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Articles 1 - 30 of 420

Full-Text Articles in Arts and Humanities

Making Wikipedia Work: Authentic Assessment And Research Skills In The Classroom, Kathleen Delaurenti, Christopher Delaurenti Apr 2016

Making Wikipedia Work: Authentic Assessment And Research Skills In The Classroom, Kathleen Delaurenti, Christopher Delaurenti

Christopher DeLaurenti

Authentic Assessment aims to provide students with an opportunity to demonstrate mastery of skills and ideas through real-world projects. This session will describe a faculty-librarian partnership to develop a semester-long Authentic Assessment project using Wikipedia to increase accessible information about women composers of the 20th and 21st centuries.

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Red Herring (2011), Michael Schelle Mar 2016

Red Herring (2011), Michael Schelle

Michael Schelle

Michael Henson, clarinet Jay Young, tenor saxophone February 2013 Indianapolis, IN USA

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Play Us Chastity On Your Violin (1984) Movement 3: Rhumbaba, Michael Schelle Mar 2016

Play Us Chastity On Your Violin (1984) Movement 3: Rhumbaba, Michael Schelle

Michael Schelle

For solo violin and chamber orchestra. Pittsburgh New Music Ensemble Sherry Kloss, violin David Stock, conductor Pittsburgh, PA 1985 The title is a line taken from "THE GAS HEART", an iconic 1921 experimental / surrealistic play by Tristan Tzara. Commissioned by the Pittsburgh New Music Ensemble and winner of the 1984 Harvey Gaul Memorial Composition Competition, PLAY US CHASTITY ON YOUR VIOLIN was a conscious move to simplicity, economy, innocence and intimacy .... all things not evident in the composers music up to 1984 . .

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Resilience (2015) Movement 3: Blast Of Silence, Michael Schelle Mar 2016

Resilience (2015) Movement 3: Blast Of Silence, Michael Schelle

Michael Schelle

for viola, cello and orchestra - on the 70th anniversary of the end of WW2

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Heartland (2007) Movement 2: Hawkeye Feeder, Michael Schelle Mar 2016

Heartland (2007) Movement 2: Hawkeye Feeder, Michael Schelle

Michael Schelle

For the great heartland state of Iowa, HAWKEYE FEEDER is the 2nd movement of the 7 movements of HEARTLAND (which was commissioned and premiered by the Manhattan Contemporary Chamber Ensemble at Symphony Space in NYC in March 2008).

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Rain (2009), Michael Schelle Mar 2016

Rain (2009), Michael Schelle

Michael Schelle

Text: Vladimir Nabokov Music: Michael Schelle Commissioned by the St. Petersburg (Russia) Chamber Orchestra Julia Kogan, soprano Jeffery Meyer, conductor This is an excerpt (the final 3:00 of the piece)

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Sprechstisambastimme (2011), Michael Schelle Mar 2016

Sprechstisambastimme (2011), Michael Schelle

Michael Schelle

THE LIGEIA QUARTET (Chicago) Cyril Wang, violin Ursula Steele, violin Alaina Rea, viola Joshua DeVries, cello

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Resilience (2015) Movement 2: Rising Sun, Fallen Sky, Michael Schelle Mar 2016

Resilience (2015) Movement 2: Rising Sun, Fallen Sky, Michael Schelle

Michael Schelle

for viola, cello and orchestra - on the 70th anniversary of the end of WW2

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Extraction On No. 9 (2013) For Large Symphonic Wind Ensemble, A Consortium Commission From A Dozen Us Bands., Michael Schelle Mar 2016

Extraction On No. 9 (2013) For Large Symphonic Wind Ensemble, A Consortium Commission From A Dozen Us Bands., Michael Schelle

Michael Schelle

This performance: BUTLER UNIVERSITY WIND ENSEMBLE Cond. by Robert Grechesky Indianapolis, IN USA May 2014

