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Post-Pastoral And The Nonmodern: Jean Giono’S Engagement With Nature, Gina Stamm

Studies in 20th & 21st Century Literature

Dismissal of the pastoral as naïve and hostile to progress echoes the critiques which Bruno Latour, in We Have Never Been Modern, makes of what he calls the “antimodern” sensibility. Rather than advocating for an abandonment of the past, however, Latour puts forth a position he calls “nonmodern,” one that allows for recognition of the value of the past and of the natural without idolizing it, that does not demand the forward motion of the modern impulse. While eschewing the “modern” label, he seeks a way to resolve contemporary dichotomies of man vs. nature, human vs. technological, etc., which …

Reviews Of Recent Publications

Studies in 20th & 21st Century Literature

Kathyrn Everly. History, Violence, and the Hyperreal: Representing Culture in the Contemporary Spanish Novel by Nina L. Molinaro

Jill Robbins. Crossing Through the Chueca: Lesbian Literary Culture in Queer Madrid by Salvador A. Oropesa

Juan Pablo Dabove. Nightmares of the Lettered City: Banditry and Literature in Latin America 1816-1929 by María Zalduondo

Federico Bonaddio. Federico García Lorca. The Poetics of Self-Consciousness by Carlos Jerez-Farrán

Aníbal González. Love and Politics in the Contemporary Spanish American Novel by Mónica Adriana Agrest

(De)Humanizing Humor: The Anthill Of Life And Politics In The Theatre Of Sabina Berman, Priscilla Meléndez

Studies in 20th & 21st Century Literature

This article examines several theatrical works of this Mexican dramatist by means of ironic humor as a powerful resource to examine the nature of human communication, and to expose the serious and devastating social and political aspects of contemporary culture: machismo, political corruption, sexual violence, sexism, exploitation, historical manipulation, and hopelessness. In a tense environment where humor might not seem appropriate, Berman masterfully uses and critically examines it as a means to understand humor’s serious implications and its comic imperfections, as she subtly recurs to but also parodies some of the most recognized theories of humor. Berman’s use of incongruity …

Almost The Same, But Not Quite: Re-Orienting The Story Of The Subject In Christina Fernández Cubas's El Año De Gracia , Jessica A. Folkart

Studies in 20th & 21st Century Literature

Cristina Fernández Cubas's novel El año de Gracia (1985), about a young Spaniard who is shipwrecked on a deserted island with only a mangy shepherd for company, evokes the political dialectics of self/other found in the European's discovery and conquest of an unknown island in Robinson Crusoe. In Fernández Cubas's literary depiction of the European subject, however, she situates him on the margins of power in order to view the dynamic from a different perspective. The postcolonial theorizations of Edward Said and Homi Bhabha inform this analysis of how Fernández Cubas's castaway is at first overpowered by the other …

European Hospitality Without A Home , Mireille Rosello

Studies in 20th & 21st Century Literature

How do European governments conceptualize what they call "hospitality" when they draft immigration laws and when they allow the concepts of asylum, of illegal immigrants, to change according to a constantly evolving political context? What consequences…

Combas & Co. Or The Figure And The Great Divide, Monique Yaari

Studies in 20th & 21st Century Literature

The young painter, Robert Combas, leader of the 1980s "figuration libre" 'free figuration' movement, is seen here both as representative of stylistic and thematic trends in contemporary French art, and as illustrative, through the unfolding of his career, of the object "painting" and its sociology in contemporary France. Examined are: first, the "Postmodern convergence" of figurative, indeed narrative art, with the collapse of the "great divide" between elite and popular art forms; and second, traits such as hypertrophic verbal paratext, high erotic content, and political stand. Similar threads are followed in the work of a number of other artists, old …

The Stone And Its Images: The Poetry Of Nancy Morejón, Alan West

Studies in 20th & 21st Century Literature

The essay explores the roots of Nancy Morejón's poetry within the context of a transculturated afro-Cuban identity. Beginning by an examination of the poems that directly deal with the orishas of santería, the essay moves on to some of her more lyric poetry. Morejón's relationship to Dulce María Loynaz provides particular interest in how both writers treat the metaphor of the house in two important poems. This is followed by a discussion of some of Morejón's overtly feminist poetry, placed both within a Cuban context of the history of its revolution, and the displacement of exile (in dialogue with Cuban …

