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Southern Gothic Fiction And New Naturalism: Toward A Reading Of New Naturalism, Jeremy Kevin Locke

Doctoral Dissertations

This dissertation explores the intersections of American naturalism and the Southern Gothic by seeking to demonstrate how William Faulkner’s As I Lay Dying, Flannery O’Connor’s Wise Blood, and Cormac McCarthy’s Blood Meridian, or the Evening Redness in the West revise key elements of fin-de-siècle naturalist fiction in a manner that enables them to create a new naturalism that they use to shed light upon the tendency of the sociocultural narratives that give meaning to the traditional conception of the Southern community to entrap characters within predetermined identities. Of particular interest are these texts’ revisions of the figures of the naturalist …

Home/Economics: Enterprise, Property, And Money In Women’S Domestic Fiction, 1860-1930, Julia Poindexter Mcleod

Doctoral Dissertations

“Home/Economics: Enterprise, Property, and Money in Women’s Domestic Fiction, 1860-1930” connects American women’s literature to the ideological tensions that affected women’s participation in the development of industrial capitalism in the late-nineteenth and early twentieth centuries. Working against separate spheres ideologies that largely restricted women’s activities to domestic duties as wives and mothers and discouraged them from working in the public marketplace, American women authors engaged with the contemporary economic theories of John Stuart Mill and Thorstein Veblen and promoted New Woman principles to forge new avenues of fulfilling and productive work for women.

In chapters focusing on entrepreneurial work that …

Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols

Masters Theses

This thesis describes and analyzes the postmodern comedy of New York School poet, Kenneth Koch and discusses the changes this comedy underwent throughout his lengthy career. The thesis is divided into four chapters. Chapter I explains the aesthetic of the New York School of poets as contrasted to the dominant New Critical compositional aesthetic embodied by poets such as Robert Lowell in the mid-century United States. Chapter II develops Koch’s comedy as expressing an emergent postmodernism. Chapter III discusses the various aspects of Koch’s comedy, sampling poems from across his career. Chapter IV traces the development and maturity of Koch’s …