Arts and Humanities Commons^™

Divine Cosmos: Emergent Ecology And Nineteenth-Century American Literature, Lucas R. Nossaman

Doctoral Dissertations

This dissertation offers a new interpretation of German naturalist-explorer Alexander von Humboldt’s profound influence on nineteenth-century American literature and culture. Humboldt was a household name in mid-nineteenth-century America, often interchangeable with his most celebrated work, Cosmos: A Sketch of the Physical Description of the Universe (1845-1859). By demonstrating that Cosmos influenced how a range of scientists and literary writers represented the natural world, this project seeks to dispel the sense of historical inevitability that surrounds the midcentury with Charles Darwin’s Origin of Species (1859) looming on the horizon. Although Humboldt’s Cosmos did help move natural science into nonreligious territory, the …

Translating Chopin's Parrot: Local Color Louisiana And The Limits Of Literary Interpretation, 1865-1914, Matthew Paul Smith

Doctoral Dissertations

In the aftermath of the American Civil War, national periodicals such as Harper's, The Century, and The Atlantic Monthly eagerly solicited and published literature depicting small, often isolated regional communities within the United States – literature collectively referred to as local color. This project examines a tension that exists between two conflicting impulses that drove local color writing – one that sought to participate in an ethnographic project rooted in literary realism, the other that reveled in representing local spaces as sites of ambiguity, uncertainty, illegibility, and impenetrability. "Translating Chopin's Parrot" argues that literary historicists, drawn to the …

Moral Margins: Ethics And Economics In American Northern Literature, 1837-1900, John Adam Stromski

Doctoral Dissertations

“Moral Margins: Slavery and Capitalism in American Northern Literature, 1837-1900,” focuses on the intersections of slavery, capitalism, and literature, building on recent historical scholarship on the myriad ways slavery impacted the growth of American capitalism. Nowhere is this relationship more prominent than in the nineteenth century, when slavery experienced its highest levels of economic and political influence. Scholars of capitalism and American slavery have tended to focus on the South, the obvious locus of slavery, but little attention is paid to the North, where this relationship is more veiled. I argue that Northern literature shows the ethical complexities of slavery-based …

Nothing Stranger, Helen Mary Stead

Doctoral Dissertations

“Nothing Stranger” is a collection of dystopian short stories concerned with themes of motherhood and violence submitted for consideration as a creative dissertation at the University of Tennessee.

Gothic Naturalism And American Women Writers, Stephanie Ann Metz

Doctoral Dissertations

Traditionally, naturalism and the Gothic have been seen as genres that have little to do with one another. However, Frank Norris, one of the practitioners and theoreticians of canonical naturalism, argued that the roots of naturalism lie not in realism (as is often argued) but in romanticism. This project seeks to explore Norris’s claim by positing a new genre—Gothic naturalism. Gothic naturalism is a hybrid genre that combines the Gothic’s haunting nature and representations of the abject, grotesque, and uncanny with canonical naturalism’s interrogation of making choices and the forces of chance, determinism, and heredity. Although naturalism is traditionally seen …

Southern Gothic Fiction And New Naturalism: Toward A Reading Of New Naturalism, Jeremy Kevin Locke

Doctoral Dissertations

This dissertation explores the intersections of American naturalism and the Southern Gothic by seeking to demonstrate how William Faulkner’s As I Lay Dying, Flannery O’Connor’s Wise Blood, and Cormac McCarthy’s Blood Meridian, or the Evening Redness in the West revise key elements of fin-de-siècle naturalist fiction in a manner that enables them to create a new naturalism that they use to shed light upon the tendency of the sociocultural narratives that give meaning to the traditional conception of the Southern community to entrap characters within predetermined identities. Of particular interest are these texts’ revisions of the figures of the naturalist …

Home/Economics: Enterprise, Property, And Money In Women’S Domestic Fiction, 1860-1930, Julia Poindexter Mcleod

Doctoral Dissertations

“Home/Economics: Enterprise, Property, and Money in Women’s Domestic Fiction, 1860-1930” connects American women’s literature to the ideological tensions that affected women’s participation in the development of industrial capitalism in the late-nineteenth and early twentieth centuries. Working against separate spheres ideologies that largely restricted women’s activities to domestic duties as wives and mothers and discouraged them from working in the public marketplace, American women authors engaged with the contemporary economic theories of John Stuart Mill and Thorstein Veblen and promoted New Woman principles to forge new avenues of fulfilling and productive work for women.

