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Full-Text Articles in Arts and Humanities
From Borderlands To Border Islands: Intersections Between Anzaldúa's Chicana Feminist Theory And U.S. Latina Literature From The Hispanic Caribbean, Cristina Gonzalez Martin
From Borderlands To Border Islands: Intersections Between Anzaldúa's Chicana Feminist Theory And U.S. Latina Literature From The Hispanic Caribbean, Cristina Gonzalez Martin
Theses and Dissertations
This thesis studies three texts by three U.S. Latina authors from the Hispanic Caribbean through the lens of Chicana feminist border theory. The works analyzed are How the García Girls Lost Their Accents (1991) by Dominican author Julia Alvarez, Dreaming in Cuban (1992) by Cuban-American novelist Cristina García, and the memoir Almost a Woman (1998) by Puerto Rican author Esmeralda Santiago. The theoretical framework used is Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza. The objective is to show how these texts manifest the formation of a hybrid, diasporic, in-between identity that corresponds with Anzaldúa’s definition of mestiza consciousness or la …
“I’Ll Come Back And Break Your Spell”: Narrative Freedom And Genre In The Haunting Of Hill House, Hilarie Ashton
“I’Ll Come Back And Break Your Spell”: Narrative Freedom And Genre In The Haunting Of Hill House, Hilarie Ashton
Publications and Research
In The Haunting of Hill House, Shirley Jackson interplays repression and fear inside a “normal” world, reshaping the modern Gothic novel. In this article, I trace key moments in the text where the perceptions of her complicated protagonist, Eleanor Vance, appear without the mediation of the narrator, via verb tenses, punctuation/formatting choices, and quotation. Many of these moments, I argue, occur in narrative spaces that are more quotidian than Gothic (some not even chilling at all). With the periodic narrative freedom, which I call bare thoughts, this recalibrates the division between imaginary and reality while opening up possibilities for …