Articles 1 - 3 of 3
Full-Text Articles in Arts and Humanities
“To Be Men, Not Destroyers”: Developing Dabrowskian Personalities In Ezra Pound’S The Cantos And Neil Gaiman’S American Gods, Michelle A. Nicholson
University of New Orleans Theses and Dissertations
Kazimierz Dabrowski’s psychological theory of positive disintegration is a lesser known theory of personality development that offers an alternative critical perspective of literature. It provides a framework for the characterization of postmodern protagonists who move beyond heroic indoctrination to construct their own self-organized, autonomous identities. Ezra Pound’s The Cantos captures the speaker-poet’s extensive process of inner conflict, providing a unique opportunity to track the progress of the hero’s transformation into a personality, or a man. American Gods is a more fully realized portrayal of a character who undergoes the complete paradigmatic collapse of positive disintegration and ...
What Is Really Funny: Humor Ahead Of Its Time In The Twentieth Century American Novel, Timothy Baffoe
All Student Theses
This thesis sets out to examine a specific function that humor has played in twentieth century American literature and that is reflective of American culture today—that being a constant testing of boundaries of who and what are allowed to be considered funny. Zora Neale Hurston’s Their Eyes Were Watching God (1937) gives readers a woman whose struggle for a Black female voice lands her on an informal standup comedy stage. Lolita (1955) by Vladimir Nabokov walks a tightrope of taboo subject matter, encouraging readers to appropriately—though maybe uncomfortably—laugh at the inappropriate, and this decades before such ...
Any Bodies' Protest Novel: Challenging The Politics Of Canon Formation In The Works Of Nella Larsen, Zora Neale Hurston, And James Baldwin, Anthony M. Casciano
English Master’s Theses
James Baldwin, Nella Larsen, and Zora Neale Hurston are three authors who are very often read alongside one another in classrooms, book groups, and history. This grouping is often based on a system of seemingly arbitrary but identity-based categorical structures . Facets of the author' s assigned social categories (African i\merican, woman, queer) are read within a greater historical context to create stability, meaning, continuity, and mass-identification where it may or may not actually exist. However, a thorough examination of the aesthetic commonalities and connections between each of these authors ' most wel l known works reveal s not an engagement ...