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Articles 1 - 7 of 7
Full-Text Articles in Arts and Humanities
Book Review: The Gilded Age And Progressive Era: A Historical Exploration Of Literature, Jennifer A. Bartlett
Book Review: The Gilded Age And Progressive Era: A Historical Exploration Of Literature, Jennifer A. Bartlett
Library Faculty and Staff Publications
One of the latest volumes in ABC-CLIO/Greenwood’s “Historical Explorations of Literature” series, The Gilded Age and Progressive Era is a useful and interesting introduction to framing key literary works of this time period in their historical context. Each volume in the series presents a discussion of four or five representative works of a historical era, such as the Harlem Renaissance, the Chicano Movement, the Jazz Age, and the Civil War Era.
Regimes Of Prestige And Power: Transnational Authorship And International Acclaim In Rutu Modan's Exit Wounds, Kyle Eveleth
Regimes Of Prestige And Power: Transnational Authorship And International Acclaim In Rutu Modan's Exit Wounds, Kyle Eveleth
disClosure: A Journal of Social Theory
This essay will examine the reception of Rutu Modan’s international-award-winning graphic novel Exit Wounds (2007) in the massive cultural centers of the United States and France by situating its success within the inter/transnational dynamics of the contemporary comics market, or what James English would term an “economy of prestige.” My essay reconsiders Exit Wounds beyond its popular status as an international phenomenon—that is, one that crosses national borders but which maintains distinctions between those nations it enters and its home state—by considering it a transnational work—one which blurs the lines between nation-states in its form, function, and reception. To do …
Mind Against Matter: Isolating Consciousness In American Fiction, 1980-2010, Eric E. Casero
Mind Against Matter: Isolating Consciousness In American Fiction, 1980-2010, Eric E. Casero
Theses and Dissertations--English
Mind Against Matter uses cognitive literary theory to explore a set of contemporary texts that emphasize characters’ feelings of alienation and isolation from their social and material worlds. Focusing on novels by Nicholson Baker and David Markson, short stories by David Foster Wallace, and the film The Truman Show, I consider how these texts focus on characters’ individual, subjective experiences while deemphasizing their physical environments and social contexts. I argue that by privileging subjectivity in this way, these texts portray their characters as independent, to varying degrees, from their material and cultural surroundings. The texts isolate individual consciousness, causing …
The Age Of Intervention: Addiction, Culture, And Narrative During The War On Drugs, Ashleigh M. Hardin
The Age Of Intervention: Addiction, Culture, And Narrative During The War On Drugs, Ashleigh M. Hardin
Theses and Dissertations--English
While addiction narratives have been a feature of American culture at least since the early 19th century’s temperance tales, the creation of the Johnson Intervention in the late 1960s and the corresponding advent of the War on Drugs waged by U.S. Presidents have wrought significant changes in the stories told about addiction and recovery. These changes reflect broader changes in conceptions of agency and the relationship of subject to culture in the postmodern era. In the way that it iterates the imperatives of the War on Drugs initiated by Richard Nixon, the rhetoric of successive U.S. Presidents provides a …
Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey
Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey
Theses and Dissertations--English
Since September 11, 2001 a substantial number of English-language, post-apocalyptic films have been released. This renewed interest in the genre has prompted scholars to examine the circumstances within western society that make post-apocalyptic films appealing to audiences. The popularity of these films derives from a narrative structure that reinforces conservative notions of good and bad and moral absolutism. The post-9/11, post-apocalyptic film typically features a white male hero who, in one way or another, reestablishes the pre-apocalyptic social order through proclamations of mandatory and prohibitive laws that must be adhered to by the survivors. The hero of post-apocalyptic film does …
Come Together: Desire, Literature, And The Law Of The Sexual Revolution, Eir-Anne E. Edgar
Come Together: Desire, Literature, And The Law Of The Sexual Revolution, Eir-Anne E. Edgar
Theses and Dissertations--English
While some scholars have viewed the Sexual Revolution as a “war” with winners and losers, this project finds that all Americans were subject to the fantasy of liberation. This fantasy takes different forms during the era, including relaxed sexual strictures against pre-marital sex, the availability of birth control, and an increased focus on sexual pleasure. However, the seemingly liberatory quickly becomes conservative, coming into focus through the analysis of court cases and legal mandates that protected the declining structures of marriage and heteronormativity. Beginning with widespread fears about interracial mixing in the early 1950’s, escalated by the end of segregation …
Southern Transfiguration: Competing Cultural Narratives Of (Ec)Centric Religion In The Works Of Faulkner, O’Connor, And Hurston, Craig D. Slaven
Southern Transfiguration: Competing Cultural Narratives Of (Ec)Centric Religion In The Works Of Faulkner, O’Connor, And Hurston, Craig D. Slaven
Theses and Dissertations--English
This project explores the ways in which key literary texts reproduce, undermine, or otherwise engage with cultural narratives of the so-called Bible Belt. Noting that the evangelicalism that dominated the South by the turn of the twentieth century was, for much of the antebellum period, a relatively marginal and sometimes subversive movement in a comparatively irreligious region, I argue that widely disseminated images and narratives instilled a false sense of nostalgia for an incomplete version of the South’s religious heritage. My introductory chapter demonstrates how the South’s commemorated “Old Time” religion was not especially old, and how this modernist construct …