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Boone, Joy (Field) Bale, 1912-2002 (Mss 588), Manuscripts & Folklife Archives Sep 2016

Boone, Joy (Field) Bale, 1912-2002 (Mss 588), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 588. Papers of poet, editor and activist Joy Bale Boone, Elkton, Kentucky, relating primarily to her service as chair of the Committee for the Center for Robert Penn Warren Studies at Western Kentucky University. Includes correspondence, Committee records, collected data on Robert Penn Warren, and photographs. Also includes audio and video interviews of Boone and colleagues.


Kittens In The Oven: Race Relations, Traumatic Memory, And The Search For Identity In Julia Alvarez’S How The García Girls Lost Their Accents, Natalie Carter Jul 2014

Kittens In The Oven: Race Relations, Traumatic Memory, And The Search For Identity In Julia Alvarez’S How The García Girls Lost Their Accents, Natalie Carter

Natalie Carter

The search for an ever-elusive home is a thread that runs throughout much literature by authors who have immigrated to the United States. Dominican authors are particularly susceptible to this search for a home because “for many Dominicans, home is synonymous with political and/or economic repression and is all too often a point of departure on a journey of survival” (Bonilla 200). This “journey of survival” is a direct reference to the dictatorship of Rafael Leonidas Trujillo Molina, who controlled the Dominican Republic from 1930-1961. The pain and trauma that Trujillo inflicted upon virtually everyone associated with the Dominican Republic …


Inheritance Of The Past: Patriarchy, Race And Gender In Faulkner's And Chopin's South, Therese D. Osborne Aug 2013

Inheritance Of The Past: Patriarchy, Race And Gender In Faulkner's And Chopin's South, Therese D. Osborne

Master of Liberal Studies Theses

The death of the Confederacy sealed in white southern memory a lost world of beauty that denied the cruelty of its “peculiar institution.” Southern writers have seemed haunted by this conflict between the cherished past of their ancestors and the reality of the devastated region, with its legacy in slavery. Through the commentary of women diarists who mourn their crumbling society, and selected works of William Faulkner and Kate Chopin, this paper examines the myth and reality of the southern past. It reveals the enduring impact of the all-powerful white patriarchy that gave order to the antebellum South, destroyed it, …


The Merits Of Anger: "Put Out" And "Being Outdoors" In Toni Morrison's The Bluest Eye, E. Frances Bower Apr 2013

The Merits Of Anger: "Put Out" And "Being Outdoors" In Toni Morrison's The Bluest Eye, E. Frances Bower

Senior Theses and Projects

No abstract provided.


Kittens In The Oven: Race Relations, Traumatic Memory, And The Search For Identity In Julia Alvarez’S How The García Girls Lost Their Accents, Natalie Carter Jan 2010

Kittens In The Oven: Race Relations, Traumatic Memory, And The Search For Identity In Julia Alvarez’S How The García Girls Lost Their Accents, Natalie Carter

Scholarship and Professional Work - LAS

The search for an ever-elusive home is a thread that runs throughout much literature by authors who have immigrated to the United States. Dominican authors are particularly susceptible to this search for a home because “for many Dominicans, home is synonymous with political and/or economic repression and is all too often a point of departure on a journey of survival” (Bonilla 200). This “journey of survival” is a direct reference to the dictatorship of Rafael Leonidas Trujillo Molina, who controlled the Dominican Republic from 1930-1961. The pain and trauma that Trujillo inflicted upon virtually everyone associated with the Dominican Republic …


"How Come Everybody Down Here Has Three Names?": Martin Ritt's Southern Films, Michael Adams Jan 1981

"How Come Everybody Down Here Has Three Names?": Martin Ritt's Southern Films, Michael Adams

Publications and Research

The treatment of the American South in six films by director Martin Ritt (1914-1990) from 1958 to 1979 reveals an emphasis on outsiders, family dynamics, and race relations.