Arts and Humanities Commons^™

An Enchanted Place

The International Journal of Ecopsychology (IJE)

No abstract provided.

“By That Daughter’S Most Devoted Affection”: Anxious And Avoidant Attachments In Opie’S Adeline Mowbray, Meghan E. Hodges

Comparative Woman

Attachment theory, or the theory that one’s personality and social development is informed greatly by the infant-parent bond, largely arises in the 1950s with the work of John Bowlby. Although the phenomenon was only then beginning to be scientifically evaluated, it has long been observed that the relationship one has with one’s parents is a determinant factor in one’s development. This work investigates the impact of the failure to heal the insecure attachment Amelie Opie’s Adeline Mowbray (1808). Adeline, having grown up in her distant mother’s intellectual shadow, develops a neurotic attachment to her mother which causes romantic maladjustment in …

Reimagining History Dataset 3.0, Michelle R. Warren, Neil Weijer

Other Faculty Materials

The Middle English prose Brut chronicle survives in nearly two hundred manuscripts. This corpus has been the subject of extensive study for more than a hundred years. The most recent research, however, has turned out to be the most fragile. In 2017, the multiyear digital humanities project “Imaging History: Perspectives on Late Medieval Vernacular Historiography” disappeared from the live Internet, only a decade after its publication. Shortly afterwards, we began a project called "Re-Imagining History"--to create a new dataset of information about the Brut manuscript corpus and learn how digital infrastructure might shape the production and preservation of historical data. …

Review Of "Renaissance Cultural Crossroads Catalogue", Joshua S. Reid

ETSU Faculty Works

Review of the Renaissance Cultural Crossroads Catalogue (RCCC) database, edited by Brenda Hosington.

British Poetry Of The Long Nineteenth Century, Beverley Rilett

Zea E-Books Collection

A Selection for College Students, including Charlotte Smith, William Blake, William Wordsworth, Samuel Taylor Coleridge, George Gordon Byron, Percy Bysshe Shelley, John Keats, Elizabeth Barrett Browning, Alfred Tennyson, Robert Browning, Emily Brontë, George Eliot, Matthew Arnold, George Meredith, Dante Gabriel Rossetti, Christina Rossetti, Oscar Wilde, and Mary Elizabeth Coleridge.

Includes biographical sketches.

doi 10.32873/unl.dc.zea.1096

Buddhism In Progress: Ecstasy, Eternity, And Zen Sickness In The English Romantics, Logan M. Rohde

Electronic Thesis and Dissertation Repository

This dissertation addresses the philosophical similarity between English Romanticism and Buddhism from a Zen Buddhist perspective. In contrast to scholars such as Mark Lussier and John G. Rudy, who have focused on the similarity between Romantic and Buddhist philosophy, I explore their differences. I argue that Romanticism represents a “Buddhism in progress”: both philosophies seek to overcome “the self,” but do so through different means. Lacking direct access to Buddhist teachings, the authors considered in this study (Beckford, Coleridge, De Quincey, Shelley, and Keats) developed their own practice of self-transcendence through writing, often prompted by experiences of ecstatic intoxication that …

Charles Dickens In Cinema And The Loss Of His Message, Elliot Staatz

All Master's Theses

The collected works of Charles Dickens have garnered countless critiques, not the least of which involve their social and political meaning, but what about the films based on these works? There are few nineteenth century authors who have been adapted to film more than Dickens. However, these cinematic works are often left under-analyzed; there is much to be said about Dickensian adaptations. Adaptations can be critically compared with the original, possibly showing changing societal values. So, by focusing on Dickens and his adaptations, we can expose societal values which have changed. Specifically, I will focus on the increased societal acceptance …

Poetic Science: Wonder And The Seas Of Cognition In Bacon And Pericles, Jean E. Feerick

Jean Feerick

Shylock Celebrates Easter, Brooke Conti

English Faculty Publications

No abstract provided.

Review Of The Voice Of The Hammer: The Meaning Of Work In Middle English Literature, Gregory M. Sadlek

Gregory M Sadlek

No abstract provided.

Love, Labor, And Sloth In Chaucer’S Troilus And Criseyde, Gregory Sadlek

Gregory M Sadlek

No abstract provided.

Laughter, Game, And Ambiguous Comedy In The South English Legendary, Gregory M. Sadlek

Gregory M Sadlek

No abstract provided.

Slipping From Secret History To Novel, Rachel K. Carnell

English Faculty Publications

The secret history, a genre of writing made popular as opposition political propaganda during the reign of Charles ii, has been the subject of renewed critical interest in recent years. By the mid-1740s, novelists were using markers of secret histories on the title pages of their works, thus blurring the genres. This forgotten history of the secret history can help us understand why Ian Watt and other twentieth-century critics tended to end their narratives of the rise of the “realist” Whig novel with the works of the Tory novelist Jane Austen. In particular, the blended narrative perspective that Watt praises …

Burbage's Father's Ghost, James J. Marino

English Faculty Publications

No abstract provided.

