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Full-Text Articles in Arts and Humanities
Science And Madness: Echoes Of Freudian Psychoanalysis In The Works Of H.P. Lovecraft And The Weird, Brandon J. Cordova
Science And Madness: Echoes Of Freudian Psychoanalysis In The Works Of H.P. Lovecraft And The Weird, Brandon J. Cordova
FIU Electronic Theses and Dissertations
The purpose of this thesis was to highlight the influence of psychoanalysis on the writing of H.P. Lovecraft through a literary analysis of his critical essays, scientific essays, personal correspondence, and fiction. The subjects of note were Lovecraft’s intense focus on the sciences as an inspiration for his work, his awareness of Freudian psychoanalytic principles, and his application of those principles in his contributions to weird fiction. In doing so, this thesis explored alternative interpretations of some of Lovecraft’s more well-known stories and provided nuance to a bigoted, problematic figure of American literature. This paper highlighted the significant role of …
Representations Of Women In The Literature Of The U.S.-Mexico War, Janel M. Simons
Representations Of Women In The Literature Of The U.S.-Mexico War, Janel M. Simons
Department of English: Dissertations, Theses, and Student Research
This dissertation examines figures of women as represented in the literature of the U.S.-Mexico war in order to think through the ways in which the border conflict was preserved in nineteenth-century U.S. American collective memory. Central to my dissertation is a consideration of the intersections of history, myth, legend, and fiction in the memorialization of this war. This dissertation demonstrates that a close look at fictionalized accounts of women’s experiences of and roles in the U.S.-Mexico war highlights the ways in which historical fictions influence how we remember this moment of our collective past.
Focusing on popular accounts of the …
Douglass’ Reply To A. C. C. Thompson’S ‘Letter From Frederick Douglass,’ As Reprinted In The Anti-Slavery Bugle: A Critical Edition Of Both Letters, With A Summary Of Maryland’S Fugitive Slave Laws, Kayla Hardy-Butler
Nineteenth-Century Ohio Literature
Kayla Hardy-Butler presents a famous letter by Frederick Douglass, as it was published in Ohio, with the letter that prompted it. This edition also includes a summary of Maryland slave statutes from the time to better explain the day-to-day experience of slavery debated in this correspondence.
The Purloined Letters: A Collection Of Mail Robbery Reports From Ohio Papers, 1841-1850, Marc Cibella
The Purloined Letters: A Collection Of Mail Robbery Reports From Ohio Papers, 1841-1850, Marc Cibella
Nineteenth-Century Ohio Literature
Marc Cibella’s essay introduces and explains why nineteenth-century Americans got excited about newspaper reports of mail robbery.
Fashioning A Feeble Mind: Cognitive Disability In American Fiction, 1830-1940, Lucy Wallitsch
Fashioning A Feeble Mind: Cognitive Disability In American Fiction, 1830-1940, Lucy Wallitsch
Lawrence University Honors Projects
Between 1830 and 1940, American fiction is populated by an increasing number of cognitively disabled characters. I explore the relationships between these cognitively disabled characters and the rapidly changing scientific and political environments in which they were created. Drawing on a variety of regionally specific primary sources, I analyze the influences of medical and social conceptions of cognitive disability on works of American fiction containing characters which fit historical labels for cognitive disability such as The Deerslayer, “Life in the Iron Mills,” the short stories of Mary E. Wilkins Freeman, The Sound and the Fury, and Of …
I Need A Prince To Watch Over Me. Really?! Re-Visioning "Happily Ever After" In Gloria Naylor's Women Of Brewster Place, Anita August
I Need A Prince To Watch Over Me. Really?! Re-Visioning "Happily Ever After" In Gloria Naylor's Women Of Brewster Place, Anita August
English Faculty Publications
Chapter One ............................................................................................... 23
I Need a Prince to Watch Over Me. Really?! Re-Visioning ‘Happily Ever After’ in Gloria Naylor’s The Women of Brewster Place
Social Madness In Beat Generation Writing, Megan Reynolds
Social Madness In Beat Generation Writing, Megan Reynolds
The Expositor: A Journal of Undergraduate Research in the Humanities
No abstract provided.
Mary Hallock Foote: Reconfiguring The Scarlet Letter, Redrawing Hester Prynne, Adam Sonstegard
Mary Hallock Foote: Reconfiguring The Scarlet Letter, Redrawing Hester Prynne, Adam Sonstegard
English Faculty Publications
It took 28 years after Nathaniel Hawthorne published The Scarlet Letter in 1850 for Mary Hallock Foote to render drawings for one of the novel’s first illustrated editions, which was probably the first ever to be illustrated by a woman.(1) It took 130 years after the publication of Foote’s illustrated edition in 1878 for Project Gutenberg to digitize and disseminate Hawthorne’s novel with Foote’s illustrations.(2) It has taken seven years for Hawthorne scholarship to commence addressing and examining Foote’s edition, and theorize what her drawings suggest about the act of seeing, for the heroine’s audiences in the book, and for …
"I Had Never Before ... Heard Of Him At All": William Gilmore Simms, The Elusive William North, And A Lost Simms Novel About American Authorship, Patrick G. Scott
"I Had Never Before ... Heard Of Him At All": William Gilmore Simms, The Elusive William North, And A Lost Simms Novel About American Authorship, Patrick G. Scott
Faculty Publications
Examines a review by the antebellum Southern novelist William Gilmore Simms of a new book by the English writer William North (1825-1854), North's posthumous novel The Slave of the Lamp (1855), discusses possible reasons for Simms's hostility to North such as North's links to the New York Bohemians and his anti-professionalism, and explores what the review reveals about a now-lost Simms novel, with the same title, that gave a different perspective on mid-19th century changes in the conditions and profession of authorship in America.
