Arts and Humanities Commons^™

Vol. 11, No. 4 (1991), William Boozer

Faulkner Newsletter and Yoknapatawpha Review

No abstract provided.

Fiction As Autobiography, Autobiography As Fiction: Zora Neale Hurston's "Their Eyes Were Watching God" And "Dust Tracks On A Road.", Cathy L. Morgan

Theses & Honors Papers

No abstract provided.

Zora Neale Hurston: The Voice Of The Goddess, Mella Davis

Masters Theses & Specialist Projects

Zara Neale Purston has re-emerged as an author of promise due to the re-appraisal of her works led by Alice Walker and Robert Hemenway. In both literary and folklore academic circles, Hurston's work has been reclaimed by African-American female scholars and writers, but still a significant study has yet to be done about her ethnographic contributions to folklore and her farsightedness in fieldwork methodology. This thesis seeks to validate her work as a folklorist, thereby dismissing the charges of popularization and amateurishness by re-examining her work. Mules and Men and Jonah's Gourd Vine are Hurston's two most influential folklore texts …

Vol. 11, No. 3 (1991), John N. Duvall, Gregory Sendi, John Ruemmler, Allen D. Boyer

Faulkner Newsletter and Yoknapatawpha Review

No abstract provided.

The Divided Self: Five Female Heroes In Nineteenth Century Fiction, Jayne Thomas Pinelli

Theses & Honors Papers

No abstract provided.

The Strength Of Hoffman's Women, Martha Mcguire Hundley

Theses & Honors Papers

No abstract provided.

Vol. 11, No. 2 (1991), Arthur F. Kinney

Faulkner Newsletter and Yoknapatawpha Review

No abstract provided.

Ralph Waldo Emerson And Helen Hunt Jackson In La Edad De Oro, Anne Fountain

Faculty Publications

When Jose Martí began publication of La Edad de Oro in the summer of 1889, his purpose was to inform and to entertain the "children of America." In the four issues he published (July, August, September, October) Martí's range of topics included literary classics modified for children, original poetry, versions in Spanish of two North American poems, and a commentary on the youthful beginnings of famous writers-in sum a variety of literary lessons.While Martí is much studied and there are numerous works about La Edad de Oro, scant attention has been given to its selections from United States poetry: the …

Feminism, Selfhood & Emily Dickinson, Regina York

Masters Theses & Specialist Projects

This paper will draw on the work of leading feminist critics and the works of Dickinson, her biographers, and her critics. No effort is being made to trace the history of feminist criticism; that has been done numerous times by critic after critic. Nor does this paper attempt to provide a concordance to critical thought on Dickinson. That, too, is unnecessary. Rather, this paper looks at the relationship between self-identity in Dickinson's poetry and the fundamental need for such a pronounced sense of identity to serve as the cornerstone of feminist criticism. Dickinson's courage to be female and the implications …

The American Generational Autobiography: Malcolm Cowley And Michael Rossman, John D. Hazlett

English Faculty Publications

No abstract provided.

Vol. 11, No. 1 (1991), William Boozer, Evans Harrington

Faulkner Newsletter and Yoknapatawpha Review

No abstract provided.

Women And Revolution In Dystopian Fiction: Nadine Gordimer's July's People And Margaret Atwood's The Handmaid's Tale, Nancy Topping Bazin

English Faculty Publications

Nadine Gordimer's July's People (1981) and Margaret Atwood's The Handmaid's Tale (1985) are both dystopias, nightmare visions of the future. Both of the worlds depicted come into being because of revolutionary coups. However, in both cases, the revolutions were in progress long before the actual takeovers, and there were opportunities for citizens to have prevented these dystopian situations from coming to pass. Yet, because changing the direction of political events requires energy, solidarity, bravery or at least some self-sacrifice, most citizens are reluctant to become involved. Nadine Gordimer and Margaret Atwood understand this attitude because they have felt that way …

"Ego, Scriptor Cantilenae": The Cantos And Ezra Pound, Steven R. Gulick

Dissertations and Theses @ UNI

Can poetry "make new" the world? Ezra Pound thought so. In "Cantico del Sole" he said: "The thought of what America would be like/ If the Classics had a wide circulation/ Troubles me in my sleep" (Personae 183). He came to write an 815 page poem called The Cantos in which he presents "fragments" drawn from the literature and documents of the past in an attempt to build a new world, "a paradiso terreste" (The Cantos 802). This may be seen as either a noble gesture or sheer egotism.

Pound once called The Cantos the "tale of the …