In chapters focusing on entrepreneurial work that …

Infinite Islands: The Seatrees, Colin Christian Alan Mort

Doctoral Dissertations

Infinite Islands: The Seatrees investigates on the subject of infinity as it relates to storytelling and the novel. The critical introduction lays out the relation between reality, fantasy, the imagination and the history of the novel as a source of inspiration for the fictional portion of the dissertation. It considers the similarities between canonical literary novels and fantasy genre novels. Through this consideration, aspects of reality and fantasy in the novel are considered in both theoretical and primary texts. In the fictional portion, an unnamed narrator is retelling the story of his life from beginning to end. Although he works …

The Contemporary Encyclopedic Novel, Matthew Warren Raese

Doctoral Dissertations

This dissertation will define the contemporary American encyclopedic novel and the significant role that irony plays in shaping meaning. The dissertation constructs a model of the encyclopedic novel based upon the history of the encyclopedia – from Denis Diderot's Enlightenment influenced Encyclopédie – and Northrop Frye's conception of the encyclopedic form. It claims (1) that the contemporary encyclopedic novel continues in the cycle of modal progression toward mythic integration that Frye proposes in Anatomy of Criticism; and (2) that the encyclopedic novel utilizes different forms of irony to challenge authoritative discourse and elevate marginal discourse.

The first chapter defines …

The "Vast And Terrible" Trauma: American Literary Naturalism, Ethics, And Levinas, Tyler Joseph Efird

Doctoral Dissertations

In an 1896 essay, Frank Norris wrote that the reading world should abandon those “teacup tragedies” to which it had grown accustomed and embrace a new literature that would depict a “vast and terrible drama.” Realism, Norris claimed, could not be used to achieve an earnest portrait of the conditions that mark individual lives under capitalism. Instead, the world needed a romantic wrestling with the forces of existential inscrutability. Also, the perceived need for literature to depict a clear ethical system needed revising from the perspective of American literary naturalism, a school long denigrated for apparent moral vacuity. Through excruciating …

The Dixie Plantation State: Antebellum Fiction And Global Capitalism, Katharine Aileen Burnett

Doctoral Dissertations

“The Dixie Plantation State: Antebellum Fiction and Global Capitalism” connects the development of literature of the U.S. South to the ideological tensions inherent in the southern plantation economy before the Civil War. Southern literary form during this time reflects an economy that was sustained by international capitalism but which imagined itself as a version of provincial feudalism. The antebellum southern economy was defined by slavery and individual plantations, which created a culture that was isolated, rural, and oppressive. However, with global trade through cotton plantations as the driving force behind regional profit, the southern economy was also shaped by a …

Collateral: Poems, Joshua Jon Robbins

Doctoral Dissertations

In the lyric tradition of Gerard Manley Hopkins’ Terrible Sonnets and James Wright’s odes to the Midwest, the poems in Collateral interrogate the complexities of faith and doubt in middle-class America and present a witness compelled to translate suburbia’s landscapes and evangelical banalities into a testimony of hard truths. These poems explore the emotional exhaustion that accompanies language’s broken connection to ideal meaning and how both are unable to fully correspond to our lives. The manuscript is also an exploration of my own corresponding lyric struggle to reconcile what is and what should be, the personal and the political …

Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman

Doctoral Dissertations

Gothic Modernism: Revising and Representing the Narratives of History and Romance analyzes the surprising frequency of the tones, tropes, language, and conventions of the classic Gothic that oppose the realist impulses of Modernism. In a letter F. Scott Fitzgerald wrote about The Great Gatsby, he explains that he “selected the stuff to fit a given mood or ‘hauntedness’” (Letters 551). This “stuff” constitutes the “subtler means” that Virginia Woolf wrote about when she observed that the conventions of the classic Gothic no longer evoked fear: “The skull-headed lady, the vampire gentleman, the whole troop of monks and monsters …

Ambiguous Recognition: Recursion, Cognitive Blending, And The Problem Of Interpretation In Twenty-First-Century Fiction, Christopher David Kilgore

Doctoral Dissertations

This dissertation uses theories of cognitive conceptual integration (as outlined by Gilles Fauconnier and Mark Turner) to propose a model of narrative reading that mediates between narratology and theories of reception. I use this model to demonstrate how new experimental narratives achieve a potent balance between a determinate and open story-form. Where the high postmodernists of the 1970s and 80s created ironic, undecidable story-worlds, the novels considered here allow readers to embrace seemingly opposite propositions without retreating into ironic suspension, trading the postmodernist “neither/nor” for a new “both/and.” This technique demands significant revision of both descriptions of radical experimentation in …

Beyond The Battlefield: Direct And Prosthetic Memory Of The American War In Viet Nam, Susan L. Eastman

