Arts and Humanities Commons^™

The Nature Of Meaning Of Stories In Conversation, Livia Polanyi

Studies in 20th & 21st Century Literature

Although everyday stories told in the course of ongoing conversations are as open to multiple readings as many literary texts, the participants in the conversational storytelling situation must assign a meaning to a given telling of a story in order to facilitate the absorption of the story into the state of general talk which normally obtains. In the present paper, work done by the American linguistic school of narrative analysis (as begun by Labov and Waletzky and further developed by the author of this paper) is brought together with insights into conversational storytelling from ethno-methodological conversation analysts (Sacks, Jefferson, etc.) …

Understanding Narrative, Gerald Prince

Studies in 20th & 21st Century Literature

Our ability to understand narratives—that is, our capacity for retelling them, paraphrasing them, summarizing them, expanding them, and specifying (at least some of) their points—is a function of our narrative competence. The latter is shown to include the following set of knowledges and abilities: (1) the knowledge that narrative consists of narrating (signs representing the narrating activity, its origin, and its destination) and narrated (signs representing real or fictive situations and events in a time sequence) and the ability to distinguish between the two; (2) the knowledge that the narrated describes changes of situations in time and that the preservation …

On Reading Poems: Visual & Verbal Icons In William Carlos Williams' «Landscape With The Fall Of Icarus», Irene R. Fairley

Studies in 20th & 21st Century Literature

Williams' admiration for Brueghel's landscape is coded in structural and stylistic correspondences between the poem and the painting. Structures in the poem have effects analogous to the use of devices of color, line, foregrounding in the painting. The poem, like the painting, presents a «neutral» scene but subtly insures the reader's involvement. Further, Williams draws a visual statement so that graphic features suggest a global image isomorphic with the motif of descent. Features of the poem, such as line and clause length, syntactic construction, semantic coherence, are discussed as factors that contribute to rapid glancing and increase readability. A study …

On Meanings And Descriptions, Mieke Bal

Studies in 20th & 21st Century Literature

Although descriptive passages would appear to be of marginal importance in narrative texts, they are, in fact, of both logical and semantic necessity. Narratology, therefore, must take these segments into account. In this article, I shall survey the present situation in this field and compare rival points of view. I shall also offer several suggestions for analyzing descriptions. The following topics will be discussed: the nature of description as a specific type of discourse which makes it recognizable as such; the internal structure of description; the place and function of descriptions in the text as a whole. In the latter …

Semiotic Consequences, Jonathan Culler

Studies in 20th & 21st Century Literature

This paper outlines the semiotic perspectives of Saussure and Peirce and the points at which these quite different theories intersect. It considers the implications of these points of intersection for literary studies and uses the example of Oedipus Rex to illustrate the semiotic character of acts and facts.

The Question Of Readability In Avant-Garde Fiction, Susan Rubin Suleiman

Studies in 20th & 21st Century Literature

All avant-garde literature is in some sense «unreadable»—that is, unintelligible in terms of prevailing norms of intelligibility. Avant-garde fiction aggressively proclaims its transgressions of traditional narrative «logic,» and thus challenges at the same time the reader's belief in his or her sense-making ability; the reader may react to this threat by counter-attacking, dismissing the text as «unreadable.»

Paradoxically, the term «readable» has a negative value in Roland Barthes's terminology, where the «readable text» is opposed to Barthes's idealized notion of the truly modern «writable text.» According to Barthes, the «writable text» refuses commentary, defies all attempt at a logical, systematic …

Fiction And The Ontological Landscape, Thomas G. Pavel

Studies in 20th & 21st Century Literature

The paper examines fictional ontologies in relation to the distinction between sacred and profane ontologies. This distinction suggests that most cultures organize their worldview into various ontological landscapes. Several types of such landscapes are examined and fiction is characterized as a peripheral ontology used for ludic and instructional purposes.

El Indigenismo En México, Juan Rulfo

INTI: Revista de literatura hispánica

No abstract provided.

Women, Violence And Sacrifice In Pedro Páramo And La Muerte De Artemio Cruz, Sharon Magnarelli

INTI: Revista de literatura hispánica

No abstract provided.

La Contra-Dicción Como Ley: Notas Sobre "Es Que Somos Muy Pobres", Rose Minc

INTI: Revista de literatura hispánica

No abstract provided.

"El Gallo De Oro" Y Otros Textos De Juan Rulfo, Luis Leal

INTI: Revista de literatura hispánica

No abstract provided.

Pedro Páramo: Nihilismo Fracasado, Jonathan Tittler

INTI: Revista de literatura hispánica

No abstract provided.

