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Articles 1 - 13 of 13
Full-Text Articles in Arts and Humanities
My Itinerary, Edmond Jabès
Epilogue: Jabès And Postmodernism, Eric Gould
Epilogue: Jabès And Postmodernism, Eric Gould
Studies in 20th & 21st Century Literature
Epilogue: Jabès and Postmodernism
The Dialogue Of Absence, Richard Stamelman
The Dialogue Of Absence, Richard Stamelman
Studies in 20th & 21st Century Literature
The Dialogue of Absence
Edmond Jabès: From One Path To Another, Stéphane Mosès
Edmond Jabès: From One Path To Another, Stéphane Mosès
Studies in 20th & 21st Century Literature
Edmond Jabès: From One Path to Another
The Book Of Resemblances Remains To Be Written, Joseph Guglielmi
The Book Of Resemblances Remains To Be Written, Joseph Guglielmi
Studies in 20th & 21st Century Literature
The Book of Resemblances Remains to be Written. From La Ressemblance Impossible: Edmond Jabès
From The Book Of Resemblances, Edmond Jabès
From The Book Of Resemblances, Edmond Jabès
Studies in 20th & 21st Century Literature
From The Book of Resemblances
The Atheistic Theology Of Edmond Jabès, Edward K. Kaplan
The Atheistic Theology Of Edmond Jabès, Edward K. Kaplan
Studies in 20th & 21st Century Literature
The Atheistic Theology of Edmond Jabès
Endlessly Signifying What Is Absent, Jean Frémon
Endlessly Signifying What Is Absent, Jean Frémon
Studies in 20th & 21st Century Literature
Endlessly Signifying What Is Absent
On Dialogue And The Other An Interview With Edmond Jabès, Richard Stamelman
On Dialogue And The Other An Interview With Edmond Jabès, Richard Stamelman
Studies in 20th & 21st Century Literature
The interview look place in Paris on May 30, 1985, at the home of Edmond Jabès.
Black And White, Massimo Cacciari
Black And White, Massimo Cacciari
Studies in 20th & 21st Century Literature
Black and White
Nabokov's Amphiphorical Gestures , S. E. Sweeney
Nabokov's Amphiphorical Gestures , S. E. Sweeney
Studies in 20th & 21st Century Literature
In addition to using two primary kinds of metaphors (those that clarify descriptions, and those that develop into leitmotifs), Nabokov's fiction demonstrates a third kind that is characterized by extended analogies, baroque, seemingly uncontrolled imagery and rhetoric, and, most importantly, fundamental ambiguity. Although this inherent ambiguity is developed throughout the comparison, it is never resolved. Because of this distinguishing characteristic, I have named such metaphors "amphiphors," after one of Nabokov's own neologisms. Nabokov's comments in Nikolai Gogol and Lectures on Russian Literature, as well as direct allusions to Gogol embedded in a few amphiphors, suggest that this device evolved …
Practicing Nostalgia: Time And Memory In Nabokov's Early Russian Fiction , Philip Sicker
Practicing Nostalgia: Time And Memory In Nabokov's Early Russian Fiction , Philip Sicker
Studies in 20th & 21st Century Literature
Nabokov's earliest Russian fiction reveals his lifelong preoccupation with time and his complex strategies for preserving heightened moments of experience. Dissatisfied with the brevity of involuntary (Proustian) recall, his émigré protagonists strive to inhabit their Russian past more fully through a painstaking process of aesthetic re-creation. Beginning with a handful of vivid recollections, the hero of Mary gradually fabricates a past that is more intensely real than the original. Nabokov's most mature characters, however, recognize the solipsistic danger and utility of living in a vanished mental paradise. Turning to the present, they find unexpected beauty in the arrangement of ordinary …
Voices Of Authority And Linguistic Autonomy In Niebla , Mary Lee Bretz
Voices Of Authority And Linguistic Autonomy In Niebla , Mary Lee Bretz
Studies in 20th & 21st Century Literature
Miguel de Unamuno's works have often been studied as expressions of his philosophy or life experience. More recent literary theory has eschewed approaches that foreground the author, preferring to focus primarily on the text or the reader. Utilizing Mikhail Bakhtin's theory of the novel, this paper analyzes Niebla, one of Unamuno's most frequently studied works, to illustrate that new literary theories can enrich our reading of the text. Bakhtin argues that the novel is characterized by many voices or styles which the novelist welcomes and exploits. The novel should not be viewed as having a single style but as …