Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Music

PDF

City University of New York (CUNY)

Publications and Research

Indian music

Articles 1 - 6 of 6

Full-Text Articles in Arts and Humanities

The Intermediate Sphere In North Indian Music Culture: Between And Beyond ‘Folk’ And ‘Classical’, Peter L. Manuel Jan 2015

The Intermediate Sphere In North Indian Music Culture: Between And Beyond ‘Folk’ And ‘Classical’, Peter L. Manuel

Publications and Research

If in discourse about traditional music in North India, the notions of “folk” and “classical” continue to be widely used, in this essay I posit the existence of an “intermediate sphere,” comprising a heterogeneous set of traditional music genres that, in different ways, shares features with both folk and classical realms. I suggest five categories in this socio-musical stratum and provide brief glimpses of some of their constituents and distinguishing features, including the distinctive sorts of theory they embody and elite patronage that sustains them. I conclude with observations about historical changes in the status of this sphere in general.


Retention And Invention In Bhojpuri Diasporic Music Culture: Perspectives From The Caribbean, India, And Fiji, Peter L. Manuel Jan 2013

Retention And Invention In Bhojpuri Diasporic Music Culture: Perspectives From The Caribbean, India, And Fiji, Peter L. Manuel

Publications and Research

No abstract provided.


Thumri, Ghazal, And Modernity In Hindustani Music Culture, Peter L. Manuel Jan 2010

Thumri, Ghazal, And Modernity In Hindustani Music Culture, Peter L. Manuel

Publications and Research

If historians of Indian classical music have been obliged to rely primarily upon a finite and often enigmatic set of treatises and iconographic sources, historical studies of semi-classical genres like thumri and ghazal confront even more formidable challenges. Such styles and their predecessors were largely ignored by Sanskrit theoreticians, who tended to be more interested in hoary modal and metrical systems than in contemporary vernacular or regional-language genres sung by courtesans. It is thus inevitable that attempts to reconstruct the development of such genres involve considerable amounts of conjecture, and in some senses raise more questions than they answer. Nevertheless, …


North Indian Sufi Popular Music In The Age Of Hindu And Muslim Fundamentalism, Peter L. Manuel Oct 2008

North Indian Sufi Popular Music In The Age Of Hindu And Muslim Fundamentalism, Peter L. Manuel

Publications and Research

No abstract provided.


The Construction Of A Diasporic Tradition: Indo-Caribbean "Local Classical Music", Peter L. Manuel Jan 2000

The Construction Of A Diasporic Tradition: Indo-Caribbean "Local Classical Music", Peter L. Manuel

Publications and Research

A historical and stylistic survey of Indo-Caribbean local-classical music, an idiosyncratic form of North Indian song created by indentured immigrants and their descendants, primarily in Trinidad and Guyana.


Legitimate And Illegitimate Variation In Raga Interpretations, Peter L. Manuel Jan 1990

Legitimate And Illegitimate Variation In Raga Interpretations, Peter L. Manuel

Publications and Research

No abstract provided.