Arts and Humanities Commons^™

Critiquing The Discourse On Women In The Edo Era: Intertextual Studies Of Ariyoshi’S Hanaoka Seishū No Tsuma, Nina Alia Ariefa, Melani Budianta, Dhita Hapsarani

Paradigma: Jurnal Kajian Budaya

Under the Tokugawa clan, Japanese women’s position was declined throughout the Edo era (1603–1868). Almost one century afterwards, a female writer called Ariyoshi Sawako (1931–1984) raised the issue of female position in the Edo era through the novel Hanaoka Seishū no Tsuma (HSNT). This article will focus on two things. First is the exploration of the discourse of women in the Edo Era through three texts written during the era. The second part of the article will discuss the intertextuality of novel, with the discourse on women in the Edo era. New historicism method and Foucault’s concepts of discourse and …

Trauma And Stigma In Aids Literature: Tony Kushner’S Angels In America (1995) And Colm Tóibín’S The Blackwater Lightship (1999), J. Javier Torres-Fernández

Journal of Franco-Irish Studies

This paper explores the representation of trauma and stigma tied to HIV/AIDS in The Blackwater Lightship (1999) by Colm Tóibín and Angels in America (1995) by Tony Kushner. Both works arguably respond to the socio-political and biomedical crisis that affected queer identities and international politics. These experiences of health and illness highlight the silenced and marginalized voices of those infected with HIV during the 80s and 90s. HIV/AIDS-related stigma and shame marked the LGBTQ+ community under the illness as punishment metaphor for their sexuality. The role of politics and religion remains fundamental in the historical silence around this illness and …

Echoes Of The Spanish Civil War In Tolkien’S Legendarium, Alexander Retakh

Journal of Tolkien Research

The Spanish Civil War had a profound effect on the literature of the 1930s and 40s; however, it has been almost neglected in Tolkien studies. This article examines both Tolkien's potential views of the Civil War and their effect on his writings of the late 1930s such as the emerging story of Numenor. The dearth of primary sources can be rectified by studying the position on the War taken by other British Catholic intellectuals. Very likely Tolkien viewed the Civil War primarily as a religious conflict and was shaken by the highly publicized cases of anti-clerical violence. The combination of …

The Dragon Is Not An Allegory: Reading Tolkien’S Monsters In Medieval Contexts, Cait Coker, Ruthann Mowry

Journal of Tolkien Research

In his letters, J.R.R. Tolkien stated both that he considered LOTR “a fundamentally religious and Catholic work” (no. 172) but that he considered the work “built on or out of certain ‘religious’ ideas, but is not an allegory of them (or anything else)” (no. 283). However, Tolkien was also a medievalist, and understood that texts always contained a multitude of readings as documentary objects that were kept and used in specific ways. Creatures and imagery contained in medieval books provided
information to the reader, as when bestiaries explicate fauna with attributes both real and metaphysical. They thus combine fiction and …

How To Misunderstand Tolkien: The Critics And The Fantasy Master By Bruno Bacelli, Nancy Martsch

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Negative Estrangement: Fantasy And Race In The Drow And Drizzt Do’Urden, Steven Holmes

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This essay introduces the concept of negative estrangement to help understand current cultural interventions into the norms of depicting fantasy races. First, this essay builds on Shklovsky’s concept of estrangement to describe the literary practice of negative estrangement, wherein artists craft “more evil” foes based on hybridized amalgamations of stereotypes to create antipathy toward a subject, be it monster or fantasy race. This practice is sometimes used in service of confronting the issue of race and racism, despite seeming to reify or rearticulate racist stereotypes.

This essay builds on Tolkien’s argument in favor of creating “more evil” foes to exemplify …

Otherworldly But Not The Otherworld: Tolkien’S Adaptation Of Medieval Faerie And Fairies Into A Sub-Creative Elvendom, Elliott Thomas Collins

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Through a comparative analysis of Lothlorien and the medieval stories of Lanval and Sir Orfeo, this article attempts to shed some light on how the inherently pessimistic and recursive nature of Tolkien's sub-creation affects his adaptation of medieval Faerie into a sub-creative elvendom born of the creative instincts of the elves. In doing so, the article also questions Tolkien's adherence to parameters of Faerie and characteristics of elves as laid out in OFS.

