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Tweet Your Shared Adventure: An (Un)Continuous E-Lit Jam, Sarah Whitcomb Laiola Jul 2020

Tweet Your Shared Adventure: An (Un)Continuous E-Lit Jam, Sarah Whitcomb Laiola

Electronic Literature Organization Conference 2020

ABOUT:

For this virtual engagement session of ELOrlando, participants will create and play a collaborative work of e-lit on Twitter, modeled after Choose Your Own Adventure-style hypertext fiction. This e-lit jam will run the course of the conference, from Thursday July 16-July 19, on the hashtag #TYSA (T[weet] Y[our] S[hared] A[dventure]). All Twitter users in the ELO community are invited to join.

HOW THIS JAM WILL JAM:

On the first day of the conference, the session’s organizer (Sarah Whitcomb Laiola, @DrSarathena192 on both Twitter and Discord) will tweet out on #ELOrlando and #TYSA the beginning of an adventure story. …


Falproject, Mohsen Hazrati Jul 2020

Falproject, Mohsen Hazrati

Electronic Literature Organization Conference 2020

"A fāl or Bibliomancy is good or bad, the profit or the loss whose occurrence is predicted by hearing a word or a voice, seeing the movement or the expression, opening or reading a book, or observing a specific motif or image." Mohammad Vojdani

FAL Project is a VR-AR Prediction Machine based on an Old Iranian Bibliomancy tradition.

This project is about generating a virtual environment of a prediction using unlimited online data based on the Persian Mysticism and tradition into a VR artwork. As there are so many people who get matched results based on their niyats(Intent of prediction) …


Translating A Work Of Digital Literature Into Several Languages: A Case Study, Serge Bouchardon, Nohelia Meza Jul 2020

Translating A Work Of Digital Literature Into Several Languages: A Case Study, Serge Bouchardon, Nohelia Meza

Electronic Literature Organization Conference 2020

In 2010, the digital literature piece Déprise was published online (http://deprise.fr). Progressively, it has been translated from French into English (Loss of Grasp, 2010), Italian (Perdersi, 2011), Spanish (Perderse, 2013), and Portuguese (Perda de controlo, 2016). Every translation required changes to the original version in French but also to the other versions, leading to an intercultural and multilingual dialogue between the translators and the author.

What are the specificities of the translation of digital literature in comparison to the translation of literature in general? What does translation teach us …


Earthseed Planted: Ecofeminist Teachings In Octavia Butler's Parable Of The Sower, Delia Shahnavaz Mar 2019

Earthseed Planted: Ecofeminist Teachings In Octavia Butler's Parable Of The Sower, Delia Shahnavaz

The Pegasus Review: UCF Undergraduate Research Journal

Octavia Butler's Parable of the Sower is set in a world where patriarchal supremacy has stifled not only womankind, but also the natural environment of the Earth. By exploring the innate connection between the desecrated Earth and the strangled matriarchy, this paper draws direct links to Butler's world and ecofeminist theory by Vandana Shiva and others, ultimately concluding that Butler's "Earthseed" serves as a representation of a world in which ecofeminism reigns supreme.


Obi Nwakanma United States, 2016, Obi Nwakanma, Kathleen Hohenleitner Jan 2019

Obi Nwakanma United States, 2016, Obi Nwakanma, Kathleen Hohenleitner

UCF Created OER Works

Born and raised in southern Nigeria, Obi Nwakanma is an Igbo poet and scholar of African and African diasporan literature. The three poems included here, “A Brief Memoir of Time,” “Child of Four Winds” and “Last Will and Testament” come from his book, Birthcry (Kraft Books 2016), which was a finalist for the 2016 Nigeria Literature Prize. These poems capture the author’s uniquely lyrical, gnomic, and prophetic voice and represent well the themes that define the volume: ancestry, historical consciousness, the politics and psychology of decolonization, Africa’s place in a polyethnic global society, and openness to the future as the …


Fayeza Hasanat "When Our Fathers Die" United States, 2018, Fayeza Hasanat, Kathleen Hohenleitner Jan 2019