Power, Gender, And Canon Formation In Mexico, Cynthia Steele

Studies in 20th & 21st Century Literature

I propose to analyze Castellanos's trajectory from marginalized ethnographer and critic of "latino" society, to presidential insider and ambassador, and the first modern Mexican woman writer to be accepted into the literary canon. I will explore the intersection of politics, gender, and the (self-) creation of a literary persona with regard to the following issues: 1) the tension between self-exposure and self-censorship in Castellanos's literary work; 2) Castellanos's intense and problematic relationship with her illegitimate, mestizo half-brother; 3) the coincidences and contradictions between Castellanos's journalistic account of her relationship with her servant Maria Escandon, and Maria's own oral history twenty …

Some Wheat And Some Chaff: Jean Paulhan And The Postwar Literary Purge In France, Michael Syrotinski

Studies in 20th & 21st Century Literature

A somewhat overlooked figure of French literary history, Jean Paulhan has resurfaced in the polemic surrounding the wartime activities of many respected intellectuals, most prominently Blanchot, Heidegger and de Man. Commentators on Paulhan's role in the intellectual history of the period have tended to avoid reading his texts closely. Paulhan—one of the "heroes" of the literary Resistance in France during the Second World War—took the extremely unpopular and controversial stance after the Liberation of criticizing the National Committee of Writers' proposed purge of suspected collaborationist writers. This essay demonstrates the rigorous consistency of Paulhan's position in the context of his …

A Reconsideration Of Two Spanish Women Poets: Angela Figuera And Francisca Aguirre, John C. Wilcox

Studies in 20th & 21st Century Literature

In the last decade, poetry written by women in Spain experienced a "boom," as one close observer of the scene has noted, with the result that young women poets on the Peninsula have begun to receive the attention they merit. It is therefore an opportune moment to turn our critical attention toward the poetry written by women earlier in the twentieth century.

Angela Figuera (1902-1984) and Francisca Aguirre (b. 1930), two "uncanonized" mid-twentieth century Spanish poets, are presented here as challenging the androcentric culture of their time. Figuera critiques the male-dominated poetic canon as she develops a gynocentric poetics; poems …

Introduction, Claire L. Dehon

Studies in 20th & 21st Century Literature

Introduction to the special issue on Africa: Literature and Politics

Postmodernity And Fin De Siècle In Uruguay, Hugo Achugar

Studies in 20th & 21st Century Literature

Since the end of the military regime, Uruguay has been culturally and politically divided. During the period of repression, the opposition was united against the dictatorship. Yet economic decline and the military dictatorship have profoundly divided Uruguayan culture. On the positive side, new cultural actors have emerged—women, younger poets and writers and the marginalized—on the negative side, there is a sense of malaise that has neither been adequately discussed nor theoretized.

The Order Of Bourgeois Protest, Geoffey Waite

Studies in 20th & 21st Century Literature

Relatively little theoretical work is currently being produced by Western "Leftists" on committed protest culture. Simultaneously and not by chance, Western Marxism has drifted increasingly away from solidarity with the concept and practice of the vanguard party and toward a more or less easy compact with the problematic of poststructuralism and postmodernity. This relative paucity of discussion of commitment and protest stands in significant relationship to two critical moments: first, a powerful, overtheorized tradition of Western Marxist debate about commitment and protest (Benjamin, Sartre, Barthes, Marcuse, Adorno, among others); second, a wide-spread, undertheorized work-a-day practice of "traditional" liberal …

Literary Aftershocks Of The Revolution: Recent Developments In Algerian Literature, Eric Sellin

Studies in 20th & 21st Century Literature

Most Algerian Francophone literature has been written since 1950, and thus the development of that literature has been intimately linked to the political events which forged the Algerian nation. Especially influential was the 1954-62 war of independence which for many years was a major contextual element in the literature. With the passage of time, the Revolution has begun to be less and less cognitive in the lives and works of the young writers. For some, Revolution lives on in the oneiric evocations of horrors glimpsed, for others it is something relegated to history, whereas for yet others it has become …