The Posttraumatic Stress Disorder Of Frodo Baggins, Bruce D. Leonard

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

J.R.R. Tolkien in The Lord of the Rings accurately portrayed the signs and symptoms of what is currently labeled Post Traumatic Stress Disorder. Frodo’s condition logically follows his experiences of less than a year in the War of the Ring. Tolkien did not have access to a diagnostic manual but apparently used his keen observations from both World Wars to inform his narrative. No fantasy is employed to describe Frodo condition after the Ring is destroyed. His condition is that of a vet with PTSD. Evidence from the History of Middle-earth demonstrates the deliberate steps taken to show Frodo as …

“Fruit Of The Poison Vine”: Defining And Delimiting Tolkien’S Orcs, Sara Brown

Journal of Tolkien Research

Fantasy author NK Jemisin has commented that “Orcs are fruit of the poison vine that is human fear of ‘the Other’.” Indeed, we would have every reason to fear Tolkien’s Orcs and their difference. Every way in which they are presented, including the etymology of their species name, the fear and horror they evoke, even the food that they consume, denotes their alterity. Their skin colour, their language, and their behaviour all encourage a reading that is rooted in racialism and essentialism; embedded stereotypes invite a conclusion that this species possesses a definable set of attributes essential to its identity, …

Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You

CLCWeb: Comparative Literature and Culture

As an emerging literary subgenre in the twenty-first century, Children’s Gothic challenges and blends the norms of both children’s literature and Gothic literature, featuring child characters’ self-empowerment in the face of fears and dark impulses. The foreignness and strangeness that pertain to the genre haunt the border of its translatability. Daniel Handler’s A Series of Unfortunate Events (1999­–2006), written under the pseudonym Lemony Snicket, poses a chain of translational challenges due to its linguistic creativity, paratextual art, and mixed style of horror and dark humor intended for a child readership. To investigate the interplay between Children’s Gothic and its (un)translatability …

Poems From The Interval: Violence In Ted Hughes’S Animal Still-Lifes

The International Journal of Ecopsychology (IJE)

In his verbal still-lifes, Ted Hughes reverses the traditional dynamics of scopophilia by putting the human eye under the dying beast’s petrifying gaze. So doing, the poem entwines human and animal into an interval creature entangling human language and animal body, thriving between life and death, in a dimension akin to the bardo—in Tibetan, the “interval between two states” where the shaman is violently put to death by an animal demon to be resurrected as a new lifeform. Hence Hughes’s still-lifes are not only from the interval, but also for the interval period we are going through—the pivotal era known …

A Forgotten Woman Writer: Representations Of Women In Faridah Ahmad’S Creative Writings, Sylvia Azmy

The Undergraduate Research Journal

In her creative writings Farida Ahmad (1939-2018), an Egyptian woman writer and journalist excluded from the Arabic literary canon, subtly presents a different narrative about the leftist movement in the seventies and eighties. This research argues that Ahmad’s works, which present that women’s liberation and nation’s liberation are different, faced structural marginalization. She presents that in her novella, Akhāfu ʻalayka Minnī, using the relationship dynamics between two intellectual leftist activists, Mustafa and Nadia. Mustafa marginalizes Nadia from the political sphere through his patronizing attitude. Moreover, he utilizes the sexual (nation) liberation rhetoric and conservative rhetoric to convince Nadia to be …

No Place Like Home? A Dialogical Journey With Shlomo Biderman, Daniel Raveh

Comparative Philosophy

This paper aims to think or rethink the concept of home as the contemporary avatar of the age-old question of self-identity. In dialogue with Shlomo Biderman, a comparative philosopher without borders who feels at home both in Jewish and Indian sources, the author assembles a philosophical jigsaw-puzzle made of different materials from different thinking traditions in attempt to reveal a new picture of home (and self) compatible with the changing world of immigration, relocation, dislocation and displacement, a world of emigrants, refugees and exiles, in which we live. The puzzle pieces include Plato’s cave, Isaiah Berlin’s “inner citadel”, Shmuel Yosef …

Back Pages

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

The Language Of English, Sasha Ortiz Bazan

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

This Is Me, Kimberly Piñon

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Querida Niña, Georgina Cerda Salvarrey

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Being Part Of The Lgbtq+ Community, Genevive Cerda

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Nopayele, Cayele Ameyalli Esteva

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

El Primer Dia, Erick Esparza

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

From Roots To Wings, Anonymous Author

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Here We Stand, Nelsy Ramirez Pacheco, Chelsea Rios Gomez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

I Am, Kyra Alway

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

I Am Who I Am, Claudia Lopez-Hernandez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

¡Viva México!, Diego Vega, Georgina C. Salvarrey

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Mis Motivadores, Eduardo A. Moreno-Ortiz

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

No Effect On Me, Brenda Santos

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Our Need For Space, Alicia Lopez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Por Mi, Destiny Rodriguez

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.

Remembering My Home, Brittany Arzola

CouRaGeouS Cuentos: A Journal of Counternarratives

No abstract provided.