Arts and Humanities Commons^™

Gentleman Death In Silk And Lace: Death And The Maiden In Vampire Literature And Film, Emily Wilson

Electronic Theses and Dissertations

This thesis contains an examination in the psychosocial significance of Hans Baldung Grien’s “Death and the Maiden” art motif, created during the Renaissance period following the Black Death, and its resurgence in the vampire fiction genre of both literature and film. I investigate the motif in Bram Stoker’s Dracula (1897) and Anne Rice’s Interview with the Vampire (1976) as well as their film adaptations by Francis Ford Coppola (1992) and Neil Jordan (1994), respectively. By examining the presence of the motif in art, literature, and film, I found that the common threads across all investigated works were the dominant social …

Narratives Of Reproductive Control In The American Eugenics Movement, Cassandra M. Provost

Honors Theses

In this paper, I will explore the eugenics movement as a pseudo-scientific political, social, and legal phenomenon which had a devastating historical impact on America’s most vulnerable women, as well as briefly discuss its residual effects on contemporary reproductive rights conversations, through the lens of literature. Using an interdisciplinary discourse and narrative analysis approach, I identify two distinct themes within the explored narratives: (1) the importance of a government’s attempt to override a person’s autonomy by destroying the person’s ability to reproduce, and (2) the impropriety of actions based on a negative attitude toward disabled or undesirable persons. In my …

Dinesen’S Diana: The Transformative Power Of Symbols In Ehrengard, Aishwarya A. Marathe

Anthós

This analysis of Dinesen's Ehrengard aims to illuminate the subversive transformation of the titular character of the novel, using the literal and symbolic application of artistic power.

Adrienne Rich And Women's Confinement, Marissa Weber

Student Writing

Adrienne Rich's poems "Snapshots of a Daughter-in-law," "Living in Sin," and "From a Survivor" weave a tale of the average American housewife expressing her discontent with her day-to-day and searching for a way out. All three poems contain themes of societal oppression scaled to a personal level, and the varying conclusions speak to the harsh reality of being a woman in the mid-twentieth century. Rich's career as an activist defined her poetic style, and her feminist pieces have remained relevant decades after they were originally published.

Embodiment And Gendered Subjectivity In Ukrainian Women’S Film, Poetry, And Prose During Perestroika (1985-1991), Sandra J. Russell

Doctoral Dissertations

In this dissertation, I look to Ukrainian women’s literary and filmic contributions in the final Soviet years of perestroika to recontextualize and reconsider feminist and gendered epistemologies in Eastern Europe. I view the last Soviet Ukrainian filmmakers, writers, and artists as groundbreaking in their conceptualization a new, more “liberal” vision of nation, especially through their increasingly open and subversive critiques of the Soviet state. I locate perestroika as a powerful moment in Ukraine’s histories of resistance to the weaponization of colonialist and imperialist mythologies, past and present. For women in particular, the stakes of this shifting articulation of nation became …

Spa321. Búsquedas De La Igualdad: Feminismo Y Abolicionismo En Los Siglos Xviii Y Xix (Sílabo Y Materiales De Lectura), Juan Jesús Payán

Open Educational Resources

SPA321 - 3 hours, 3 credits. Readings from representative works of the eighteenth and nineteenth centuries.

El curso está dedicado al examen de la situación de la mujer en la sociedad patriarcal y el compromiso abolicionista durante los siglos XVIII y XIX. Tras una contextualización sumaria sobre los problemas que subyacen a la naturalización acrítica del canon y la periodización hegemónica, debatiremos sobre los estigmas que pesaron sobre las mujeres que querían dedicarse a la literatura; discutiremos el perdurable impacto que tuvo el modelo de domesticidad del “ángel del hogar” y finalmente analizaremos la contradictoria posición ideológica encarnada en el …

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

Margaret Atwood: Amplifying The Voices Of Abused Women, Kimberly Hood

Student Writing

Margaret Atwood addresses the oppressive societal rules placed on women in her poetry. The stories of the abused are often left out of the mainstream. Her works of poetry and prose bring these silenced voices from the background and amplify them for the world to hear.