Discreetly Depicting "An Outrage": Graphic Illustration And "Daisy Miller"'S Reputation, Adam Sonstegard
Discreetly Depicting "An Outrage": Graphic Illustration And "Daisy Miller"'S Reputation, Adam Sonstegard
English Faculty Publications
Rendering the first illustrated edition of "Daisy Miller" in 1892, Harry Whitney McVickar had to reconcile the novella's scandalous reputation with the polite medium of graphic illustration. McVickar highlights insignificant scenery, shows solitary figures instead of social interaction or playful flirtation, and nearly omits the heroine. His depictions and omissions contain the characters' indiscretions, and ensure that aspiring flirts and would-be Winterbournes who view his images do not "get the wrong idea." Cinematic adaptations amplify Daisy's public displays and encourage Winterbourne's voyeurism, but "Daisy Miller"'s first graphic illustrations strove instead to redeem the reputation of James's "outrage on American girlhood."
Sex, Drugs, And Mingling Spirits: Teaching Nineteenth-Century Women Poets, Cheryl Walker
Sex, Drugs, And Mingling Spirits: Teaching Nineteenth-Century Women Poets, Cheryl Walker
Scripps Faculty Publications and Research
Book abstract:
Twentieth-century modernism reduced the list of nineteenth-century American poets to Walt Whitman, Emily Dickinson, and (less often) Edgar Allan Poe. The rest were virtually forgotten. This volume in the MLA series Options for Teaching marks a milestone in the resurgence of the study of the rest. It features poets, like Henry Wadsworth Longfellow and Lydia Huntley Sigourney, who were famous in their day, as well as poets who were marginalized on the basis of their race (Paul Laurence Dunbar, Alexander Posey) or their sociopolitical agenda (Emma Lazarus, John Greenleaf Whittier). It also takes a fresh look at poets …
Merely A Pictorial Subject: The Turn Of The Screw, Adam Sonstegard
Merely A Pictorial Subject: The Turn Of The Screw, Adam Sonstegard
English Faculty Publications
No abstract provided.
Shaping A Body Of One’S Own: Rebecca Harding Davis’S Life In The Iron Mills And Waiting For The Verdict, Adam Sonstegard
Shaping A Body Of One’S Own: Rebecca Harding Davis’S Life In The Iron Mills And Waiting For The Verdict, Adam Sonstegard
English Faculty Publications
No abstract provided.
Shaping A Body Of One’S Own: Rebecca Harding Davis’S Life In The Iron Mills And Waiting For The Verdict, Adam Sonstegard
Shaping A Body Of One’S Own: Rebecca Harding Davis’S Life In The Iron Mills And Waiting For The Verdict, Adam Sonstegard
English Faculty Publications
No abstract provided.
Painting, Photography And Fidelity In The Tragic Muse, Adam Sonstegard
Painting, Photography And Fidelity In The Tragic Muse, Adam Sonstegard
English Faculty Publications
Photographs can approach the elegance of paintings, but reproductions can show the distortion of photographs - so The Tragic Muse (1890) suggests, complicating critical understandings of James and visual art. Dramatizing artists' fidelity, James resists assuming that families, races, and genders provide similar options. Fidelity in art can mean 'infidelity' in life, lead to 'adulterated' reproductions, and impugn understandings of inherited and performed identities - concerns which resurface in The American Scene (1907) when James contemplates immigrant populations and in A Small Boy and Others (1913) when a family daguerreotype becomes evidence of his own fidelity.
Verbal Vermeer: Updike's Middle-Class Portraiture, James Plath
Verbal Vermeer: Updike's Middle-Class Portraiture, James Plath
Scholarship
Of all the artists Updike mentions in his writing, none is cited more often than seventeenth-century Dutch painter Jan Vermeer, whose near-photographic depictions of household scenes from everyday bourgeois life are recalled in Updike's own fictional portraits of upper-middle-dass domesticity-particularly those set in his native Pennsylvania, where the Dutch historically settled.
The Psychology Of Uncertainty: (Re)Inscribing Indeterminacy In Rudolph Fisher's The Conjure-Man Dies, Adrienne Gosselin
The Psychology Of Uncertainty: (Re)Inscribing Indeterminacy In Rudolph Fisher's The Conjure-Man Dies, Adrienne Gosselin
English Faculty Publications
No abstract provided.
