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Full-Text Articles in Arts and Humanities
A Refuge For Jae-In Doe: Fugues In The Key Of English Major, Seo-Young J. Chu
A Refuge For Jae-In Doe: Fugues In The Key Of English Major, Seo-Young J. Chu
Publications and Research
"A Refuge for Jae-in Doe: Fugues in the Key of English Major"
- Author(s):
- Seo-Young Chu (see profile)
- Date:
- 2017
- Subject(s):
- Feminism, Creative nonfiction, Asian American literature, Sonnets, Social justice, Trauma
- Item Type:
- Essay
- Tag(s):
- #MeToo, Stanford, women in academia, early american
- Permanent URL:
- http://dx.doi.org/10.17613/cp82-8f39
Lesbian Love Sonnets: Adrienne Rich And Carol Ann Duffy, Robin Seiler-Garman
Lesbian Love Sonnets: Adrienne Rich And Carol Ann Duffy, Robin Seiler-Garman
Senior Theses
Our conceptualization of sexuality is rooted in gender. Modern, western society defines sexuality as which genders one is and is not attracted to—often appearing as a binary between homosexuality and heterosexuality. Recently, however, queer theorists have begun to push against the idea of binary sexuality altogether.
The interplay between gender and sexuality additionally manifests in the history of literature. Because the two are so intimately intertwined, writing about sexuality necessitates writing about gender. Twenty-One Love Poems by Adrienne Rich and Rapture by Carol Ann Duffy are two poetry collections where, as lesbian poets, gender and sexuality play an important role. …
Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall
Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall
The Downtown Review
While Alan Moore’s comic book Watchmen is often hailed as a revisionary text for introducing flawed superheroes and political anxiety to the genre, it is also remarkably regressive in its treatment of gender. Some critics do argue that women are given a newfound voice in Watchmen, but this interpretation neglects to examine character Laurie Jupiter adequately, or the ways in which other female characters' appearance and dialogue are limited and/or based on their sexuality and relationships with male characters. Watchmen's main female characters, mother and daughter Sally and Laurie Jupiter, lack autonomy and their identities are completely intertwined …
“Without Stopping To Write A Long Apology”: Spectacle, Anecdote, And Curated Identity In Running A Thousand Miles For Freedom, Anjelica La Furno
“Without Stopping To Write A Long Apology”: Spectacle, Anecdote, And Curated Identity In Running A Thousand Miles For Freedom, Anjelica La Furno
Theses and Dissertations
Running a Thousand Miles for Freedom unapologetically challenges traditional nineteenth-century notions of race and gender by way of its treatment of spectacle, anecdotal use, and assertion of authorial choices that contradict the expectations of a white abolitionist audience. Its most challenging feature is what I will call Ellen’s “curated identity.”
Flesh In Line With The Mind : Gender In Caitlin Kiernan’S The Drowning Girl., Sarah Buckley
Flesh In Line With The Mind : Gender In Caitlin Kiernan’S The Drowning Girl., Sarah Buckley
College of Arts & Sciences Senior Honors Theses
This paper analyzes how Caitlyn R. Kiernan in her novel The Drowning Girl characterizes gender identity, particularly in regards to women, both transgender and cisgender. The book's characterization of gender roles for cisgender men, cisgender women, and transgender women, while seeming on the surface to subvert sexist stereotypes, reproduces the pitfalls of feminist literary criticism popularized in the 1970s and 1980s. Notably, such themes include viewing women's madness as a method of transcending masculine rationality, a dichotomized essentialism of masculinity and femininity, and universalizing women's experience without regards to race, class, and nationality. Transgender autobiographical and literary archetypes employed in …
Ironic Deference : An Inquiry Into The Nineteenth-Century Feminist Rhetoric Of Kesiah Shelton., Melissa Rothman
Ironic Deference : An Inquiry Into The Nineteenth-Century Feminist Rhetoric Of Kesiah Shelton., Melissa Rothman
Electronic Theses and Dissertations
This project examines the works of Kesiah Shelton, a writer for popular magazines in the late nineteenth century who used irony in interesting ways to critique the social norms of the period. Although, scholars have noted that female authorship was a an expanding field during this period, there were very specific gendered expectations limiting what female authors wrote about; women were primarily limited to writing about domestic matters and were discouraged from taking up other topics associated with the male public sphere such as politics. Many scholars have noted how the cult of domesticity valorized women as superior moral beings, …
Ethics Of Care On The Narrative Margins Of Willa Cather’S The Professor’S House And Death Comes For The Archbishop, Jeannette E. Schollaert
Ethics Of Care On The Narrative Margins Of Willa Cather’S The Professor’S House And Death Comes For The Archbishop, Jeannette E. Schollaert
Department of English: Dissertations, Theses, and Student Research
Willa Cather’s Southwestern novels feature cultured male protagonists as the driving sources of action. The male characters explore the natural world and advance the plot, but Cather positions female figures, particularly spinster figures, on the sidelines of the protagonists’ plots to offer support and connection with the natural world. Using an ethic of care framework and ecofeminist Val Plumwood’s master model, this thesis examines the ways in which Cather marginalizes female figures even as they serve crucial roles in the male protagonists’ development. While the male protagonists link spinster figures and sexualized feminine bodies with the natural world, they imbue …
When Worlds Collide: Feminism, Conservatism And Twentieth Century Authors, Madison Cooney
When Worlds Collide: Feminism, Conservatism And Twentieth Century Authors, Madison Cooney
Honors Theses
Two streams of literary narratives appearing during the Great Depression grew from personal and historical experiences of their women authors with overlapping but very different perspectives on American cultural history. These were: 1) The accounts of rural frontier Midwestern regional experiences of Laura Ingalls Wilder, as edited and shaped in part by her daughter and writing partner Rose Wilder Lane, in retrospect during the New Deal era; and 2) the 1920s urban African-American experience of Zora Neale Hurston in the context of an emerging national black artistic and intellectual scene. Through a shared feminism emphasizing freedom for women, these authors …