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Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
Dual Legacies Of The Grateful Dead: Official And Unofficial, Jeremy Berg
Dual Legacies Of The Grateful Dead: Official And Unofficial, Jeremy Berg
Faculty and Staff Publications – Milner Library
This presentation explores the dual recorded legacies of the Grateful Dead: the official legacy of studio and live albums, controlled by the band and their record companies, and the unofficial legacy of concert recordings, controlled by the fans. The presentation includes a discussion of the Thanksgiving Day Massacre (when on November 22, 2005, all Grateful Dead shows were removed from the Live Music Archive) and the incident's effect on band/fan and official/unofficial recorded legacy cooperations and conflicts.
Art Imitates Life: Violence And The Music Of Metal And Rap, Gordon A. Crews, Angela D. Crews
Art Imitates Life: Violence And The Music Of Metal And Rap, Gordon A. Crews, Angela D. Crews
Gordon A Crews
The purpose of this presentation is to explore the similar evolution's of Black Metal and Gangsta Rap musical genres. The authors argue the following similarities exist: 1) different cultures and statements being made, but violence is a common thread (outcomes of violence and societal responses), 2) the music and lyrics in both reflect their cultures, histories, and lives, and, 3) there is a strong musical and lyrical expression of violence related to the behavioral expression of violence among the artists and the fans in both genres. Finally, the authors question whether art imitates life or life imitates art.
Art Imitates Life: Violence And The Music Of Metal And Rap, Gordon A. Crews, Angela D. Crews
Art Imitates Life: Violence And The Music Of Metal And Rap, Gordon A. Crews, Angela D. Crews
Angela Crews
The purpose of this presentation is to explore the similar evolution's of Black Metal and Gangsta Rap musical genres. The authors argue the following similarities exist: 1) different cultures and statements being made, but violence is a common thread (outcomes of violence and societal responses), 2) the music and lyrics in both reflect their cultures, histories, and lives, and, 3) there is a strong musical and lyrical expression of violence related to the behavioral expression of violence among the artists and the fans in both genres. Finally, the authors question whether art imitates life or life imitates art.
Vladimir Horowitz And Brahms' Piano Concerto No. 2 In B-Flat Major : 4/8/1948 With Bruno Walter And The New York Philharmonic, Diane Napert
Vladimir Horowitz And Brahms' Piano Concerto No. 2 In B-Flat Major : 4/8/1948 With Bruno Walter And The New York Philharmonic, Diane Napert
Diane Napert