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Full-Text Articles in Arts and Humanities
Wet Data: The Ocean And Its Negative Archive, Kendra M. Sullivan
Wet Data: The Ocean And Its Negative Archive, Kendra M. Sullivan
Dissertations, Theses, and Capstone Projects
This paper and the poetry cycle (Wet Data) it describes are in dialogue with a wide array of social and cultural histories of the sea; the production of the sea as a social, economic, and militarized space; maritime ethnographies; as well as artistic and literary projects stemming out of what are now being termed offshore art and forensic literature. The ocean is a contested territory that plays a profound and often under-examined role in defining geopolitics and nationalism under globalism. In eco-critical and creative art contexts, the sea is often represented as a metaphor for loss, the outside, …
The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin
The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin
Master's Theses
Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …
Beginning In Heidegger, Nietzsche, And Mallarmé, Austen H. Hinkley
Beginning In Heidegger, Nietzsche, And Mallarmé, Austen H. Hinkley
Senior Projects Spring 2016
This project is focused on the theme of beginning. The first chapter is a reading of Martin Heidegger’s Being and Time as an attempt at beginning a new ontology that understands itself as a construct that must be, to quote Heidegger, “critical against itself.” The second chapter is a reading of three of Nietzsche's metaphors as a way of both examining and enacting a beginning. The third chapter is concerned with Mallarmé’s revolution of poetic form in Un coup de Dés, which enacts a new beginning on which the poem reflects through its images and form. Through an understanding of …