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Full-Text Articles in Arts and Humanities
Heroine Of The Peripheral: An Exploration Of Feminism And Anti-Feminism In The Poetry Of Sylvia Plath, Devoney Looser
Heroine Of The Peripheral: An Exploration Of Feminism And Anti-Feminism In The Poetry Of Sylvia Plath, Devoney Looser
Augsburg Honors Review
Recognizing that there are many legitimate ways to view Plath's work, this study doesn't claim a definitive reading or even a glimpse into the 'real' Sylvia Plath. Instead, the following exploration will focus on feminist and anti-feminist renderings of motherhood in Plath's Crosstng the Water, Ariel, and Winter Trees. This study doesn't set out to prove or disprove these labels as they relate to Plath either. My intention is not to make value judgments about various aspects of the poetry but rather to highlight the contradictions and the co-existence of feminist and anti-feminist qualities in the text.
Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan
Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan
Journal of Feminist Scholarship
In her foreword to the groundbreaking anthology, This Bridge Called My Back: Writings by Radical Women of Color, Toni Cade Bambara (1983) famously argues that the great work of feminist writing is “to make revolution irresistible.” This statement is often read as a founding call of women-of-color feminism, and of feminist literary expression in particular. Yet Bambara’s notion of the “irresistible” extends beyond the page; throughout her works, she also uses the term as a key descriptor of her pedagogy, and her vision of the classroom. Bambara joins Audre Lorde and other Black feminist writer/teachers in insisting on a …
Warrioress In White: A Semiotic Analysis Of America's Joan Of Arc In The Women Of The Copper Country, Akasha Khalsa
Warrioress In White: A Semiotic Analysis Of America's Joan Of Arc In The Women Of The Copper Country, Akasha Khalsa
Conspectus Borealis
Mary Doria Russell’s The Women of the Copper Country is a fictionalized historical account of the 1913 mining strike in the Keweenaw Peninsula. Significantly in this strike, a great deal of leadership was focused in the Union’s Women’s Auxiliary. In particular, one woman formed the backbone of the local movement. Known by her community as Big Annie, Anna Klobuchar Clements was the heart of the 1913 strike. Memories of her bravery linger today in the form of recorded testimonies by elderly community members, immortalization in plaques and songs, and Russell’s popular novel. Today she is remembered not as herself, not …
Hettie Jones And Bonnie Bremser: Complicating Feminist And Beat Master Narratives, Nancy Effinger Wilson
Hettie Jones And Bonnie Bremser: Complicating Feminist And Beat Master Narratives, Nancy Effinger Wilson
Journal of Feminist Scholarship
The Beat master narrative suggests that all Beats ignored racism; the feminist wave model suggests that there was no feminist activism between the first and second wave of feminism and no attention to the intersection of race and gender prior to the third wave. Both models discount and in the process erase the efforts by Beat writers Bonnie Bremser and Hettie Jones who challenged racism and sexism before the more visible civil rights and feminist movements of the 1960s. Employing Milton Bennett's Developmental Model of Intercultural Sensitivity to analyze the intercultural/interracial attitudes present in Bonnie Bremser’s Troia and Hettie Jones’ …
Anthropocene Feminism By Richard Grusin, Stephanie Eccles
Anthropocene Feminism By Richard Grusin, Stephanie Eccles
The Goose
Review of Richard Grusin's Anthropocene Feminism.
Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall
Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall
The Downtown Review
While Alan Moore’s comic book Watchmen is often hailed as a revisionary text for introducing flawed superheroes and political anxiety to the genre, it is also remarkably regressive in its treatment of gender. Some critics do argue that women are given a newfound voice in Watchmen, but this interpretation neglects to examine character Laurie Jupiter adequately, or the ways in which other female characters' appearance and dialogue are limited and/or based on their sexuality and relationships with male characters. Watchmen's main female characters, mother and daughter Sally and Laurie Jupiter, lack autonomy and their identities are completely intertwined …
The Weight Of “Glory”: Emily Dickinson, George Eliot, And Women’S Issues In Middlemarch, Megan Armknecht
The Weight Of “Glory”: Emily Dickinson, George Eliot, And Women’S Issues In Middlemarch, Megan Armknecht
Criterion: A Journal of Literary Criticism
No abstract provided.
Feminism And The Force Of Institutions In Twenty-First Century Dystopian Novels, Stephanie Roman
Feminism And The Force Of Institutions In Twenty-First Century Dystopian Novels, Stephanie Roman
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Agent Red: Fashioning Agency In Margaret Atwood's The Handmaid's Tale, Christopher M. Yalen
Agent Red: Fashioning Agency In Margaret Atwood's The Handmaid's Tale, Christopher M. Yalen
Oglethorpe Journal of Undergraduate Research
In Margaret Atwood's The Handmaid's Tale, we are introduced to a dystopian patriarchal society named Gilead, where women are relegated to the roles of wife, servant, and surrogate. Although the men of Gilead have built this society with men at the top, the women of the novel show a surprising amount of agency within their own spheres of influence. So the question remains: who is really in control of Gilead? While men are certainly remain the figureheads of power in The Handmaid's Tale, we find that the women of the novel have copious influence within their own realms, …
Anticipative Feminism In F. Scott Fitzgerald’S This Side Of Paradise And Flappers And Philosophers, Andrew Riccardo
Anticipative Feminism In F. Scott Fitzgerald’S This Side Of Paradise And Flappers And Philosophers, Andrew Riccardo
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.