Arts and Humanities Commons^™

Havens And Covens: Pregnancy, Witchcraft, And Female Power In Cotton Mather’S “Retired Elizabeth”, Brittney A. Hatchett

Criterion: A Journal of Literary Criticism

Over the decades, scholars have been holding two adjacent conversations about witchcraft and gender in Cotton Mather’s works that surprisingly have not been put in dialogue. On the one hand, they have examined Mather’s witchcraft ideology and motivations for involving himself in the Salem witch trials. On the other hand, scholars have discussed how Mather seeks to exert control over women spiritually and physically. However, no one has yet explored how these conversations might converge. I suggest that we can see how Mather intertwines discourses of witchcraft and gender in the section titled “Retired Elizabeth” in The Angel of Bethesda. …

Maternal & Spiritual Healing In J.D. Salinger's Nine Stories, Emily Pittman Hoste

Electronic Theses and Dissertations

After World War II, spiritual and emotional healing was needed in America, despite a dependence upon materialism and conspicuous consumption for success. J.D. Salinger’s short-story cycle, Nine Stories (1953), explores what loss and trauma look like from all sides of war—mother, child, soldier, lover—all are harmed by war. Nine Stories emphasizes the need for nationwide spiritual healing and suggests that mothers offer the necessary antidote to consumeristic America. In fact, eight of Salinger’s Nine Stories employ one of three types of mothers: the self-serving and ineffectual mother; the spiritual, often surrogate maternal guide; and the ideal mother. While the ineffectual …

“I Save Me”: Gender, Agency, And Power In Better Call Saul, Stephanie Kocer

All Graduate Theses, Dissertations, and Other Capstone Projects

Historically, women on television have been portrayed in wife and mother roles, making them a foil to their husbands, but never the main focal point of the show. These characters stay on the sidelines, without being given truly original storylines where they are allowed to drive their own narratives. During the first season of Better Call Saul, Kim Wexler is a supporting character, without any storylines that aren’t linked to Jimmy McGill. Jimmy often treats Kim as a damsel in distress. He thinks it’s his job to save her, and usually from the chaos that he’s created. In this thesis …

Adding A Dimension: Illustrating Triple Consciousness Theory In The African American Literary Tradition, Asia Wesley

Electronic Theses and Dissertations

This thesis examines the way gender expands and nuances W.E.B. DuBois’s double consciousness theory, which depicts the African American identity as a doubleness that is both American and Negro. Black feminist criticism’s nuanced formulation of DuBois’s formulation of Black identity allows the African American literary tradition to be seen through three lenses: an American, a Negro, and an African American’s gender identity. In order to further contemporize the pre-existing Black feminist criticism, I examine Hurston, Brooks, and Morrison in the three time periods that followed DuBois’s coining of double consciousness theory: (1) the Harlem Renaissance, (2) the Civil Rights Movement …

Affective Histories Of Southern Trauma: Shame, Healing, And Vulnerability In Us Southern Women’S Writing, 1975–2006, Faune Albert

Doctoral Dissertations

This dissertation explores the affective impacts of historical trauma around slavery and segregation in the US South, arguing for the importance of understanding US Southern history through the ways in which it has lived and continues to live in and on the bodies of Southerners marked by race and gender and class and within emotional life in the South. The texts in this study—Gayl Jones’ Corregidora (1975), Dorothy Allison’s Trash (1988), Ellen Gilchrist’s Net of Jewels (1992), and Natasha Trethewey’s Native Guard (2006)—engage the affective impacts of intergenerational and insidious trauma through portrayals of Southern women struggling to give voice …

Anger, Genre Bending, And Space In Kincaid, Ferré, And Vilar, Suzanne M. Uzzilia

Dissertations, Theses, and Capstone Projects

This dissertation examines how women’s anger sparks the bending of genre, which ultimately leads to the development of space in the work of three Caribbean-American authors: Jamaica Kincaid, Rosario Ferré, and Irene Vilar. Women often occupy subject positions that restrict them, and women writers harness the anger provoked by such limitations to test the traditional borders of genre and create new forms that better reflect their realities.

