter

All Master's Theses

If one attempted to study the history of jazz through the study of music playable by and available to the average high school band, he might conclude that jazz was a frivolous medium which died in the late 1940's. Outlines was composed in the hope that future high school musicians will develop a more balanced view of music trends in the last half of the century.