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Full-Text Articles in Arts and Humanities
The Question Of Readability In Avant-Garde Fiction, Susan Rubin Suleiman
The Question Of Readability In Avant-Garde Fiction, Susan Rubin Suleiman
Studies in 20th & 21st Century Literature
All avant-garde literature is in some sense «unreadable»—that is, unintelligible in terms of prevailing norms of intelligibility. Avant-garde fiction aggressively proclaims its transgressions of traditional narrative «logic,» and thus challenges at the same time the reader's belief in his or her sense-making ability; the reader may react to this threat by counter-attacking, dismissing the text as «unreadable.»
Paradoxically, the term «readable» has a negative value in Roland Barthes's terminology, where the «readable text» is opposed to Barthes's idealized notion of the truly modern «writable text.» According to Barthes, the «writable text» refuses commentary, defies all attempt at a logical, systematic …
Narrative Finality, Armine Kotin Mortimer
Narrative Finality, Armine Kotin Mortimer
Studies in 20th & 21st Century Literature
The cloturai device of narration as salvation represents the lack of finality in three novels. In De Beauvoir's Tous les hommes sont mortels an immortal character turns his story to account, but the novel makes a mockery of the historical sense by which men define themselves. In the closing pages of Butor's La Modification, the hero plans to write a book to save himself. Through the thrice-considered portrayal of the Paris-Rome relationship, the ending shows the reader how to bring about closure, but this collective critique written by readers will always be a future book. Simon's La Bataille de …