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Session 4: James Merrill: Life And Archive, Joel Minor, Langdon Hammer, Justin Reed Oct 2015

Session 4: James Merrill: Life And Archive, Joel Minor, Langdon Hammer, Justin Reed

James Merrill SymposiumOctober 22-23, 2015

2:45 p.m. — Session 4: James Merrill: Life and Archive

An introduction to James Merrill resources in Washington University Special Collections.

See http://omeka.wustl.edu/omeka/exhibits/show/merrill-life-archive


Session 3: Digital Merrill, Shannon Davis, Annelise Duerden, Heidi Lim, Joe Loewenstein, Timothy Materer Oct 2015

Session 3: Digital Merrill, Shannon Davis, Annelise Duerden, Heidi Lim, Joe Loewenstein, Timothy Materer

James Merrill SymposiumOctober 22-23, 2015

1:15 p.m. — Session 3: Digital Merrill

  • Shannon Davis, digital library services manager, WU: The James Merrill Digital Archive: Process and Product
  • Annelise Duerden, PhD candidate in English, WU — “Admit It Arguably A priori Admittedly I have failed”: Re-vision in the Merrill Archive
  • Heidi Lim, PhD candidate in English, WU — To Tag or Not to Tag: The Digital Markup Process as a Form of Reading
  • Timothy Materer, professor emeritus, University of Missouri — The Poem as a Netscape


Session 2: Remembering Jimmy, Stephen Yenser, Randy Bean, Judith Moffett, Rachel Hadas Oct 2015

Session 2: Remembering Jimmy, Stephen Yenser, Randy Bean, Judith Moffett, Rachel Hadas

James Merrill SymposiumOctober 22-23, 2015

10:30 a.m. — Session 2: Remembering Jimmy

  • Stephen Yenser, distinguished professor of English, UCLA — Reading an essay about his friendship with Merrill
  • Randy Bean, board member, James Merrill House Committee — Presenting on the history and initiatives of the James Merrill House
  • Judith Moffett, adjunct professor emerita of English, University of Pennsylvania — Mixed Messages, an excerpt from "Unlikely Friends: A Memoir"
  • Rachel Hadas, professor of English, Rutgers University — (via prerecorded video) reading an excerpt from "The Book of Ephraim," reading her poem, "Threshold and Mirror: the Biography," and recollecting her friendship with Merrill


Session 1: "Eyes Raised In Ecstasy": The Analog Merrill, Thomas Brennan, Tamara Taylor, Steven Meyer Oct 2015

Session 1: "Eyes Raised In Ecstasy": The Analog Merrill, Thomas Brennan, Tamara Taylor, Steven Meyer

James Merrill SymposiumOctober 22-23, 2015

9:00 a.m. — Session 1: “Eyes Raised in Ecstasy”: The Analog Merrill

  • Thomas Brennan, associate professor, Saint Joseph’s University — Ecstasy Edited? Merrill’s “Days of 1971”
  • Tamara Taylor, lecturer, WU — “Thinking Light” Between Spaces: Reflective Metaphor
  • Steven Meyer, associate professor, WU — Eye’s Mind: The Poetry of the World


Keynote Address: "The Biographical Container", Langdon Hammer Oct 2015

Keynote Address: "The Biographical Container", Langdon Hammer

James Merrill SymposiumOctober 22-23, 2015

Keynote address: “The Biographical Container” by Langdon Hammer, author of James Merrill: Life and Art (Knopf). Watch the video of the address here: https://www.youtube.com/watch?v=BquCAmR6ANI.


Welcome Remarks, Jeffrey Trzeciak Oct 2015

Welcome Remarks, Jeffrey Trzeciak

James Merrill SymposiumOctober 22-23, 2015

Welcome remarks by University Librarian Jeffrey Trzeciak


Representation Of The Mother’S Body As A Narrative Conduit For Wartime Themes In Saga, Bess Pallares May 2015

Representation Of The Mother’S Body As A Narrative Conduit For Wartime Themes In Saga, Bess Pallares

Student Research Symposium

“Representation of the Mother’s Body as a Narrative Conduit for Wartime Themes in Saga” examines how both diagetic and extradiagetic art creates a visual syuzhet to convey themes of interdependence and transgenerational memory in the comic book series Saga. My method of research was a narrative analysis of volumes 1-4 of Saga, particularly focusing on the artistic representation of two mothers’ bodies within the narrative and on covers of the books, as related to the themes and story. As a result, I found in the artistic syuzhet that the representation of two characters’ bodies as they interact …


Modernist Vocabulary, Daniel Jennings Apr 2015

Modernist Vocabulary, Daniel Jennings

Georgia State Undergraduate Research Conference

No abstract provided.


Reaching Reality: Realistic Portrayals Of Racism, Paige Evans Apr 2015

Reaching Reality: Realistic Portrayals Of Racism, Paige Evans

MAD-RUSH Undergraduate Research Conference

This paper argues that genre is essential to the accurate depiction of racism. By focusing on three landmark texts—Richard Wright’s Native Son, Ralph Ellison’s Invisible Man, and Percival Everett’s Erasure—an overview of the most powerful genres in this discussion is given. The first, Realism, is defined by its determination to show physical reality. The next, Surrealism, is associated with cognitive reality. Poststructuralism, the last genre included, is described as using the cognitive effects of Surrealism to actively commentate and critique the physical realities of Realism. It is this interaction that marks Poststructuralism as the genre best suited …


Unicorns: Past, Present And In The Imagination, Jill A. Jablonski Feb 2015

Unicorns: Past, Present And In The Imagination, Jill A. Jablonski

Ray Browne Conference on Cultural and Critical Studies

In the last few thousand years, unicorn folklore has extensively evolved. In fact, the evolution of the mentioned above mythical creature has been so drastic, that the original unicorn lore of the Greek, Roman and early Christian people, would be unrecognizable to a modern day person. Consequently, to the historical figures (such as Julius Caesar and Ctesias) that contributed to the creation of the mythical creature, they would not recognize the unicorn as it is found in My Little Pony or any other pop culture sensation. To discover the cause of disconnect between the folkloric and pop culture unicorns, an …