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Naturalism And The New Woman: Fated Motherhood In Kate Chopin's The Awakening And Edith Wharton's The House Of Mirth, Lindsay J. Patorno

Honors Theses

Proto-feminist novels have garnered great critical attention in recent decades, largely owing to the reclamation efforts of feminist scholars from the 1960s onwards. These feminist scholars have remarked the fin-de-siècle emergence of a recurring narrative archetype: the unabashed New Woman, whose exploits in what were traditionally male-dominated spheres distinguished her from the domesticated matrons and sentimental bachelorettes of past literary paradigms. While the New Woman is now a commonplace among feminist critics, the following thesis uniquely interprets this feministic archetype in conjunction with the concurrent movement of American literary naturalism—a genre that proffers a deterministic worldview and is often regarded …