Femininity Reclaiming Chivalry In The Harry Potter Series, Ashley M. Watson

Electronic Theses and Dissertations

This paper focuses on the reclaiming of chivalric values by female characters in the Harry Potter series by comparing them to Arthurian characters. Scholars have extensively compared the narrative of the Knights of the Round Table to the global phenomenon of the Harry Potter series, but in this paper I explore, through a feminist lens, a character comparison of the Harry Potter novels and Sir Thomas Malory’s Le Morte D’Arthur. I will show how female characters in modern literature reclaim chivalry. This is important because it exemplifies a shift in the position of women into a more active role. I …

"What Camelot Means": Women And Lgbtq+ Authors Paving The Way For A More Inclusive Arthuriana Through Young Adult Literature, Jeddie Mae Bristow

MSU Graduate Theses

Arthurian literature has long been regarded as the domain of “dead white men,” dominated by Thomas Malory and Lord Alfred Tennyson. However, since medieval times, women have also been producing Arthurian literature that not only treats the women characters of the story more equitably, but makes social commentary on how the marginalized of their societies are treated. More recently, women and LGBTQ+ authors (basically, authors who are not cisgender white men) have answered the call for more diverse Young Adult literature with an Arthuriana that has a place for all, both creating a more diverse and equitable Camelot and giving …

Between The Lines: Reflexive Misogyny And Remediated Forms In A Secret Online Group Of Women Poets, Rae Elizabeth Snobl

MSU Graduate Theses

This thesis examines an online, secret writing community for 1,800+ women-only poets called “The Retreat.” Analysis of two years of Facebook posts and interviews with group members revealed a noticeable membership split between those publishing through conventional literary venues, the “traditional poets,” and social media poets. These “Instapoets,” as labeled by popular media each had between 10,000 to 125,000+ followers on sites like Instagram and Facebook—significant numbers when seen in the context of readership and monetizing. Yet, their digital, snippet poems did not hold to the literary norms of poetry, both in form and publishing method. This led to a …

Éric Touya De Marenne. Simone De Beauvoir: Le Combat Au Féminin. Presses Universitaires De France, 2019., Tessa Ashlin Nunn

Studies in 20th & 21st Century Literature

Review of Éric Touya de Marenne. Simone de Beauvoir: Le combat au féminin. Presses Universitaires de France, 2019. pp. 128.

Iron Manicures: Sex, Power, And Sedition In Margaret Atwood's Writing, Anna Zarra Aldrich

Honors Scholar Theses

Margaret Atwood has often been criticized as a bad feminist writer for featuring villainous, cruel women. Atwood has combatted this criticism by pointing out that evil women exist in life, so they should in literature as well. Every story requires a villain and a victim, for Atwood these roles are both usually played by women. This thesis will explore the idea of the woman as spectacle in both behavior and body. Women are controlled by the idea that they must care. When they stop caring, they become a threat. At the heart of Atwood’s writing are the relationships between women …

Playing God: Legacies Of Narrative Control In Danticat And Walker, Sarah Becker

Honors Projects and Presentations: Undergraduate

In The Dew Breaker by Edwidge Danticat and The Color Purple by Alice Walker characters experience and manifest power through the production of narrative, naming and labeling, and bodily interactions. Abusers such as the Dew Breaker, Duvalier, and Alphonso understand power as hierarchical, gained at the expense of others. These men commit acts of physical violence, spin scapegoat narratives which justify torture and rape, and attempt to name reality and define morality for their victims; in short, they pursue the power of a god to assert hegemony and control others. Scholars such as Bellamy suggest that the Dew Breaker is …

Christina Gerhardt And Sara Saljoughi, Editors. 1968 And Global Cinema. Wayne State Up, 2018., Anne Cunningham

Studies in 20th & 21st Century Literature

Review of Christina Gerhardt and Sara Saljoughi, editors. 1968 and Global Cinema. Wayne State UP, 2018. 422 pp.

Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon

English (MA) Theses

Looking primarily at two critically acclaimed texts that concern themselves with American citizenship—F. Scott Fitzgerald’s The Great Gatsby and Stephanie Powell Watts’ No One is Coming to Save Us—I analyze the claims made about citizenship identities, rights, and consequential access to said rights. I ask, how do these narratives about citizenship sustain, create, or re-envision American myth? Similarly, how do the narratives interact with the dominant culture at large? Do any of these texts achieve oppositional value, and/or modify the complex hegemonic structure? I use Pierre Bourdieu’s “The Forms of Capital” to investigate the ways in which economic, cultural, …

"On That Day We Will Be Free": Reflecting Women's Real Experiences In Joanna Russ's The Female Man And Margaret Atwood's The Handmaid's Tale, Victoria A. League

The Pegasus Review: UCF Undergraduate Research Journal

The feminist speculative fiction novels The Female Man (1975) by Joanna Russ and The Handmaid's Tale(1986) by Margaret Atwood mirror the real world by reflecting women's experiences. Speculative fiction, an umbrella genre that includes science fiction, fantasy, and magical realism, explores our world by discussing other worlds. Themes and events in each novel's fictional world reveal aspects of today's world, and the depictions and conditions of women in the novels illuminate heterosexist norms. Specific and clear parallels can be drawn between reality and these science fiction stories, showing that the novels critique and comment on our world's treatment of …

The Creation Of Power: Leaving The Closed Space Of Voluntary Servitude, Isabel Mae Torgove

Senior Projects Spring 2018

This project is a collection and absorption of concepts and frameworks drawn from centuries of thought. Indebted to the past, this philosophical and literary journey seeks to elucidate a productive path to follow in the wake of the “moment,” derived from Du Bois’ “double consciousness.” This split second explosion, resulting in the severance of the conception of the self from the world’s perception of the self, places one in the position of either submitting voluntarily to the dominant forces or producing and creating something, anything, to aid in the search for understanding the self. The transitive property of a split …

Vintage Red.Docx, Rowan Cahill

Rowan Cahill

Mermaid Song: The Notebooks Of The Writing Woman, Gianna T. Ward-Vetrano

Dissertations, Theses, and Capstone Projects

This thesis is built on the model of Doris Lessing’s The Golden Notebook, that is, it is a feminist project of holistic integration that does not reject fracturing, ambiguity, or contradiction, but aims to attain a more complex and thus truer portrait of the woman writing. Lessing’s notebooks examine conflicts between communism and capitalism, racial conflict in Africa, conflict between men and women, and the conflict between the protagonist Anna Wulf’s identity as a woman and her identity as a writer, each of which she then attempts to integrate into the singular golden notebook of the title. I propose …

Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall

The Downtown Review

While Alan Moore’s comic book Watchmen is often hailed as a revisionary text for introducing flawed superheroes and political anxiety to the genre, it is also remarkably regressive in its treatment of gender. Some critics do argue that women are given a newfound voice in Watchmen, but this interpretation neglects to examine character Laurie Jupiter adequately, or the ways in which other female characters' appearance and dialogue are limited and/or based on their sexuality and relationships with male characters. Watchmen's main female characters, mother and daughter Sally and Laurie Jupiter, lack autonomy and their identities are completely intertwined …

Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay

CLCWeb: Comparative Literature and Culture

In her article "Politics of Feminist Revision in di Prima's Loba" Polina Mackay explores Diane di Prima's two-volume epic Loba (1998) and, through a comparison of di Prima to the work of Adrienne Rich, argues that Loba practices a politics of feminist revision. Further, Mackay examines the ways in which di Prima starts to move away from the recovery project of female voices in patriarchal culture, associated with late twentieth-century Feminism, towards a women's literature which need not be defined entirely through its resistance to patriarchal narratives of gender in men's literature. Here it focuses on di Prima's revisionist …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

I Preferred, Much Preferred, My Version: Exploring The Female Voice And Feminine Identity Within Memoirs Of The 20th And 21st Centuries, Alexandra Fradelizio

Senior Theses

Memoirs have long been a valuable way in which individuals share and reflect on their past experiences. The genre of memoir writing especially had a tremendous impact on a range of American female writers. This thesis explores memoirs written by women throughout the 20^th century. With the shift in women’s roles during the 1900s and early 2000s, the memoirs examined emphasize the importance of feminine identity. The analysis provided within this thesis centers on each memoirist’s unique path in determining her sense of self. Moreover, the memoirists each use the process of writing to relay the value of personal …

