Arts and Humanities Commons^™

Occupying The Pedestal: Gender Issues In Ellen Gilchrist, Karon Reese

Graduate Theses and Dissertations

Ellen Gilchrist's works shows the struggles of women living in a postmodern South. This dissertation explores Gilchrist's representations of southern women as they transition from the old South to modernity. Gilchrist's work depicts women who attempt to break off the pedestal of white Southern womanhood, but never quite do, often simultaneously disrupting and confirming traditional notions of a "good Southern lady." Gilchrist shows how women occupy the pedestal as a form of refuge and also as a form of protest. These are women who, as they navigate the transition to a new South, are reluctant to surrender the privilege of …

Decoding Literary Aids: A Study On Issues Of The Body, Masculinity, And Self Identity In U.S. Aids Literature From 1984-2011, Alexander Shimon Abrams

Graduate Theses and Dissertations

Rather than waiting decades to respond, novelists of nearly every literary genre began conceptualizing the AIDS epidemic shortly after the first documented case of the virus in the United States in 1981. Writers, feeling a sense of urgency, wasted little time constructing didactic texts that differ from much historical fiction in that they were written as the tragedy they are commenting on occurred. However, AIDS literature has changed as the disease has spread well beyond the gay communities of San Francisco and New York, causing people to reexamine their longstanding beliefs on masculinity, sexuality, and body politics.

My Master's thesis …

After Orwell: Totalitarian Fears And The English Political Novel, 1950-2010, Jackson Ayres

Graduate Theses and Dissertations

After Orwell: Totalitarian Fears and the English Political Novel, 1950-2010 gives a coherent account of the English political novel after World War II, a critical narrative absent from current scholarship. I contend that George Orwell's Nineteen Eighty-Four (1949), a touchstone for political fiction, is underwritten by Orwell's conflicted attitude toward politics: despite embracing politics as the necessary means to genuinely improve people's lives, he also remained suspicious of politics' apparently inherent potential to diminish or even eliminate autonomy. Orwell's simultaneous attraction and vigorous resistance to politics, I argue, is tied to broader contemporaneous anxieties over political and cultural totalization. Such …