Arts and Humanities Commons^™

Kaya Hip-Hop In Coastal Kenya: The Urban Poetry Of Ukoo Flani, Divinity Lashelle Barkley

Independent Study Project (ISP) Collection

In the global world of the 21st Century, music is one of the few things that has the ability to cross physical as well as cultural borders, which is why my Independent Study Project (ISP) focuses on the role of hip-hop music in the youth culture in Kenya’s largest coastal city, Mombasa. Throughout history, music has proven its artistic power; inspiring people to resist oppression, challenge inequality, and even claim salvation.

This enduring characteristic of music is central to my ISP which explores the emergence of hip-hop in Kenya as well as the evolution of Ukoo Flani, one of the …

A Place In The World: Mh2o’S Construction Of A Peripheral Identity, Ryan Schutt

Independent Study Project (ISP) Collection

Hip Hop and, more specifically, Rap music, has been a culture rooted in the notion of the social periphery, the section of society excluded from mainstream, capitalist, bourgeois society. It has historically been a way for this voiceless, disenfranchised, and alienated population to criticize, question, and protest its societal position. The Movimento do Hip-Hop Organizado uses this medium as a way of politicizing and mobilizing the excluded members of Brazilian society. Using Hip-Hop, the organization constructs a socially informed, politically aware, and critically conscious community that is united through their common identification with Hip-Hop culture and MH2O. The case is …

Roma In Vojvodina: Expressions Of Cultural Identity Through Performance, Jane Kaufman

Independent Study Project (ISP) Collection

This paper begins to cover some of the ways Roma cultural identity is expressed through performance in Vojvodina. The way Roma music and dance is seen in Vojvodina is highly influenced by the “circus” image and very little scholarly writing on Roma folklore exists to challenge this image. Roma musicians in rap/hip-hop groups incorporate elements of Roma traditional music and Roma language into rap/hip-hop to confront this stereotype and in performance these influences can interact, challenging stereotypes and revealing current values and traditions.

La Musique Malgache : Moyen De Protection De L’Environnement, Geneviève Pearthree

Independent Study Project (ISP) Collection

Madagascar, dont la diversité naturelle et culturelle sont sans pareilles dans tout le monde, représente un microcosme de la lutte mondiale de satisfaire les besoins humains et en même temps protéger les ressources naturelles desquelles tout le monde dépend pour survivre. Madagascar est une des régions les plus biodiversifiées du monde : plus de 80% des espèces des flores et 90% des faunes qui se trouvent dans l’île sont endémiques à Madagascar. Partout à Madagascar, cependant, la balance fragile entre la capacité de l’environnement à fournir les humains à leurs besoins et durer pour la prochaine génération a commencé à …

Beyond The Classroom: The Implementation Of Creative Movement And Music In Schools For The Disabled, Rachel Katz

Independent Study Project (ISP) Collection

Creative movement and music are an invaluable means of creativity and expression. These art forms captivate children and nurture their growth, letting them experiment with body and sound. For students with special needs, the implementation of programs centered around creative movement, music, and dance are extremely beneficial. This study examines the effects of implementing a program based around creative movement and music in a school for the disabled in Samoa. This project is based around the observations and analysis of these activities and looks at the effects of such activities, improvements of the students, and the reactions of teachers and …

The Music Of Senegal: A Way Of Life In West Africa, Lucien Delabruere

Independent Study Project (ISP) Collection

“Music is in the veins and blood of the Senegalese people” (Bakayoko 2007). This paper aims to take a look into the reason for why this is. By examining the historical and present context of music in Senegal, one can better understand the social aspects of its music. In addition, analyses concerning the rhythmic and pedagogical importance will help provide a better picture for how we, as Westerners, can try to comprehend this rather undocumented subject.