Doctoral Dissertations

“Beyond the Battlefield: Direct and Prosthetic Memory of the American War in Viet Nam” examines shifts in American, Viet Namese, and Philippine memorial, literary, and cinematic remembrance of the war through the cultural lenses of later wars: the Gulf War (1990-1991) and the “War on Terror” that began in 2001. As opposed to earlier portrayals of the American War in Viet Nam (1964-1975), turn-to-the-twenty-first-century representations engage in an ever-broadening collected cultural memory—a compilation of multifaceted, sometimes competing, individual and group memories—of the war. “Beyond the Battlefield” begins with the Vietnam Veterans Memorial (1982) because it serves as the impetus for …

Archaism, Or Textual Literalism In The Historical Novel, Linell B Wisner

Doctoral Dissertations

This dissertation examines the technique of archaism as it has been practiced in the historical novel since that genre’s origins. By “archaism,” I refer to a variation of the strategy that Jerome McGann calls textual “literalism,” whereby literary texts use “thickly materialized” language and bibliographic forms to foreground their own “textuality as such” (Black Riders 74). Archaism is distinguished from Blake’s, Pound’s, or Robert Carlton Brown’s literalism by its imitation of older literary idioms, yet the specifically historical quality of its intertextuality also seems different from primarily formal imitations such as pastiche and parody.

Although archaism appears to have originated …

Welcome To Boomland, Cebrun Abe Gaustad

Doctoral Dissertations

Abe Gaustad's first collection of stories, Welcome to Boomland, explores the lives of disparate characters longing for some escape. Whether a paraplegic blues aficionado or a boy who finds a strange object in the woods, they are each searching for a way out of their stagnation. Yet each character is trapped by their own unique circumstance: some of them by their mistakes, some by ruthless dictators, some by the very notion of death. As they search for their freedom, they find out new things about themselves and manage to wage quiet rebellions against those that would control them. In the …

Too Much Horse: Fiction, Nonfiction, Prose Poetry, Andrew Otis Haschemeyer

Doctoral Dissertations

A collection of fiction, nonfiction, and prose poetry that explores imagination through different shapes in form, content, and genre. Includes award winning nonfiction, “The Storekeeper,” and award winning fiction, “The Fantôme of Fatma.”

Invisible Mink, Jessie L Janeshek

Doctoral Dissertations

Emily Dickinson, Frances Sargent Osgood, and Sarah Piatt render the nineteenth-century “women’s sphere” ironically Unheimliche while simultaneously conveying it as the “home sweet home” the sentimental tradition prescribes it should be. These American women poets turn the domestic milieu into, as Paula Bennett phrases it, “the gothic mise en scene par excellence…the displacements, doublings, and anxieties characterizing gothic experience are the direct consequence of domestic ideology’s impact on the lives and psyches of ordinary bourgeois women (121-122).”

Anne Sexton and Sylvia Plath continue to represent the Unheimliche home in their poetry through the middle of the twentieth century, specifically by …

Faith And Field: Christianity, The Environment, And Five Contemporary American Poets, Heather M. Hoover

Doctoral Dissertations

Many poets write about the earth or even about God using the language of nature. And many poets and contemporary authors concern themselves with the state of the environment. However, the poetry of Wendell Berry, James Still, Li-Young Lee, Mary Oliver, and Charles Wright seems to engage different kinds of questions about how humans creatively respond to the earth. Collectively, their responses seem influenced by their connections with Christianity rather than any specific ecological agenda. In all of their poetry lies a sensibility about how humans should interact with the earth. All five of the poets seem to acknowledge humanity’s …

Setting The Record Straight: Anne W. Armstrong, Regionalism, And The Social Efficacy Of Fiction, Katherine Hoffman Doman

Doctoral Dissertations

Categorized by the few critics who know her work as a "minor" Appalachian writer, Anne Wetzell Armstrong has never enjoyed the recognition she deserves. But she produced an important body of work, including fiction, non-fiction and drama. In the 1970‘s, critic Elaine Showalter led the gynocritical effort to recover women writers and inspired the reintroduction of a number of overlooked authors. This national impulse and the positive reception of its results has driven, in turn, an interest in similar regional efforts—hence my own interest in recovering the work of Armstrong, whose work has value in both national and regional contexts. …

Reframing The Subject: Abjection In Twentieth-Century American Literature, Amy Leigh White

Doctoral Dissertations

In response to major societal change in the early years of the twentieth century, modern psychology suggested new ways of thinking about selfhood. One’s relationship with oneself, one’s subjectivity, came to be viewed as being processed through a matrix of factors that the self is subject to. The notion of the Cartesian “self” was thus seriously questioned. Is there an essential self? To what extent is self conditioned by environment? Can we know ourselves? If not, is the self worth talking about?