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Red Herring (2011), Michael Schelle
Red Herring (2011), Michael Schelle
Michael Schelle
Michael Henson, clarinet Jay Young, tenor saxophone February 2013 Indianapolis, IN USA
Play Us Chastity On Your Violin (1984) Movement 3: Rhumbaba, Michael Schelle
Play Us Chastity On Your Violin (1984) Movement 3: Rhumbaba, Michael Schelle
Michael Schelle
For solo violin and chamber orchestra. Pittsburgh New Music Ensemble Sherry Kloss, violin David Stock, conductor Pittsburgh, PA 1985 The title is a line taken from "THE GAS HEART", an iconic 1921 experimental / surrealistic play by Tristan Tzara. Commissioned by the Pittsburgh New Music Ensemble and winner of the 1984 Harvey Gaul Memorial Composition Competition, PLAY US CHASTITY ON YOUR VIOLIN was a conscious move to simplicity, economy, innocence and intimacy .... all things not evident in the composers music up to 1984 . .
Resilience (2015) Movement 3: Blast Of Silence, Michael Schelle
Resilience (2015) Movement 3: Blast Of Silence, Michael Schelle
Michael Schelle
for viola, cello and orchestra - on the 70th anniversary of the end of WW2
Heartland (2007) Movement 2: Hawkeye Feeder, Michael Schelle
Heartland (2007) Movement 2: Hawkeye Feeder, Michael Schelle
Michael Schelle
For the great heartland state of Iowa, HAWKEYE FEEDER is the 2nd movement of the 7 movements of HEARTLAND (which was commissioned and premiered by the Manhattan Contemporary Chamber Ensemble at Symphony Space in NYC in March 2008).
Rain (2009), Michael Schelle
Rain (2009), Michael Schelle
Michael Schelle
Text: Vladimir Nabokov Music: Michael Schelle Commissioned by the St. Petersburg (Russia) Chamber Orchestra Julia Kogan, soprano Jeffery Meyer, conductor This is an excerpt (the final 3:00 of the piece)
Sprechstisambastimme (2011), Michael Schelle
Sprechstisambastimme (2011), Michael Schelle
Michael Schelle
THE LIGEIA QUARTET (Chicago) Cyril Wang, violin Ursula Steele, violin Alaina Rea, viola Joshua DeVries, cello
Resilience (2015) Movement 2: Rising Sun, Fallen Sky, Michael Schelle
Resilience (2015) Movement 2: Rising Sun, Fallen Sky, Michael Schelle
Michael Schelle
for viola, cello and orchestra - on the 70th anniversary of the end of WW2
Extraction On No. 9 (2013) For Large Symphonic Wind Ensemble, A Consortium Commission From A Dozen Us Bands., Michael Schelle
Extraction On No. 9 (2013) For Large Symphonic Wind Ensemble, A Consortium Commission From A Dozen Us Bands., Michael Schelle
Michael Schelle
This performance: BUTLER UNIVERSITY WIND ENSEMBLE Cond. by Robert Grechesky Indianapolis, IN USA May 2014
Samurai (1999), Michael Schelle
Samurai (1999), Michael Schelle
Michael Schelle
In Memoriam: Akira Kurosawa - by MIchael Schelle Çommissioned and premiered by: Dayton Philharmonic Orchestra Neal Gittleman, conductor January 2000 Schuster Center for the Performing Arts
Seven Steps From Hell (1985), Michael Schelle
Seven Steps From Hell (1985), Michael Schelle
Michael Schelle
for large symphonic wind ensemble Commissioned by Illinois Wesleyan University Wind Ensemble Steven Eggleston, music director and conductor
Hammerstein (1995), Michael Schelle
Hammerstein (1995), Michael Schelle
Michael Schelle
For solo piano. Kate Boyd, piano. Commissioned as the required new work for the 16 semi-finalists of the 1995 International Piano Fellowship Competition of the American Pianists Association, HAMMERSTEIN is a "wink of the eye / tongue-in-cheek" etude that draws its aesthetic and "piano technique" inspiration from the classic etudes of Chopin, Scriabin and Max Reger. However, it draws more directly from the fusion of brief, distorted fragments of two specific iconic Beethoven sources: the HAMMERKLAVIER and the WALDSTEIN sonatas - and with a touch of OSCAR HAMMERSTEIN: a brief reference to Rogers and Hammerstein's "This Nearly Was Mine" (from …
Crashout (2004) For Orchestra, Michael Schelle
Crashout (2004) For Orchestra, Michael Schelle
Michael Schelle
Commissioned by the Evansville Philharmonic Orchestra Alfred Savia, music director and conductor
Mystic Mourning (2014) For Solo Violin, Bass Clarinet, Contrabass, Piano, Percussion And Voice, Michael Schelle
Mystic Mourning (2014) For Solo Violin, Bass Clarinet, Contrabass, Piano, Percussion And Voice, Michael Schelle
Michael Schelle
temporary midi A meditation for six musicians and nine chanters (4:00 - 5:45) a.k.a. Mata Lakshmi Midi = i.e. none of the percussion or vocal parts (chanting, singing, etc.) in this recording. Premiere performance: 25 March 2014 Larry Shapiro, violin Additional file, review: http://www.nuvo.net/indianapolis/thoughts-on-a-michael-schelle-world-premiere/Content?oid=2803364#.U0El161dWf9
Godzilla Brillante (1997), Part 2, Michael Schelle
Godzilla Brillante (1997), Part 2, Michael Schelle
Michael Schelle
For 2 clarinets, bass clarinet, tenor sax, doublebass, piano and percussion Frank Glover, clarinet and tenor sax David Bellman, clarinet and bass clarinet David Murray, doublebass Richard Ratliff, piano Paul Berns, percussion Michael Schelle conductor
Contraband (1991), Michael Schelle
Contraband (1991), Michael Schelle
Michael Schelle
for band Commissioned by Kappa Kappa Psi & Indiana University Bands, Bloomington, IN First Performance: October 1991, IU Wind Symphony, Ray Cramer, conductor This performance: Butler University Symphonic Wind Ensemble Michael Schelle, conductor November 1998 Although there is a brief reference to THE UNTOUCHABLES theme (1960's TV crime program) at the very end, the main 'contraband' element of the piece is the use (and abuse) of a few brief "Tristan und Isolde" fragments - in the keys of B minor, B Major and E major (terrible keys for band). The final blow happens @ c. 8:20 when the low brass …
King Ubu (1980) Movement 3: Ubu In Chains, Michael Schelle
King Ubu (1980) Movement 3: Ubu In Chains, Michael Schelle
Michael Schelle
For large symphonic wind ensemble This is movement III. "Ubu in Chains"