Arts and Humanities Commons^™

Ann Yearsley, "Earl Goodwin", And The Politics Of Romantic Discontent, Chris Foss

English, Linguistics, and Communication (Legacy)

There is a dearth of more substantial critical studies on Ann Yearsley’s tragic drama Earl Goodwin in general, and while the few out there have helpfully illuminated the play’s representation of the historical plight of women and the poor during Anglo-Saxon times, as well as its application to their current predicaments in Romantic-era England and France, they have tended to leave unexplored the ways in which Yearsley simultaneously is clarifying and extending her anger at and frustration with the class- and gender-based discrimination she experienced firsthand in the fallout with her mentor Hannah More over the profits from her first …

Women & Tolkien: Amazons, Valkyries, Feminists, And Slashers, Robin A. Reid Dr.

Journal of Tolkien Research

This paper reports on an early pilot project that asks women who self identify as readers or fans of Tolkien's work and/or teachers who have taught Tolkien's work, and/or scholars who have published on Tolkien's work to answer a few open-ended questions about their reasons for enjoying his work. By "women," I mean anybody who identifies as a woman. By "Tolkien's work," I mean any of his published novels, stories, poems, or academic essays. The study arises from the question that is often asked of fans of Tolkien's work: why do women so enjoy it, given the relatively minor narrative …

Anna Larpent And Shakespeare, Fiona Ritchie

ABO: Interactive Journal for Women in the Arts, 1640-1830

Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the period 1773-1830. These diaries shed significant light on the part Shakespeare played in her life and contain her detailed opinions of his works as she experienced them both on the page and on the stage in late eighteenth- and early nineteenth-century London. Larpent experienced Shakespeare’s works in a variety of forms: she sees Shakespeare’s plays performed, both professionally and by …

Wishing For The Watch Face In Jonathan Swift’S “The Progress Of Beauty”, Jantina Ellens

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article illuminates the technological underpinnings of Jonathan Swift’s satire, “The Progress of Beauty” (1719), by exploring how eighteenth-century poetics of beauty and scientific progress pit human against automaton. This article ranges from the ego of masculine technological display to women’s self-identification with the automaton to suggest that Swift’s speaker blazons the aging prostitute’s body with the hope that it might resurrect a lost ideal, the beautiful watch face. Instead, readers are confronted with the vision of Celia who, with her chipped paint, greasy joints, and faulty mechanisms, reminds them that humanity continues to break through its enamel. When readers …

Reading Charlotte Bronte Reading, Madhumita Gupta

Department of English: Dissertations, Theses, and Student Research

This essay considers the significance of undirected childhood reading on an author’s mind and the reason some authors reference specific real books in their fiction. I argue that independent reading (as against schooling or formal education), and the direct and indirect references to certain books in Jane Eyre^[1] were deliberate, well-thought-out inclusions for specific purposes at different points in the story. When a title pointedly says Jane Eyre: An Autobiography, it is probable that a significant part of the author’s life has seeped into her creation which makes it essential to consider the relevant parts of her life to …

Serving Two Masters: The Paralysis Of Early 20th-Century Women In A. E. Coppard’S “The Hurly-Burly”, Juliana Avery

Modernist Short Story Project

The theme of paralysis is evident throughout early twentieth-century British literature. Consider Joyce’s “Eveline,” in which a young woman cannot make up her mind about whether to go with her lover to South America or stay behind with her father. Eventually she stays behind, not of her own volition but rather because she is paralyzed by not knowing what her duty is, and so she cannot take the decisive step onto the boat. Joyce’s language shows this paralysis: “She stood among the swaying crowd” (15). Everyone can move but Eveline As Frank calls out to her from behind the barrier, …

Petticoats And Spurs: Female Armor In Spenser's "Faerie Queene" And Pope's "The Rape Of The Lock", Patrick D. Wilks

The Criterion

Both Britomart in Spenser’s Book 3, Canto 1 of Faerie Queene and Belinda in Pope’s The Rape of The Lock wear their clothes and (in Belinda’s case) makeup as their armor, both literally and figuratively. Both suffer unwanted advances, their image publicly besmirched as a result. Even though Belinda dresses to show off her beauty and Britomart dresses to conceal it, both women use their array as protection from cruel male world around them. Both feel safe, and both women have this safety violated and attack to defend their honor.

For Spenser, Chastity is a virtue to be held in …

Spenser’S Narrative Figuration Of Women In The Faerie Queene, Judith H. Anderson

Research in Medieval and Early Modern Culture

Concentrating on major figures of women in The Faerie Queene, together with the figures constellated around them, Anderson's Narrative Figuration explores the contribution of Spenser's epic romance to an appreciation of women's plights and possibilities in the age of Elizabeth. The figures she highlights encompass the idealization of Una, humanized by parody; the historicized fixation of Belphoebe; the cross-dressed complexity of Britomart; and the psychological misery of Serena, a throwback to Amoret. They range from cartoons to a fullness sharing numerous features with the Shakespearean women salient in recent debates about character. The critical lens most revealing for each …

"A Meruelous Thinge!": Elizabeth Of Spalbeek, Christina The Astonishing, And Performative Self-Abjection In Oxford, Bodleian Library, Ms Douce 114, Murrielle Michaud

Theses and Dissertations (Comprehensive)

Contributing to the spirited discussion regarding feminist and pro-feminine readings of Middle English hagiography, this dissertation challenges the tradition of grouping accounts of medieval holy women into a single genre that relies on stereotypes of meekness and obedience. I argue that fifteenth-century England saw a pro-feminine literary movement extolling the virtues of women who engaged in what I term “performative self-abjection,” a form of vicious self-renunciation and grotesque asceticism based on Julia Kristeva's model of the abject. The corollary of women's performative self-abjection is ex-gratia spiritual authority, public recognition, and independence, emphasized in the English corpus of fifteenth-century women’s hagiography. …

"To Conceive With Child Is The Earnest Desire If Not Of All, Yet Of Most Women": The Advancement Of Prenatal Care And Childbirth In Early Modern England: 1500-1770, Victoria E.C. Glover

Theses and Dissertations

This thesis analyzes medical manuals published in England between 1500 and 1770 to trace developing medical understandings and prescriptive approaches to conception, pregnancy, and childbirth. While there have been plenty of books written regarding social and religious changes in the reproductive process during the early modern era, there is a dearth of scholarly work focusing on the medical changes which took place in obstetrics over this period. Early modern England was a time of great change in the field of obstetrics as physicians incorporated newly-discovered knowledge about the male and female body, new fields and tools, and new or revived …