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Samurai (1999), Michael Schelle Mar 2016

Samurai (1999), Michael Schelle

Michael Schelle

In Memoriam: Akira Kurosawa - by MIchael Schelle Çommissioned and premiered by: Dayton Philharmonic Orchestra Neal Gittleman, conductor January 2000 Schuster Center for the Performing Arts

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Seven Steps From Hell (1985), Michael Schelle Mar 2016

Seven Steps From Hell (1985), Michael Schelle

Michael Schelle

for large symphonic wind ensemble Commissioned by Illinois Wesleyan University Wind Ensemble Steven Eggleston, music director and conductor

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Hammerstein (1995), Michael Schelle Mar 2016

Hammerstein (1995), Michael Schelle

Michael Schelle

For solo piano. Kate Boyd, piano. Commissioned as the required new work for the 16 semi-finalists of the 1995 International Piano Fellowship Competition of the American Pianists Association, HAMMERSTEIN is a "wink of the eye / tongue-in-cheek" etude that draws its aesthetic and "piano technique" inspiration from the classic etudes of Chopin, Scriabin and Max Reger. However, it draws more directly from the fusion of brief, distorted fragments of two specific iconic Beethoven sources: the HAMMERKLAVIER and the WALDSTEIN sonatas - and with a touch of OSCAR HAMMERSTEIN: a brief reference to Rogers and Hammerstein's "This Nearly Was Mine" (from …

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Crashout (2004) For Orchestra, Michael Schelle Mar 2016

Crashout (2004) For Orchestra, Michael Schelle

Michael Schelle

Commissioned by the Evansville Philharmonic Orchestra Alfred Savia, music director and conductor

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Mystic Mourning (2014) For Solo Violin, Bass Clarinet, Contrabass, Piano, Percussion And Voice, Michael Schelle Mar 2016

Mystic Mourning (2014) For Solo Violin, Bass Clarinet, Contrabass, Piano, Percussion And Voice, Michael Schelle

Michael Schelle

temporary midi A meditation for six musicians and nine chanters (4:00 - 5:45) a.k.a. Mata Lakshmi Midi = i.e. none of the percussion or vocal parts (chanting, singing, etc.) in this recording. Premiere performance: 25 March 2014 Larry Shapiro, violin Additional file, review: http://www.nuvo.net/indianapolis/thoughts-on-a-michael-schelle-world-premiere/Content?oid=2803364#.U0El161dWf9

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Godzilla Brillante (1997), Part 2, Michael Schelle Mar 2016

Godzilla Brillante (1997), Part 2, Michael Schelle

Michael Schelle

For 2 clarinets, bass clarinet, tenor sax, doublebass, piano and percussion Frank Glover, clarinet and tenor sax David Bellman, clarinet and bass clarinet David Murray, doublebass Richard Ratliff, piano Paul Berns, percussion Michael Schelle conductor

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Contraband (1991), Michael Schelle Mar 2016

Contraband (1991), Michael Schelle

Michael Schelle

for band Commissioned by Kappa Kappa Psi & Indiana University Bands, Bloomington, IN First Performance: October 1991, IU Wind Symphony, Ray Cramer, conductor This performance: Butler University Symphonic Wind Ensemble Michael Schelle, conductor November 1998 Although there is a brief reference to THE UNTOUCHABLES theme (1960's TV crime program) at the very end, the main 'contraband' element of the piece is the use (and abuse) of a few brief "Tristan und Isolde" fragments - in the keys of B minor, B Major and E major (terrible keys for band). The final blow happens @ c. 8:20 when the low brass …

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King Ubu (1980) Movement 3: Ubu In Chains, Michael Schelle Mar 2016

King Ubu (1980) Movement 3: Ubu In Chains, Michael Schelle

Michael Schelle

For large symphonic wind ensemble This is movement III. "Ubu in Chains"

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Letters To Derrick (1995), Frank Felice Mar 2016