Giving Power To The Powerless: Elizabeth Gaskell's Presentation Of Women In An Age Of Change, Charis Tobias

Honors Projects

Elizabeth Gaskell takes advantage of the aura of change and ascribes a new vocabulary to Victorian womanhood, one that allows women to be active members of society as well as mothers. The topsy-turvy nature of Victorian society allowed for such changes to be instituted, and Gaskell challenges the female stereotypes of the day. Gaskell’s heroines must struggle with their preconceived, powerless notions of womanhood and the expectations placed upon them by society. This struggle often begins when patriarchal structures fail them and they are left to their own devices. Unlike in other Victorian novels, when women do become powerful, they …

Eliza Haywood And The Narratological Tropes Of Secret History, Rachel K. Carnell

English Faculty Publications

Eliza Haywood’s novels and political writings are often considered in isolation from each other; however, there is a discursive thread that links her fictional and political works: her engagement with secret history. Across her career, in her novels as well as her political pamphlets and periodicals, Haywood deploys two important narratological tropes of the secret historian: the tendency to reveal the secrets of public figures while concealing the author’s own political position and the tendency to muse self-reflexively about the author’s own role as a writer of history. Haywood’s facility in deploying these dual narratological devices of concealment and confession …

The Dartmouth Brut: Conservation, Authenticity, Dissemination, Deborah Howe, Michelle R. Warren

Dartmouth Scholarship

This essay describes the conservation process of the Dartmouth Brut manuscript: Dartmouth College, Rauner Special Collections Library, MS 003183. The format alternates between the observations and descriptions of the conservator, Deborah Howe, and those of medievalists Michelle Warren. The essay includes photos of Deborah's process in making a fragile fifteenth-century manuscript useable in the twenty-first century.

Situating Digital Archives, Michelle R. Warren

Dartmouth Scholarship

This essay is the introduction to an essay collection about the Middle English Prose Brut manuscript purchased by Dartmouth College in 2006. I consider how the competing pressures of access and preservation condition scholarship in medieval studies. I suggest several analogies between the digital humanities in general, digital philology in medieval studies, and the historical practices of medieval writers: hacking, dark archive, and prosthesis.

Illustrations And Text: Storyworld Space And The Multimodality Of Serialized Narrative, Laura Daniel Buchholz

English Faculty Publications

This essay examines the interaction between picture and text in the construction of the narrative spaces in George W. M. Reynolds's Mysteries of London (1844–45) and William Harrison Ainsworth's Jack Sheppard (1839) . Building on previous discussions from Gabriel Zoran (1984) and David Herman ( Story Logic, 2002) concerning the process by which space is constructed in verbal/written texts, this essay examines how such theories function in conjunction with the illustrations that often accompanied Victorian serialized narratives in their original publication. Specifically, I consider the interaction between the verbal and visual channels in the construction of interior rooms presented in …

Clarissa: An Abridged Version (Review), Rachel K. Carnell

English Faculty Publications

No abstract provided.

Othello's "Malignant Turk" And George Manwaring's "A True Discourse": The Cultural Politics Of A Textual Derivation, Imtiaz Habib

English Faculty Publications

A critique is presented of the play "Othello" by William Shakespeare, focusing on a reference from Othello's final speech to an incident in Aleppo, Syria that the author attributes to the manuscript essay "A True Discourse" by George Manwaring, a companion of English adventurer Sir Anthony Sherley. Early 17th century British history, Robert Devereux, Earl of Essex, and Queen Elizabeth I are mentioned, as well as references in the works to Turks and the censorship of English literature.

Reading Austen's Lady Susan As Tory Secret History, Rachel K. Carnell

English Faculty Publications

No abstract provided.

The Arrest Of Caleb Williams: Unnatural Crime, Constructive Violence, And Overwhelming Terror In Late Eighteenth-Century England, Gary Dyer

English Faculty Publications

In the later eighteenth century, the twelve justices of the supreme English common law courts ruled repeatedly that blackmailing a man by threatening to accuse him of sodomitical practices constituted the capital offense of robbery; the judges focused on the overwhelming terror they claimed was unique to this threat. This legal doctrine is a covert presence in William Godwin's novel Caleb Williams (1794). Ferdinando Falkland, fearing that his secret is about to be revealed by Caleb, accuses him of having 'robbed' him, and even though Falkland's secret is literally murder, the mutual persecution and mutual terrorizing that ensue evoke the …

An Author And A Bookshop: Publishing Marlowe’S Remains At The Black Bear, Andras Kisery

Publications and Research

Bookshops and the spaces occupied by the early modern book trade have received attention as social environments. This study of the early publication history of Christopher Marlowe's poems -- Hero and Leander, his translation of Lucan, as well as the lyric now known as "The Passionate Shepherd to his Love" -- shows that, the bookshops may also turn out to be agents shaping the fate of books, authors, and literary afterlives. Shifting our emphasis from the individual bookseller to the networks of a plurality of human agents and environments allows us to consider the intersections of various commercial and …

The Protestant Whore: Courtesan Narrative & Religious Controversy In England, 1680-1750 (Review), Rachel K. Carnell

English Faculty Publications

No abstract provided.

The Seduction Narrative In Britain By Katherine Binhammer. (Review), Rachel Carnell, Katherine Binhammer

English Faculty Publications

No abstract provided.

Review Of Early Modern Nationalism And Milton's England By David Loewenstein And Paul Stevens, Brooke Conti

English Faculty Publications

The article reviews the book Early Modern Nationalism and Milton's England, edited by Paul Stevens and David Loewenstein.

Review Of The Literary Culture Of The Reformation: Grammar And Grace / Liturgy And Literature In The Making Of Protestant England By Brian Cummings And Timothy Rosendale, Brooke Conti

English Faculty Publications

No abstract provided.

Review Of The Voice Of The Hammer: The Meaning Of Work In Middle English Literature, Gregory M. Sadlek

English Faculty Publications

No abstract provided.

The Anachronistic Shrews, James J. Marino

English Faculty Publications

A single line in the Folio text of The Taming of the Shrew seems to point to dates decades apart. A performer identified by his speech heading as 'Sinklo,' the actor John Sincklo or Sincler, recalls a stage character named 'Soto,' presumably the character from John Fletcher's Women Pleased. Sinklo's name is used to argue for an early date for the play, sometimes as early as 1592, while the allusion to Soto suggests a date around 1620. Scholars intent on setting an early date for the 1623 text and on preserving its priority to the 1594 Taming of a Shrew …