Reading Elizabeth Bishop As A Religious Poet, Cheryl Walker
Reading Elizabeth Bishop As A Religious Poet, Cheryl Walker
Scripps Faculty Publications and Research
Elizabeth Bishop is usually described as a modernist poet with a skeptical mind. This essay contests the critical tendency to dismiss religion as a serious concern in her poetry, by first challenging the widespread dismissal in the United States of all religious approaches to modern poetry and then challenging the tendency to disclaim attempts to read Elizabeth Bishop in religious terms. The essay includes a close reading of “The End of March” as a text which invites intertextual commentary from a Christian perspective.
Antimodern, Modern, And Postmodern Millay: Contexts Of Revaluation, Cheryl Walker
Antimodern, Modern, And Postmodern Millay: Contexts Of Revaluation, Cheryl Walker
Scripps Faculty Publications and Research
In this chapter, Walker examines questions concerning renewed scholarly interest in Edna St. Vincent Millay toward the end of the twentieth century. Specifically, these questions center on whether to rethink the principles of establishing the canon of American literature--indeed, whether the poet changes literary fashions or literary fashions change the poet. Walker's answer is the latter, and her essay examines how Millay is different received through three different periods: antimodern, modern, and postmodern. She argues that whether a poet becomes central to literary study has less to do with the "quality" of the poetry than with complex cultural factors that …
The Female Body As Icon: Edna Millay Wears A Plaid Dress, Cheryl Walker
The Female Body As Icon: Edna Millay Wears A Plaid Dress, Cheryl Walker
Scripps Faculty Publications and Research
The female body has never been so prominently displayed or so critically examined as it is today under the dominance of late capitalism. The results of this display, we can now see, have been mostly negative: women regard themselves at best self-consciously, at worst with disgust. Given this emphasis on self-scrutiny, it comes as no surprise that middle-aged women experience a reduction of self-confidence regarding their physical presences and a concomitant increase in self-dissatisfaction. It is also worth noting that a querulous tone often afflicts them as they grow older, suggesting that they are at odds not only with others …
Teaching Dickinson As A Gen(I)Us: Emily Among The Women, Cheryl Walker
Teaching Dickinson As A Gen(I)Us: Emily Among The Women, Cheryl Walker
Scripps Faculty Publications and Research
In this article, Walker argues that those who teach the poetry of Emily Dickinson should not only compare her to other recognized and lauded American poets, such as Walt Whitman, Robert Frost, T. S. Eliot, Ezra Pound, Hart Crane, Wallace Stevens, and Marianne Moore. This method offers no cultural context to provide ligature. It views high art as to be only about language and, on the score of tropological discourse, any two poets could be connected, even across vast expanses of time and distance. While it's useful for students to see how elements of her work connect her not only …
A Feminist Critic Responds To Recurring Student Questions About Dickinson, Cheryl Walker
A Feminist Critic Responds To Recurring Student Questions About Dickinson, Cheryl Walker
Scripps Faculty Publications and Research
Book abstract:
The life and the range of topics and tones of Emily Dickinson suit her to be included in such courses as American literature, Romanticism, realism, nineteenth-century culture, and women’s literary traditions. Her poetry poses numerous challenges for readers because of its compressed style, indeterminacy, and constant surprises; her biography fascinates students and critics alike.
This volume emphasizes instruction of Dickinson’s poetry at the undergraduate level. Like other volumes in the MLA’s Approaches to Teaching World Literature series, it is divided into two parts. The first, “Materials,” discusses editions of Dickinson’s poetry, aids to teaching, reference works, biographies, critical …
H. D. And Time, Cheryl Walker
H. D. And Time, Cheryl Walker
Scripps Faculty Publications and Research
From the introduction to the volume:
"Cheryl Walker presents the work of poet H.D. as a paradigm for the changed relationship to history women have undergone during the modern period: H.D.'s early period is characterized by an avoidance of chronological time..."
Richard Brautigan: Youth Fishing In America, Cheryl Walker
Richard Brautigan: Youth Fishing In America, Cheryl Walker
Scripps Faculty Publications and Research
Richard Brautigan is an epiphenomenon in American literature. He seems to represent some sort of insubstantial alternative. While the academy of letters reads Beckett, Borges, and Nabokov, the kids read Brautigan...His appeal consists primarily in an irrepressible optimism (probably the brand of a woodsy Pacific Northwest background), a style flashing with artifice, and a total disregard for effete university culture. Mr. Brautigan is not himself the product of American higher education or of much formal training of any kind. Furthermore, his fund of simplicity and optimism is a relief for some from the profound despair of writers like Beckett. To …
Sentimentalism In Dreiser's Heroines, Carrie And Jennie, Daryl Cumber Dance
Sentimentalism In Dreiser's Heroines, Carrie And Jennie, Daryl Cumber Dance
English Faculty Publications
Theodore Dreiser is usually hailed as a pioneer of American realism who freed American literature from Victorian restraints, from nineteenth century idealism and optimism, and from the ever-present moralizing of domestic sentimentalism. It is interesting to note, however, that this shockingly modern trailblazer not only stands at the dawn of a new era in literature, but also at the twilight of the old, for in Dreiser is a mixture of both the new realism and naturalism and the old sentimentalism that had dominated American literature from its inception.