El Papel Del Narrador En "La Herencia De Matilde Arcángel", Myron I. Lichtblau

INTI: Revista de literatura hispánica

No abstract provided.

Nota Del Director De Inti

INTI: Revista de literatura hispánica

No abstract provided.

Nota De Los Directores Del Simposio

INTI: Revista de literatura hispánica

No abstract provided.

Rulfo Y La Crítica, Hugo Rodríguez-Alcalá

INTI: Revista de literatura hispánica

No abstract provided.

La Obra De Juan Rulfo Vista A Través De Mircea Eliade, Manuel Durán

INTI: Revista de literatura hispánica

No abstract provided.

El Discurso Subversivo De Rulfo O La Autoridad De La Palabra Alienada, María Luisa Bastos

INTI: Revista de literatura hispánica

No abstract provided.

Pedro Páramo: Clausura De Un Proceso Histórico, Saúl Sosnowski

INTI: Revista de literatura hispánica

No abstract provided.

Sumisíon Y Rebeldía En Los Personajes De Pedro Páramo, Malva E. Filer

INTI: Revista de literatura hispánica

No abstract provided.

Serie Bibliográfica Inti I

INTI: Revista de literatura hispánica

No abstract provided.

Pedro Páramo: La Muerte Del Narrador, Roberto Echavarren

INTI: Revista de literatura hispánica

No abstract provided.

Pertelote | Fourth Edition, Spring 1981, Jacksonville State University

Pertelote

No abstract provided.

R.B. Polygraphe, Betty R. Mcgraw, Steven Ungar

Studies in 20th & 21st Century Literature

Introduction to the special issue

A Message Without A Code?, Tom Conley

Studies in 20th & 21st Century Literature

The photographic paradox is said to be that of a message without a code, a communication lacking a relay or gap essential to the process of communication. Tracing the recurrence of Barthes's definition in the essays included in Image/Music/Text and in La Chambre claire, this paper argues that Barthes's definition is platonic in its will to dematerialize the troubling — graphic — immediacy of the photograph. He writes of the image in order to flee its signature. As a function of media, his categories are written in order to be insufficient and inadequate; to maintain an ineluctable difference between …

Barthes's Imaginary Voyages, Lynn A. Higgins

Studies in 20th & 21st Century Literature

Reading L 'Empire des signes and Alors la Chine as points of departure, the article explores a network of reciprocal images of the text as voyage and the voyage as text, with Barthes as a self-styled, disinherited ethnographer/traveler.

Narrative Finality, Armine Kotin Mortimer

Studies in 20th & 21st Century Literature

The cloturai device of narration as salvation represents the lack of finality in three novels. In De Beauvoir's Tous les hommes sont mortels an immortal character turns his story to account, but the novel makes a mockery of the historical sense by which men define themselves. In the closing pages of Butor's La Modification, the hero plans to write a book to save himself. Through the thrice-considered portrayal of the Paris-Rome relationship, the ending shows the reader how to bring about closure, but this collective critique written by readers will always be a future book. Simon's La Bataille de …

Roland Barthes: Recollections In Gratitude, Leon S. Roudiez

Studies in 20th & 21st Century Literature

An informal homage in which I recall personal and professional encounters with Roland Barthes and his texts over a period of some twenty-five years, during which I developed increasing respect for the man and interest in his critical practice.

Sensationalism, Jean-Jacques Thomas

Studies in 20th & 21st Century Literature

Roland Barthes's fascination with discourse is usually considered a glorification of intellectual exchanges, the parade of a virtuoso eager to display his unalloyed dedication to logocentrism. As a consequence, scholars tend to rely on his writings as if they were principally a catalogue for the functional concepts of modernity.

The purpose of this article is to show through a close reading of Barthes's latter-day texts that his exhilarating verbal brio is first and foremost a sensuous relationship between the speaking subject and the verbal substance. In his case, this particular relationship generates a discourse akin to physical heroism, thanks to …

Barthes's Body Of Knowledge, Gregory L. Ulmer

Studies in 20th & 21st Century Literature

Roland Barthes invites a reading of his own texts in terms of the same methodologies he employs in his criticism. The «Biographeme»—those few details, preferences, inflections—which Barthes identified in his favorite authors, may be sought in Barthes as well. Barthes's biographeme, for me, consists of a glutinous effect associated with the organs of the mouth and throat as presented in several images, some of which belong to his tutor texts (Poe and Réquichot). An analysis of this biographeme reveals Barthes's strategy for disseminating the subject of knowledge—the author's fantasmatic body—through the signifiers of writing, fusing the heterogeneous singularities of the …