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Full-Text Articles in Arts and Humanities

“Companions Of The Flame”: Concealment And Revelation In H.D.’S Trilogy, Cam Riddell Aug 2014

“Companions Of The Flame”: Concealment And Revelation In H.D.’S Trilogy, Cam Riddell

Electronic Thesis and Dissertation Repository

In part one I connect the theme of concealment, which manifests in animals and morphology, to the revelation of the “one-truth”, which I present, in part two, as a Midrash of the Book of Revelation in Tribute to the Angels. I argue that the “one-truth”, in H.D.’s cosmology, is conveyed by discussions of time, geometry, and genetic inheritance (of biology, theology, language), which synonymizes the Tree of the Sephiroth and the universal absolute from which all existence is derived. The Tree relates to the proto-mythology from which H.D.’s syncretisms derive and the proto-language from which the sources of her …


The Luminous Detail: The Evolution Of Ezra Pound's Linguistic And Aesthetic Theories From 1910-1915, John J. Allaster Aug 2014

The Luminous Detail: The Evolution Of Ezra Pound's Linguistic And Aesthetic Theories From 1910-1915, John J. Allaster

Electronic Thesis and Dissertation Repository

In this study John Allaster traces the evolution of Ezra Pound’s linguistic theories from the method of the Luminous Detail during 1910-12, to the theory of the Image in Imagism during 1912-13, to that of the Vortex in Vorticism during 1914-1915. By tracing the similarities and differences in Pound’s theoretical claims regarding the role of language and history in poetry, Allaster demonstrates that the roots of Pound’s Imagist and Vorticist articulations are situated in the underappreciated essay series “I Gather the Limbs of Osiris.” At the same time, Allaster also highlights the constructedness of Pound’s theoretical frameworks, as well as …


Eecology: (Pata)Physical Taoism In E. E. Cummings’S Poetry, Nathan B. Tebokkel Aug 2014

Eecology: (Pata)Physical Taoism In E. E. Cummings’S Poetry, Nathan B. Tebokkel

Electronic Thesis and Dissertation Repository

Using an approach rooted in deconstructive close-reading and branching into pataphysics, this thesis studies, with and through the poetry of American modernist E. E. Cummings, ethical cultivations of aesthetics. First, a lover-beloved paradigm is unearthed in Cummings’s poetry, where love, a response to flaws, is the creative actualization of the world, others, and selves. Second, this love is extended (back) into poetry, using Cummings’s figures of birds—his “ornithopoeia,” the double movement of figuring the flesh and enfleshing the figure. Third, the ethico-aesthetic growth of the poet-reader, lover-beloved, and bird-figure is traced to a Taoist responsivity and eecological responsibility, using Cummings’s …


Transnational Conversations: The New Yorker And Canadian Short Story Writers, Nadine Fladd Jun 2014

Transnational Conversations: The New Yorker And Canadian Short Story Writers, Nadine Fladd

Electronic Thesis and Dissertation Repository

This dissertation explores The New Yorker magazine's role in shaping the Canadian short story, the contributions of Canadian authors to the magazine, and the aesthetic and ideological implications of transnational literary production. Using archival evidence, it explicates the publication histories of stories by Morley Callaghan, Mavis Gallant, and Alice Munro, as well as these authors' relationships with their editors at The New Yorker, in order to demonstrate some of the ways that Canadian literature emerged out of, as well as contributed to, North American transnational contexts. This project uses the work of textual studies scholars, and applies theories of …


Unmasking The Protester: The Meanings And Myths Of Collective Civil Resistance Movements In African American And Polish Postresistance Prose Fiction, Agnieszka Herra Jan 2014

Unmasking The Protester: The Meanings And Myths Of Collective Civil Resistance Movements In African American And Polish Postresistance Prose Fiction, Agnieszka Herra

Electronic Thesis and Dissertation Repository

My contention is that the narrative framework of social movements, especially the ones deemed “successful” such as the American Civil Rights Movement and the Polish Solidarity Movement, reflects unity and collectivity within collective memory. During the period of the movements’ duration, this provides a clear rhetorical purpose: to give the appearance of unity in order to give effective voice to the demands. I argue that the voices that did not fit into the collective movements emerge subsequently to question this monologic language in literary form. This dissertation uses Bakhtin’s notion of dialogic language to argue that novels in the postresistance …