"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal

Department of English: Dissertations, Theses, and Student Research

This digital anthology explores feminism in selected short fiction by women writers from the 1911 run of the popular women’s magazines Woman’s Home Companion, Ladies’ Home Journal, and The Farmer’s Wife. This fiction furthered the women’s rights movement by allowing women to imagine a world similar to their own with a heroine who voiced their desires and enacted change. Rather than the more experimental, inaccessible literature of avant garde high modernist writers consumed by the upper class, popular fiction reached a wider, middle class audience and was more effective at producing a progressive zeitgeist following the stilted Victorian …

Masks And Performance As Representations Of Gender Oppression And Repression In Edith Wharton’S The House Of Mirth And Nella Larsen’S Passing, Carrie A. Wilson

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

Edith Wharton and Nella Larsen’s literature focus on metaphorically representing gender oppression and repression as masked social performances that result in death being the ultimate release from the drama. Edith Wharton’s The House of Mirth depicts the heroine Lily Bart who, in the public social realm, attempts to mask herself as a disturbingly superficial character. Wharton’s masquerade imagery demonstrates the extent to which Lily socially capitalizes her beauty. Lily fixates on "clearness" and "lucidity" in events leading up to her death, which shows how dying releases her from the dishonest social masquerade (260). Nella Larsen’s heroine Irene Redfield similarly uses …

Complicating Eroticism And The Male Gaze: Feminism And Georges Bataille’S Story Of The Eye, Chris Vanderwees

Studies in 20th & 21st Century Literature

This article explores the relationship between feminist criticism and Georges Bataille’s Story of the Eye. Much of the critical work on Bataille assimilates his psychosocial theories in Erotism with the manifestation of those theories in his fiction without acknowledging potential contradictions between the two bodies of work. The conflation of important distinctions between representations of sex and death in Story of the Eye and the writings of Erotism forecloses the possibility of reading Bataille’s novel as a critique of gender relations. This article unravels some of the distinctions between Erotism and Story of the Eye in order to complicate …

Surviving The City: Resistance And Plant Life In Woolf’S Jacob’S Room And Barnes’ Nightwood, Ria Banerjee

Publications and Research

In Jacob’s Room (1922) and Nightwood (1936), Virginia Woolf and Djuna Barnes use plant life to express a profound ambivalence about the masculine-inflected ordering functions of art and morality. They show that these processes codify lived experience and distance it from the feminine and sexual. To counter this turn towards the urban inauthentic, both novels depict non-urban spaces to upend conventional notions of usefulness. They fixate on evanescent flowers, wild forests, and untillable fields as sites of resistance whose fragility and remoteness are strengths. In Jacob’s Room, I argue that the eponymous protagonist is destroyed by his conventional education …

The Ambiguity Of Panem: Capitalism, Nationalism, And Sexuality In Suzanne Collins' The Hunger Games Series, Megan Ann Peters

All Graduate Theses, Dissertations, and Other Capstone Projects

The publication of and the critical and public success of Suzanne Collins' The Hunger Games trilogy marks a significant departure from the norms of traditionally-popular young adult literature, particularly in its portrayal of a fiercely active female protagonist. This thesis argues that despite the noticeable progress these novels make in representing a strong female character, The Hunger Games series fails to adequately challenge other important aspects of oppression. I conduct a feminist literary analysis of The Hunger Games, Catching Fire, and Mockingjay, focusing specifically on representations of capitalism and commodification, national and district pride, and sexual objectification and sexual harassment …

Mediums Change, Fears Stay The Same, Lucy Wilhelms

Honors Theses

Although generally dismissed by scholars as being overly sentimental or superstitious, the gothic genre has survived for over four centuries and maintained significant cultural appeal, outlasting the sentimental novel and the travelogue as popular literature. What, then, makes this genre different? What is so special about the gothic?

In my thesis, I examine the evolving cultural appeal of the gothic genre that keeps it attractive and relevant for readers by tracing the gothic text, The Woman in Black by Susan Hill, through its initial inception and its subsequent adaptations. As a novel, The Woman in Black both repeats and revises …