Arts and Humanities Commons^™

A Game Of Hazard, Per Chance: Reading Dice Games And Predestined Action In Troilus And Criseyde And Troilus And Cressida, Emma O. Corbin

Masters Theses

This thesis examines the references to the dice game Hazard in Chaucer’s Troilus and Criseyde and the Folio version of Shakespeare’s Troilus and Cressida as means to expand the understanding of Troilus’s ability to act as an agent of change within his predetermined story. Utilizing Johan Huizinga’s Homo Ludens as the foundation for game and play, this work focuses on Hazard as a game of chance present in both works. As a dice game that relies entirely on chance, Hazard is a game and a place of moral and religious anxiety as demonstrated through a survey of dice-based divination and …

Fortune, Fate, And Free Will: Chaucer’S Encounters With Providence, Ciara Jane Turula

Masters Theses

It’s easy to assume that the world is innately unstable as Chaucer seems to do in the short poems “Truth”, “Lak of Stedfastnesse”, “The Forger Age” and “Gentilesse”, and yet we are called to wonder with the Black Knight in The Book of the Duchess how any divine authority could let this be the case. As Lady Philosophy informs readers in Boece, the world is not really Fortune’s chaotic kingdom of unreliability. Instead, the Earth and all that happens within it has already been laid out in the plan of Providence, which unravels regardless of whether individuals are aware …

Neurodiversity In Sense And Sensibility And Emma: Jane Austen’S Heroines And Their Cognitive Difference, Alexandra Sausa

Masters Theses

There is a dearth of criticism that analyzes Jane Austen’s characters through the lens of neurodivergence — that is, an umbrella term for neurological difference, or behavior and cognitive processing that differs from what is “typical”. Although Austen has male characters that have been read as neurodivergent, this thesis will principally focus on two of Austen’s neurodivergent heroines: Marianne Dashwood and Emma Woodhouse. To support neurodivergent interpretations of these heroines, I will supplement close readings of Sense and Sensibility and Emma with social science and psychological literature. Marianne exhibits numerous traits that characterize Autism Spectrum Disorder (ASD), and Emma exhibits …

"Cabined, Cribbed, Confined": Tyrannical Anxiety And Maternal Power In Shakespeare, Elle J. Nieuwsma

Masters Theses

The tyrannical king, a common trope in Shakespearean plays, is on the surface a powerful and confident character. He is motivated, though, by overwhelming anxiety and fear about losing his power and the freedom he experiences through it. In other words, he suffers from a metaphorical claustrophobia and is terrified of being confined to physical, social, and sexual inadequacy. In order to protect himself and maintain his freedom, the tyrant must project his anxiety onto someone else, and interestingly, the Shakespearean tyrants choose a shared target: mothers.

Through a series of close-readings and analysis, this article explores how several different …

Dismantling Dualisms: Jane’S Liminal Agency In Charlotte Brontë’S Jane Eyre, Nicole Baniukaitis

Masters Theses

Charlotte Brontë’s Jane Eyre is a complex and, at times, seemingly paradoxical novel. Through Jane’s journey, I argue that Charlotte Brontë offers possibilities that can be explained and understood through Val Plumwood’s ecofeminist lens of dismantling or escaping dualisms in order to make these crucial changes and rewrite the traditional story. Jane’s liminality throughout the novel empowers her, offers her access to alternative modalities, and allows her to notice the oppressive dualistic structures governing all aspects of life. Due to her unique liminal positioning, Jane is aligned with nature and fights against oppressive dualisms to shape her life in a …

There Can Be But The One Ezra Pound: Rearticulating Hugh Selwyn Mauberley As Modernist Autobiography, Joshua H. Moore

Masters Theses

Ezra Pound took Eliot’s theory of Literary Impersonality seriously and rejected biographical readings of his poetry. Yet, his poem Hugh Sewlyn Mauberley contains explicitly autobiographical material, which is directly related to the poem’s meaning and has been referenced repeatedly in historical criticism of the poem. This creates a paradox of interpretation, in which the poem’s interpretive meaning stands in contrast with the author’s preferred style of interpretation. The intent of this Thesis is to work within this paradox by applying new criticism on literary autobiography to the poem; specifically the work of Max Saunders, Kevin Wong, and Hannah Sullivan. As …

An Economy Of Care: George Eliot's Middlemarch And Feminist Care Ethics, Madison V. Newman

Masters Theses

This thesis assesses the centrality of care relationships in George Eliot’s Middlemarch and, by doing so, seeks to provide a nuanced understanding of individual and collective morality. Using the ethics of care as a methodological framework to acknowledge the importance of care acts and successful care relations – especially those complicated by the presence of dichotomized socioeconomic hierarchies – will allow readers to engage more fully with this text, its author, her relations, her characters, and the community of readers; reading Eliot’s work from this lens will allow us to validate every interaction, every thread of connectedness, and every act …

I Am Woman: The Complicated Relationship Between Fairy Mistresses, Virgin Martyrs, And The Medieval Patriarchy, Katherine A. Haire

Masters Theses

While modern scholars cannot expect medieval authors to live up to our expectations of feminism, we can still reflect upon the ways in which they both circumvented and upheld the typical patriarchal discursive structure which dominated the Middle Ages. A cross-genre examination of virgin martyred saints and fairy mistresses will illuminate significant overlap in the treatment of magic and divine intervention and the typical female portrayal in these circumstances. Saint’s Lives and Medieval Romances occupy significantly distinct spaces in the popular literary consciousness of the High and Late Middle Ages; however, both genres offer moral instruction for the women who …

