Arts and Humanities Commons^™

Love On The Spectrum: Djuna Barnes’S Case Against Categorization In Nightwood, Kaitlyn A. Alford

Masters Theses

Djuna Barnes’s Nightwood is a challenging and beautiful text that continues to confound readers almost 100 years after its original publication. Though the text is often read as a “lesbian” novel, I consider the possibilities available when we read this text instead with a more open queerness in mind. By looking at the novel’s treatment of image, time, history, gender, sexuality, and identity, a new way of reading is revealed which rejects moves of taxonomization and categorization. This thesis explores how Barnes challenges dominant modes of representation and understanding, not to be a simple contrarian, but to present a new …

Affective Histories Of Southern Trauma: Shame, Healing, And Vulnerability In Us Southern Women’S Writing, 1975–2006, Faune Albert

Doctoral Dissertations

This dissertation explores the affective impacts of historical trauma around slavery and segregation in the US South, arguing for the importance of understanding US Southern history through the ways in which it has lived and continues to live in and on the bodies of Southerners marked by race and gender and class and within emotional life in the South. The texts in this study—Gayl Jones’ Corregidora (1975), Dorothy Allison’s Trash (1988), Ellen Gilchrist’s Net of Jewels (1992), and Natasha Trethewey’s Native Guard (2006)—engage the affective impacts of intergenerational and insidious trauma through portrayals of Southern women struggling to give voice …

The Environmental Imaginations Of Moby-Dick: Technology And Vulnerability In Human/More-Than-Human Relationships, Jensen A. Lillquist

Graduate Student Theses, Dissertations, & Professional Papers

In the twenty-first century, the relationship between the human and the more-than-human is a problem of massive proportions, as we live in an age of climate change, mass-extinction, over-population, and resource depletion. Evaluating how we have arrived where we are and re-thinking the issues at play as we move forward is crucial for future adaptation of human/more-than-human relationships; this is the primary goal of my analysis of the environmental imaginations of Moby-Dick.

I argue that the four primary environmental imaginations—the providential, the utilitarian, the Romantic, and the ecological—that have influenced United States culture since European settlement are represented by Herman …

Materialism’S Affective Appeal, Elizabeth Mazzolini

The Goose

Citing the pronounced lack of academic engagement with Middlesex since its publication and riffing on the novel’s recounting of the demise of the auto industry in Detroit, Mazzolini examines how cycles of obsolescence and currency work within academic discourse and ultimately advocates for the novel’s potential for examining the material and affective nature of relevance itself.

Affective Ecologies: Empathy, Emotion, And Environmental Narrative By Alexa Weik Von Mossner, David Tagnani

The Goose

Review of Alexa Weik von Mossner's Affective Ecologies: Empathy, Emotion, and Environmental Narrative.

Queer Affect In T.S. Eliot's Early Poetry, Michael Houle

Chancellor’s Honors Program Projects

No abstract provided.

Ecologies Of The Moving Image: Cinema, Affect, Nature By Adrian J Ivakhiv, Edie Steiner

The Goose

Review of Adrian J. Ivankhiv's Ecologies of the Moving Image: Cinema, Affect, Nature.

Transferential Poetics, From Poe To Warhol, Adam Frank

Literature

Transferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience— their transferential poetics. The book’s historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. …

Feeling With Imagination: Sympathy And Postwar American Poetry, Timothy A. Dejong

Electronic Thesis and Dissertation Repository

This dissertation examines how sympathy, defined as the act of “feeling with” another, develops within American poetics from 1950-1965 both as aesthetic strategy and as political response to Cold War culture. Re-examining the social aims of postwar poets typically either thought of as apolitical or yoked to political positions not in fact evidenced by their poems, I argue that these poets, by developing forms of sympathy that negotiate the middle space between the aesthetic conventions of late modernist poetry and the social concerns of postwar American culture, instantiate a self-questioning, often implicit form of “soft politics” that both prefigures and …