Arts and Humanities Commons^™

In Awe Of The Past, Charles Lein

The Hilltop Review

No abstract provided.

Late Medieval Mediterranean Apocalypticism: Joachimist Ideas In Ramon Llull’S Crusade Treatises, Michael Sanders

The Hilltop Review

The thirteenth century witnessed dramatic changes that transformed the medieval world and remain important today. The violent changes caused by the War of the Sicilian Vespers and Spiritual Franciscan movement popularized the apocalyptic ideas of the twelfth-century Italian abbot, Joachim of Fiore. The abbot's historical paradigms of biblical history influenced many southern Europeans, including the medieval mystic, missionary, and philosopher Ramon Llull (c. 1232-1316). Llull dedicated his life to converting the world to Catholic Christianity using a variety of means, including evangelical missions, Neoplatonic philosophy, and crusades. Llull's crusade treatises, the Tractatus de modo convertendi infideles (1292), Liber de fine …

The Rhetoric Of Exile In The Preaching And Teaching Of The Anglo-Saxon Church: Glimpses Of The Cultural Ideology In Old English Homilies, Yi-Chin Huang

The Hilltop Review

Abstract.

This article explores how the early medieval vernacular homiletic discourse produced in Anglo-Saxon England strategically employs the rhetoric exile, a theme whose significance is also articulated widely in Old English poetry. As words denoting such similar ideas as exile, banishment, exclusion, casting/driving out, etc., recur significantly in the homilies of the Anglo-Saxon Church, including the homilies of Ælfric, Wulfstan, and the Blickling and Vercelli Codices, I propose an analysis of the instances in which the rhetoric about exile is used in preaching and theology in order to reveal not only the Church authors/teachers’ ability and effort to translate Latin …

Hamlet And Amleth, Princes Of Denmark: Shakespeare And Saxo Grammaticus As Historians And Kingly Actions In The Hamlet/Amleth Narrative, Megan Arnott

The Hilltop Review

Shakespeare played a decisive role in creating a Middle Ages for the generations that came after him. The two tetralogies, which include Richard II, Henry IV Part 1 and Part 2, Henry V, Henry VI Part 1-3 and Richard III, comprise the body of work that is commonly studied for medievalisms, and in these plays Shakespeare’s interpretation of the past demonstrates nation building, ‘Englishness,’ and a concern about the nature of power. A different kind of engagement with the medieval past is occurring in Hamlet, Prince of Denmark, though Hamlet is no less concerned with …