Letters To Derrick (1995), Frank Felice

Frank Felice

Medium voice and piano – composed for Derrick Pennix – premiered by Mitzi Westra and Dwight Peirce, Spring of 1997

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String Quartet No. 1 (A Naive Work) (1984), Frank Felice Mar 2016

String Quartet No. 1 (A Naive Work) (1984), Frank Felice

Frank Felice

Two violins, viola and violoncello – composed for Daniel Breedon, premiered by Jeanne Benson, Daniel Breedon, Mary King and Jeffrey Holston, April 1984

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Revolution Calling! (2013), Frank Felice Mar 2016

Revolution Calling! (2013), Frank Felice

Frank Felice

Double brass choir, percussion, and four-channel fixed media – composed for Butler ArtsFest 2013 and the Howard L. Schrott Center for the Arts – premiered by Robert Grechesky and the Butler Wind Ensemble

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Voice Of The Mountains (2013), Frank Felice Mar 2016

Voice Of The Mountains (2013), Frank Felice

Frank Felice

SATB and piano – text by the composer, commissioned by Dr. Matthew Tressler and the Irvine Valley College Master Chorale

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Pasta Concerns: Three Lead Sheets (Al Dente (Or Not At All), Red Gravy (On The Side), Mr. Mostaccioli (At Your Service)) (2006), Frank Felice Mar 2016

Pasta Concerns: Three Lead Sheets (Al Dente (Or Not At All), Red Gravy (On The Side), Mr. Mostaccioli (At Your Service)) (2006), Frank Felice

Frank Felice

Jazz “lead-sheets” – premiered by Gary Walters, Jon Crabiel and Frank Felice, October 2006

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Two By Four (2004), Frank Felice Mar 2016

Two By Four (2004), Frank Felice

Frank Felice

Three violins and viola – composed for the Music Teachers National Association and the Indiana Music Teachers Association – premiered by Larry Shapiro, Davis and Lisa Brooks, and Richard Aldon Clark, November 2004

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Road To Damascus (2006), Frank Felice Mar 2016

Road To Damascus (2006), Frank Felice

Frank Felice

Single player, multi percussion – composed for Marc Wooldridge – premiered by him, September 2006

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Four Christmas Tableaux (2000), Frank Felice Mar 2016

Four Christmas Tableaux (2000), Frank Felice

Frank Felice

SATB choir and symphonic wind ensemble – texts are traditional English carols, adapted and translated by Frank Felice - composed for Concordia High School, Ft. Wayne, Indiana – premiered by Dianne Moellering in December of 2000

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The Caucasian Chalk Circle (2009), Frank Felice Mar 2016

The Caucasian Chalk Circle (2009), Frank Felice

Frank Felice

Brecht – songs and incidental music – percussion based – Owen Schaub, director

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Metamorphosis (2001), Frank Felice Mar 2016

Metamorphosis (2001), Frank Felice

Frank Felice

Kafka – incidental music/sound design - clarinet/bass clarinet, violin/guitar, electronic keyboards, percussion – composed for Butler Department of Theatre, John Green, director

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Ainúlindalë (1985), Frank Felice Mar 2016

Ainúlindalë (1985), Frank Felice

Frank Felice

Large orchestra – composed for J. Robert Hanson and the Fargo- Moorhead Symphony

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“… And So The Hole Was Dug” (2001), Frank Felice Mar 2016

“… And So The Hole Was Dug” (2001), Frank Felice

Frank Felice

Bassoon and recorded medium – composed for Doug Spaniol – premiered by him, Spring 2001

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Fifteen Pieces About Kim Ellis (1999), Frank Felice Mar 2016

Fifteen Pieces About Kim Ellis (1999), Frank Felice

Frank Felice

Clarinet, mezzo-soprano, various percussion – composed for Kim Ellis – premiered by her, Spring 2001 – some individual pieces have never been performed

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