Arts and Humanities Commons^™

Literary Lepidopterology: Nabokov And The Book That Was A Butterfly, Dave Patterson

Anthós

In this paper I examine Vladimir Nabokov's Lolita, arguing that contrary to many interpretations, the book does not assert a moral lesson, and is instead a work of art for art’s sake. I examine its formal structures to demonstrate this claim. First I look at a Doppelgänger motif between the characters of Humbert Humbert and Clare Quilty. Since this motif is independent of Humbert’s character arc, it is narratively insignificant and becomes merely one of many themes related to doubles, twins, and mirror images. I also explain how Nabokov was a lifelong scientist studying butterflies and moths, and saw …

The Power Of An Unreliable Narrator And The Distortion Of Fear In Nella Larsen’S Passing, Sonia Comstock

Anthós

This article studies Nella Larsen’s Passing through the unreliable narration of the novel’s key character, Irene. It goes on to explore her relationships and her judgements, which expose the twisted nature of her psychology and demonstrate that Irene is driven by fear and resentment. Irene hates the act of wanting and constantly crushes her husband’s aspirations, yet deeply desires the other focal character of the novel, Clare. She lies to herself about her tense, racially fraught relationship with her husband, as well as her repressed homosexual attraction towards Clare. These lies, combined with her deep-seated fear and hatred of desire …

The Storyteller's Trance In The Turn Of The Screw, Leslie C. Slape

Anthós

An examination of the presence and effect of the "storyteller's trance" on the narrators and their audience in The Turn of the Screw by Henry James (1898).

Thank you to Professor Sarah Ensor for advice and encouragement.

“Between That Earth And That Sky”: The Idealized Horizon Of Willa Cather’S My Ántonia, Miriam A. Gonzales

Anthós

Since its 1918 publication, Willa Cather’s My Ántonia has been lauded for Cather’s masterful description of the Nebraska prairie landscape; since the mid-1980s, this text has also been the subject of countless queer theoretical analyses, many of which focus on what their authors perceive as an obstructed romantic connection between the novel’s two main characters, Jim Burden and Ántonia Shimerda. While these two subjects may not initially seem correlative, a more recent—and unrelated—critical essay illuminates a new way of examining Cather’s attention to setting. When we view My Ántonia in conjunction with José Esteban Muñoz’s “Queerness as Horizon: Utopian Hermeneutics …