Arts and Humanities Commons^™

Homemade Language, Conservative Fro-Yo, And Sci-Fi Sloths: How Speculative Migration Fiction Confronts The Ends Of Worlds By Challenging The Nation-State, Zoe R. Scheuerman

English Honors Projects

This English literature thesis project explores an emerging, genre-defying body of fiction which I call “speculative migration fiction.” Speculative migration fiction imagines how ongoing global developments like climate change, technological development, and war may shape future migrations. Drawing on Benedict Anderson’s conception of national culture, Wendy Brown’s theory of the border, and Caroline Levine’s understanding of literary form, as well as close readings from Scattered All Over the Earth by Yōko Tawada, Exit West by Mohsin Hamid, and 2 A.M. in Little America by Ken Kalfus, I argue that transnational migrations move toward becoming postnational migrations as migrants evade border …

Private Deaths: The Impossibilities Of Home In The Modernist Novel, Ava Bindas

English Honors Projects

This project examines novels by Kate Chopin, Edith Wharton, Virginia Woolf, and Nella Larsen featuring female characters who contemplate or commit suicide. Relying on a composite theoretical framework that weaves together geography theories of spaces as well as gendered theories of bodies by authors like Judith Butler, Rita Felski, and Victoria Rosner, I argue women commit suicide because their modern homes fail to accommodate their gendered bodies. Focusing less on the moment of death than on the conditions that make choosing to live impossible, this project tracks how, during a moment of supposed liberation, conceptions of gender, modernity, and domestic …

Cross Crossings Cautiously: Uses Of African American Vernacular English In American Literature, Emily Crnkovich

English Honors Projects

This project uses sociolinguistics to theorize the use of African American Vernacular English (AAVE) in literature across three time periods: the Antebellum era, the post-bellum/Reconstruction era, and the Harlem Renaissance. Different dialects of English encode different power structures, and in order to interrogate those power structures I track how white and black authors represent the language of African American characters on the page and how audiences interpret that language. I find that African American authors tend to embrace the variability and diversity of natural language better than their white counterparts, whose use of literary dialect often falls into essentialist clichés.

(Re)Constructing The Hybrid: Negotiating Transcultural South Asian Women's Subjectivity, Zoya Haroon

English Honors Projects

My project explores the transcultural South Asian woman as postcolonial hybrid subject. I do so by comparing two novels by transnational South Asian feminist authors (Jasmine by Bharati Mukherjee and Anita and Me by Meera Syal) and using ethnographic work to complement my literary analysis of hybridity with the lived experience of South Asian women at Macalester. I contextualize my project within postcolonial and women of color feminist theory. Ultimately, I seek to contribute to the existing literature on transcultural South Asian women’s subjectivity and to place their experience alongside that of other women of color.

Honors project in English …

Joy Home, Jeffrey C. Henebury

English Honors Projects

Meet Edgar Jones, the fast-talking, woman-wooing septuagenarian with a penchant for sticking his nose where it doesn’t belong. But when a resident at his nursing home nearly dies under suspicious circumstances, Edgar’s the only one asking the tough questions. Who pushed Frank, the depressed resident with a secret, over the edge? What’s Maria, the brunette who likes to water her plants with gin, hiding? When is Edgar’s daughter coming to visit? And why the hell isn’t there anything better on TV? Noir meets nursing home as Edgar struggles to find some answers—and to keep those answers from slipping away.

Anxiety De La Historia: Understanding The Roots Of Spanglish In The Texts Of Junot Díaz, Kelsey A. Shanesy

English Honors Projects

In exploring Junot Díaz’s use of Spanglish, I propose that Díaz is driven by the anxiety of history—a phenomenon similar to the anxiety of influence, as articulated by Harold Bloom, but which focuses on the role of the Latino minority in this postmodern moment. I compare Díaz’s texts to Piri Thomas’s autobiography Down These Mean Streets, one of the original texts to utilize Spanglish, and Mumbo Jumbo by Ishmael Reed, a satirical novel about minority culture. Díaz’s vision of a future, Spanglish-speaking America is revealed to be the ultimate outcome of the anxiety of history’s influence on Díaz.