Fayeza Hasanat "When Our Fathers Die" United States, 2018, Fayeza Hasanat, Kathleen Hohenleitner

UCF Created OER Works

English is the most spoken language in the world, even though Chinese is the most widely spoken native language. Many people across the globe speak English as a second language. In this story, written by the first Bangladeshi woman in print in the US, a college professor from Bangladesh teaches English and is mocked for her Bangladeshi accent. The student who mocks her otherizes her but also looks to her as a mother figure, which creates a complicated overlapping of imagery in her efforts to teach him, to forgive him, to forgive herself for being absent from her Bangladeshi family, …


"Not To Die, But To Survive": The Construction Of Female Voice In Isabel Allende's The House Of The Spirits, Emily Thomson Jan 2018

"Not To Die, But To Survive": The Construction Of Female Voice In Isabel Allende's The House Of The Spirits, Emily Thomson

The Pegasus Review: UCF Undergraduate Research Journal

Isabel Allende's debut novel The House of the Spirits follows three generations of a Chilean family, focusing primarily on the lives of the grandmother, daughter, and granddaughter. Living under a controlling patriarch and an oppressive government, these women strive to reclaim and maintain their identities in a world that denies and rejects their agency and experiences. This literary critical essay discusses the means through which Allende's characters, and Allende herself, create their own narratives: silence, speech, and writing. Through extensive close reading and analysis of Allende's text, I examine the individual and combined narratives constructed by these methods, and how …


"On That Day We Will Be Free": Reflecting Women's Real Experiences In Joanna Russ's The Female Man And Margaret Atwood's The Handmaid's Tale, Victoria A. League Jan 2018

"On That Day We Will Be Free": Reflecting Women's Real Experiences In Joanna Russ's The Female Man And Margaret Atwood's The Handmaid's Tale, Victoria A. League

The Pegasus Review: UCF Undergraduate Research Journal

The feminist speculative fiction novels The Female Man (1975) by Joanna Russ and The Handmaid's Tale(1986) by Margaret Atwood mirror the real world by reflecting women's experiences. Speculative fiction, an umbrella genre that includes science fiction, fantasy, and magical realism, explores our world by discussing other worlds. Themes and events in each novel's fictional world reveal aspects of today's world, and the depictions and conditions of women in the novels illuminate heterosexist norms. Specific and clear parallels can be drawn between reality and these science fiction stories, showing that the novels critique and comment on our world's treatment of …


Genetic Engineering As Literary Praxis: A Study In Contemporary Literature, Taylor Evans Jan 2012

Genetic Engineering As Literary Praxis: A Study In Contemporary Literature, Taylor Evans

Electronic Theses and Dissertations

This thesis considers the understudied issue of genetic engineering as it has been deployed in the literature of the late 20th century. With reference to the concept of the enlightened gender hybridity of Cyborg theory and an eye to ecocritical implications, I read four texts: Joan Slonczewski's 1986 science fiction novel A Door Into Ocean, Octavia Butler's science fiction trilogy Lilith's Brood – originally released between 1987 and 1989 as Xenogenesis – Simon Mawer's 1997 literary novel Mendel's Dwarf, and the first two books in Margaret Atwood's speculative fiction MaddAddam series: 2003's Oryx and Crake and 2009's The Year Of …


The Machine, The Victim, And The Third Thing: Navigating The Gender Spectrum In Margaret Atwood's Oryx And Crake And The Year Of The Flood, Lindsay Mccoy Anderson Jan 2012

The Machine, The Victim, And The Third Thing: Navigating The Gender Spectrum In Margaret Atwood's Oryx And Crake And The Year Of The Flood, Lindsay Mccoy Anderson

Electronic Theses and Dissertations

This thesis explores Atwood's depiction of gender in Oryx and Crake and The Year of the Flood. In an interview from 1972, Margaret Atwood spoke on survival: "People see two alternatives. You can be part of the machine or you can be something that gets run over by it. And I think there has to be a third thing." I assert that Atwood depicts this "third thing" through her characters who navigate between the binaries of "masculine" and "feminine" in a third realm of gender. As the female characters—regardless of their passive or aggressive behavior—engage in a quest for agency, …