Arts and Humanities Commons^™

Maturing Manga: An Analysis Of Adult Themes In Shōnen Manga, Audrey Leahy

Honors College Theses

Manga is a Japanese form of visual storytelling comparable to comic books and graphic novels that has seen a significant increase in popularity abroad in the twenty-first century. In Japan, manga is published in magazines intended for particular target audiences. The two most prominent of these are shōnen, manga for young men, and seinen, manga for adult men. This paper examines these demographics and explores the growing similarities between these two demographics. The research compares the adult content and themes of manga in both shōnen and seinen manga. The series Dorohedoro and Chainsaw Man were analyzed both quantitatively for amounts …

“What Do Any Of Us Really Know About Love:” A Discussion Of Irony Within Raymond Carver’S Short Story Cycle What We Talk About When We Talk About Love, Niyonna Johnson

Honors College Theses

With minimalist technique, Raymond Carver manages to accurately depict a depressed working-class America. Current contemporary criticism has focused on the main themes of Carver’s work such as the struggle with identity, alcoholism, disconnection, and domesticity hardships; the one ideal that has seemed to be missing is the irony that lies within the lives of the characters. This paper will analyze, in depth, short stories from a short story cycle of Raymond Carver and detail how their current situations are directly juxtaposed by their occupations and how this benefits the currently discussed themes of his work.

Gender Differentiation And Gender Hierarchy In C. S. Lewis, Alicia D. Burrus

Honors College Theses

This thesis explores the evidence of sexism in the literary works of C. S. Lewis. Lewis’s relationships with women in his personal life were often estranged, and his works frequently display a predominant view of women as inferior. Each of Lewis’s major fictional works shows evidence of sexism, though such evidence lessens in frequency and prominence with each subsequent work. Lewis’s opinion and portrayal of women did change with his marriage to Joy Davidman Gresham, though his fiction never achieved a complete lack of prejudice against women.

Howling (And Bleeding) At The Moon: Menstruation, Monstrosity And The Double In The Ginger Snaps Werewolf Trilogy, Erin M. Flaherty

Honors College Theses

In this essay, I explore the radical reframing of the traditional werewolf narrative with respect to the figure of the double and the abject female body in the Ginger Snaps werewolf trilogy. Notable theorists discussed herein include Barbara Creed, Carol Clover, Julia Kristeva, April Miller and Robin Wood.

Throughout both its folkloric and cinematic history, the creature of the werewolf has been constructed almost invariably as a male monster suffering within a Jekyll and Hyde-like narrative of the double. An otherwise exemplary member of Robin Wood’s society of surplus repression, the male lycanthrope is doomed to endure a monthly transformation …

Conjuring Her Self: Hermione's Self-Determination In Harry Potter, Gwendolyn Limbach

Honors College Theses

In most classic children’s literature, a female protagonist, though the center of the story, does not exhibit agency; rather, power “arrives in the form of rescue” and is acted upon her by a male hero (Sweeney). Recent feminist children’s literature, such as The Princess and the Admiral and The Ordinary Princess, empowers the protagonist to be her own rescuer. J.K. Rowling’s Harry Potter series may not fit the expected mold of feminist children’s literature, but one of the main characters, Hermione Granger, is certainly the books’ only girl feminist. Hermione separates herself from other models of girlhood, such as the …