Arts and Humanities Commons^™

Lesbian Love Sonnets: Adrienne Rich And Carol Ann Duffy, Robin Seiler-Garman

Senior Theses

Our conceptualization of sexuality is rooted in gender. Modern, western society defines sexuality as which genders one is and is not attracted to—often appearing as a binary between homosexuality and heterosexuality. Recently, however, queer theorists have begun to push against the idea of binary sexuality altogether.

The interplay between gender and sexuality additionally manifests in the history of literature. Because the two are so intimately intertwined, writing about sexuality necessitates writing about gender. Twenty-One Love Poems by Adrienne Rich and Rapture by Carol Ann Duffy are two poetry collections where, as lesbian poets, gender and sexuality play an important role. …

Gender In Eliot's The Mill On The Floss And Hardy's Far From The Madding Crowd, Rachel C. Nelson

Senior Honors Projects, 2010-2019

This text explores the characters of Maggie and Tom Tulliver from George Eliot’s 1860 novel The Mill on the Floss and the characters of Bathsheba Everdene and Gabriel Oak from Thomas Hardy’s 1874 novel Far from the Madding Crowd. It connects the two novels by way of the relationships between these main characters. In both cases, the female character struggles with the confines of Victorian societal limits for women based on their gender. In The Mill, Maggie constantly struggles against the wishes of her older brother, and while Tom is arguably an antagonistic force in the novel, this …

Queer Affect In T.S. Eliot's Early Poetry, Michael Houle

Chancellor’s Honors Program Projects

No abstract provided.

I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski

ETD Archive

In recent years, there has been a trend in young adult adaptations of Wuthering Heights to amend the plot so that Catherine Earnshaw chooses to have a romantic relationship with Heathcliff, when in Bronte’s novel she decides against it. In the following study, I trace the factors that contribute to Catherine’s rejection of Heathcliff as a romantic partner in the original text. Many critics have argued that her motives are primarily Machiavellian since she chooses a suitor with more wealth and familial connections than Heathcliff. These are indeed factors; however, by engaging with contemporary research on adolescent development, I show …