These three writers represent Anglophone and Hispanophone Caribbean literary traditions and are united by their interest in addressing feminist issues in their work. Accordingly, my research is guided by the feminist theoretical frameworks …

Iron Manicures: Sex, Power, And Sedition In Margaret Atwood's Writing, Anna Zarra Aldrich

Honors Scholar Theses

Margaret Atwood has often been criticized as a bad feminist writer for featuring villainous, cruel women. Atwood has combatted this criticism by pointing out that evil women exist in life, so they should in literature as well. Every story requires a villain and a victim, for Atwood these roles are both usually played by women. This thesis will explore the idea of the woman as spectacle in both behavior and body. Women are controlled by the idea that they must care. When they stop caring, they become a threat. At the heart of Atwood’s writing are the relationships between women …

The Typewriter And The Literary Sphere: An Analysis Of Turn-Of-The-Century Literature, Emma K. Holdbrooks

Honors Theses

My thesis explores the typewriter’s impact on early 20^th century American literature. By providing authors with the means to produce work accurately and effectively, the typewriter changed the process of writing. Typewriters also created job opportunities for women, who often served as typists. The typist became the foothold position that changed America’s perception of women in the work force and helped usher in a new social concept, “the New Woman.” To illustrate my claim, I show how the typewriter allowed poets like E. E. Cummings to experiment with spacing. Cummings made the typewriter’s standardization of text and spacing into …

Narratives Of Incarcerated Women, Kaceylee Klein

Honors Scholar Theses

Our criminal-justice system mandates the silencing and disappearing of 2.3 million people, a consequence of its historical context as an inherently violent institution, carrying on traditions of slavery, oppression, and extortion. While any voice that makes it out of a prison cell is resisting the effort to silence, smother, and make compliant the voices of those labeled criminal, the form of publication of that voice allows more or less agency to the author depending on its conventions and structures. There is a spectrum from more controlled or mediated forms of publications to more author-directed ones and they vary over the …

Multicultural Women Writers, Nashieli Marcano, Jennifer Jacobs

Research Guides & Subject Bibliographies

No abstract provided.

Mislabeled Muses, Deborah L. Dougherty

English Department: Traveling American Modernism Posters (ENG 366, Fall 2018)

No abstract provided.

Race, Slavery, And Evasion: Whitman And Melville’S Changing Perspectives And Their Glancing Poetic Treatment Of The Core Civil War Issue, Said Fallaha

Department of English: Dissertations, Theses, and Student Research

Whitman and Melville’s poetry about the Civil War is almost completely silent when it comes to slavery. Both writers depict a newly emancipated person in their poems about the Civil War, but they seem to do so almost as an afterthought. Both Whitman's “Ethiopia Saluting the Colors” and Melville's “Formerly a Slave” represent an elderly African American woman. These poems stand alone in their representation of an African American. Peter J. Bellis argues that both writers were concerned with how to negotiate national emotions and policies by the end of the war and these “emotions” and “policies” were vital to …

We See Things With Our Eyes And We Want Them, Ann Ward

MFA Program for Poets & Writers Masters Theses Collection

WE SEE THINGS WITH OUR EYES AND WE WANT THEM is a novel is stories following a female narrator, Janine, through adolescence and adulthood. Whether inspired by a spark of sexual tension over snack cakes, a broken down purple ‘96 Saturn named Lydia, a child’s pool party, or an ill-advised journey through a hospital air-vent system, Janine finds herself obsessed with trying to understand those she loves, and attempts to share the deeper parts of herself in the process.

Two Southern Women Writers: The Civil War Journals Of Emily Jane Liles Harris And Mary Boykin Chesnut, Robert L. Wilson

Graduate Theses

Through the examination of primary texts, along with appropriate secondary criticism, I argue that Southern women during the Civil War were not the mythological “Southern Belle” that they have often been portrayed as, but that they were intelligent, strong, and passionate writers. I examine the farm journal of Emily Jane Liles Harris and contrast it to the private journal kept by Mary Boykin Chesnut, to explore the role that education and literacy, writing, and authorial voice played in women’s lives during the War. Close attention to the role education and background played in the lives of these women, the uniqueness …

The Geographic Center Of Nowhere, Sharon Mauldin Reynolds

Murray State Theses and Dissertations

The Geographic Center of Nowhere. A collection of short stories exploring the perseverance of several women in varied situations.

Against The Pursuit Of 'Life's Delirium': Modern Queer Readings Of Kate Chopin's "The Awakening" And Fanny Fern's "Ruth Hall", Nina Posner

Scripps Senior Theses

This essay explores modern queer readings of The Awakening and Ruth Hall, with an emphasis on feeling, time, femininity, and maternity.

Lost Women, Recently Found, Maya Moverman

Senior Projects Spring 2016

Senior Project submitted to The Division of Languages and Literature of Bard College

Protofeminist Women In Bronte’S Jane Eyre And Braddon’S Lady Audley’S Secret, Allison Wong

Dissertations and Theses

No abstract provided.

