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Full-Text Articles in Arts and Humanities

“She Didn’T Know I Was In The Room”: The Effects Of Hatfield’S Illustrations On Readers’ Interpretations Of “The Yellow Wallpaper”, Mason Repas May 2023

“She Didn’T Know I Was In The Room”: The Effects Of Hatfield’S Illustrations On Readers’ Interpretations Of “The Yellow Wallpaper”, Mason Repas

The Downtown Review

When Charlotte Gilman's short story, "The Yellow Wallpaper," was first published in New England Magazine in 1892, staff illustrator Joseph Hatfield created three realistic-style images to accompany the text. Research suggests that Gilman had no control or influence over these images, which altered readers' perception of her story about the dangers of the rest cure for female hysteria. While Hatfield faced artistic limitations and his intentions are not discoverable today, the choices and details in his illustrations support interpretations of the short story as a piece of horror fiction in which his cohesive series of images is a more reliable …


“Between That Earth And That Sky”: The Idealized Horizon Of Willa Cather’S My Ántonia, Miriam A. Gonzales Sep 2015

“Between That Earth And That Sky”: The Idealized Horizon Of Willa Cather’S My Ántonia, Miriam A. Gonzales

Anthós

Since its 1918 publication, Willa Cather’s My Ántonia has been lauded for Cather’s masterful description of the Nebraska prairie landscape; since the mid-1980s, this text has also been the subject of countless queer theoretical analyses, many of which focus on what their authors perceive as an obstructed romantic connection between the novel’s two main characters, Jim Burden and Ántonia Shimerda. While these two subjects may not initially seem correlative, a more recent—and unrelated—critical essay illuminates a new way of examining Cather’s attention to setting. When we view My Ántonia in conjunction with José Esteban Muñoz’s “Queerness as Horizon: Utopian Hermeneutics …


Living Oil: Petroleum Culture In The American Century By Stephanie Lemenager, Bart H. Welling Aug 2015

Living Oil: Petroleum Culture In The American Century By Stephanie Lemenager, Bart H. Welling

The Goose

Bart H. Welling reviews Living Oil: Petroleum Culture in the American Cenutry by Stephanie LeMenager.


Seen, Not Heard: William Faulkner’S Narrative Style In The Creation Of African American Characters, Dixon Speaker Jan 2013

Seen, Not Heard: William Faulkner’S Narrative Style In The Creation Of African American Characters, Dixon Speaker

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.


Daring Deeds: Independent Moral Thought And Action In Hope Leslie, Amanda Viana Jan 2007

Daring Deeds: Independent Moral Thought And Action In Hope Leslie, Amanda Viana

Undergraduate Review

No abstract provided.


Inverting The Cave: Edgar Huntly And The Enlightenment, Abby Sherwood Jan 2007

Inverting The Cave: Edgar Huntly And The Enlightenment, Abby Sherwood

Undergraduate Review

No abstract provided.


The Scientific Aspect Of Melodrama: The Mind/Body Connection In The Late Eighteenth Century Seduction Novel, Nichole Wilson Jan 2006

The Scientific Aspect Of Melodrama: The Mind/Body Connection In The Late Eighteenth Century Seduction Novel, Nichole Wilson

Undergraduate Review

No abstract provided.


Painters Of A Changing New World: James Fenimore Cooper And Thomas Cole, Corie Dias Jan 2006

Painters Of A Changing New World: James Fenimore Cooper And Thomas Cole, Corie Dias

Undergraduate Review

No abstract provided.


Sins Of The Father: Patriarchy And The Old South In The Early Works Of William Faulkner, John Easterbrook Jan 2004

Sins Of The Father: Patriarchy And The Old South In The Early Works Of William Faulkner, John Easterbrook

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.


Seventy-Five Years Of American Literature: A Panel Discussion, Mary Byrd Davis Jan 1981

Seventy-Five Years Of American Literature: A Panel Discussion, Mary Byrd Davis

The Kentucky Review

No abstract provided.