Reading Nostalgia, Anger, And The Home In Joyce Carol Oates’S Foxfire, Heather A. Hillsburg

Bearing Witness: Joyce Carol Oates Studies

This article draws from Svetlana Boym’s concept of reflective nostalgia to explore the intersections between violence, memory, and the home in Joyce Carol Oates’s novel Foxfire. Through reflective nostalgia, Maddy is able to link the abuse she and her friends endure to various iterations of the home. Reflective nostalgia also allows Maddy to draw connections between anger and the domestic realm, and to write the members of FOXFIRE back into dominant narratives that largely exclude their lived experiences. Ultimately, this paper argues that because nostalgia often centers on the home, it is ideally suited to foreground the untenable nature …

Early American Women Critics: Performance, Religion, Race [Book Review], Elizabeth Maddock Dillon

Elizabeth Maddock Dillon

No abstract provided.

Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley

Masters Theses

Although Tennessee Williams does not openly champion the rights of women in his plays, he presents strong cases against their social alienation in a harsh and brutal world governed by men. Williams' emotional leanings, sensitivity, and intuition enable him to see life through women's eyes. In The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke, Williams astutely sounds the battle cry for women to fight against male oppression. He shows how Amanda Wingfield, Laura Wingfield, Blanche Dubois, Stella Kowalski, and Alma Winemiller are held hostage to the rules governing patriarchal society and become unhappy marginalized victims. The self-contained …

Man Poems: From Beer And Gears To Grills And Girls, Christopher Ward

Christopher Ward

Man Poems: From Beer and Gears to Grills and Girls is a collection of poetry aimed at males between the ages of 20-40. From casual observation, including the spectacular wonders of alcohol and the female body, to the humorous: re-visiting the classic heavy rock hits of the 1980s, the varied works of Man Poems offer an interesting look into the mind and surroundings of author Christopher Ward.

Melville And Women In Specific Relation To "Bartleby, The Scrivener", Kaitlin Eckert

Pell Scholars and Senior Theses

Although there are no female characters in Herman Melville's "Bartleby, the Scrivener," there is a clear sense of femininity that breaks through the barriers Melville has created showing that there is no such thing as a man's world. Within the thesis background on the author is revealed that may lend insight in to reasoning behind the lack of women, as well as specific cases where femininity is present.

Female Liberation In The Awakening And “The Yellow Wall-Paper”, Kevin Chen '10

2010 Spring Semester

Kate Chopin’s The Awakening and Charlotte Perkins Gilman’s “The Yellow Wall-Paper,” both initially published in 1899, present strikingly similar stories of the plight of women in society. Both texts adopt a markedly feminist bias, narrated from the point of view of a female protagonist who wrests with the restrictive conventions of a misogynistic society before finally breaking free through separation from the thinking world, via suicide in The Awakening and insanity in “The Yellow Wall-Paper.” Some would argue that the women themselves are flawed, through either mental instability or rampant libido, and thus the stories are skewed through the eyes …

Puppies, Pearls, And Corpses On The Road: F. Scott Fitzgerald’S Treatment Of Women In The Great Gatsby, Eleanor Cory '12

2010 Spring Semester

“…That’s the best thing a girl can be in this world, a beautiful little fool” (21). These are the words of Daisy Buchanan, a woman around whom the entire novel seems to revolve. Her story is one of a woman who loses her first love and instead marries a man who proved unfaithful and angry. Knowing that the story was written as a critique of society at the time, one might expect Daisy to eventually empower herself to leave this situation and escape the stereotype of the weak woman. The actual story could not be more different. In his attempts …

The Possibility Of Female Autonomy In The Awakening And “The Yellow Wall-Paper”, Liana Nicklaus '10

2010 Spring Semester

Both The Awakening by Kate Chopin and “The Yellow Wall-Paper” by Charlotte Perkins Gilman present female main characters pursuing individual autonomy. At first, it would appear that both of these characters gain their freedom in the course of their respective stories. In The Awakening, Edna is able to escape from her husband into a new house, and pursue romantic interests with other men, and at the end of “The Yellow Wall-Paper,” the protagonist exclaims, “I’ve got out at last!” (Gilman 20). However, there are several elements in each piece which hint that liberation is not truly achievable. In actuality, societal …

Female Initiates In Faulkner, Nancy Joan White

Masters Theses

No abstract provided.