Emily Dickinson, The Tyrant, And The Daemon: A Critique Of Societal Oppression, And The Significance Of Artistic Truth, Debra Kue

Masters Theses

This thesis argues that art, for Dickinson, was an alternative system of salvation which her society could not provide her. Unwilling to surrender herself to the mold of her society, the institutional practice of Christianity and gender expectations, Dickinson chose to take ownership of her life through art, which allowed her to develop a personal language to combat the oppressive forces of the world around her. As a conscious “revolutionist of the word” Dickinson embarked on a path of self-discovery that enabled her to conduct a life in self-imposed exile as a means to emancipate herself from the constraints of …

Boethian Variations: Musical Thought In Sir Orfeo, Troilus And Criseyde, And Robert Henryson’S Orpheus And Eurydice, Joshua T. Parks

Masters Theses

This study approaches three poems from the late medieval British Isles—the Middle English Breton lay Sir Orfeo, Geoffrey Chaucer’s Troilus and Criseyde, and Robert Henryson’s Orpheus and Eurydice—through the lens of medieval music theory. The most important authority for medieval music theorists was the late antique philosopher Boethius, who held to a Neoplatonic philosophy of music that valued reason, theory, and contemplation of the music of the spheres. Later medieval theorists cited Boethius extensively while also adapting his thought to suit their own purposes. In particular, the early fourteenth-century French theorist Johannes de Grocheio, influenced by Aristotle, departed …

Cavalier Reading: Examining The Problematic Nature Of Signifiers, Monique Nichelle Branscumb

Masters Theses

No abstract provided.

"Thou Art The Lorliest Lede That Ever I On Looked": Arthur And Kingship As Represented By The Alliterative Morte Arthure, Sir Gawain And The Green Knight, And The Awntyrs Off Arthur, Samuel Hardin Cox

Masters Theses

King Arthur is one of the most well known mythical figures in the English language, and throughout his 1500-year literary tradition, poets have built an intricate and multifaceted mythos around this legendary character. Integral to Arthur’s various depictions is how each poet chooses to illustrate his kingship. These characteristics often overlap across poems, poets, and time periods. Yet, upon closer examination, subtle differences between those kingly depictions produce telling insights into the period in which the story was written. For this study, I have examined three separate Arthurian romances: The Alliterative Morte Arthure, Sir Gawain and the Green Knight …

“Everything Seemed Very Queer”: Divergent Temporalities Of Normative Relations In Mrs. Dalloway, Crystal Brooke Clark

Masters Theses

Queer theory predominantly aligns normative relations to normative experiences of time and connects queer affiliations to queer temporal spaces. Heterosexuality, marriage, sexual reproduction, and the family are hallmarks of normative temporality, as they enact and maintain a progressive, future-oriented, genealogical timeline. However, normative attachments do not always follow queer theory’s narrative of straight time. Closely observing the structure of normative relationships and, in terms of my study specifically, marriage, uncovers assumptions constructing the constitution of normative temporality. I discuss queer theoretical works by Lee Edelman, Jack Halberstam, José Esteban Muñoz, and others to see how current theories typically oversimplify normative …

A Crisis Of Friendship: Calculation And Betrayal In Shakespeare’S The Merchant Of Venice And Othello, The Moor Of Venice, Kristi Rene Sexton

Masters Theses

The idea that friendship is an illusory connection that may only exist in philosophers’ writings was a subject of interest for many of the early modern writers. Writers like Thomas Elyot, Thomas Churchyard, and Michel de Montaigne attempted to uphold idealized traditions of friendship; conversely, Shakespeare, along with writers such as Francis Bacon, presented early modern perceptions of idealized friendship only to confront and challenge the precepts. In The Merchant of Venice and Othello, the Moor of Venice, Shakespeare expresses a sometimes cynical yet realistic approach toward idealized friendship. He exposes the problem of upholding the idealized early modern …

Cultural Subtexts And Social Functions Of Domestic Music-Making In Jane Austen’S England, Lidia A. Chang

Masters Theses

Barring a few notable exceptions, English music between the eighteenth and twentieth centuries earns scant notice in music history textbooks, despite overwhelming evidence that England enjoyed a vibrant musical culture, especially during the Georgian era. However, I will argue that the English of this period were, in many respects, even more committed to music than their continental counterparts. The problem, for England, was not that it made no music during this period, but that it made the wrong kind of music, and enjoyed it in the wrong ways. At a time when Germanic critics like E.T.A. Hoffmann and A.B. Marx …

Healing In The Works Of Elizabeth Goudge, Elizabeth Langford

Masters Theses

Elizabeth Goudge’s fictional works are worthy of further academic consideration. Using the context of Goudge’s persuasive endeavor to provide a framework to conceptualize the healing of the soul, this paper explores the characters who heal and the characters who experience healing, and the practices that these characters engage in, using Goudge’s The Eliots of Damrosehay Trilogy, also published as Bird in the Tree, Pilgrim’s Inn (or Herb of Grace) and Heart of the Family, and The Rosemary Tree. Although Goudge had no professional training in psychology, her characters engage in what today would be labeled …

Genesis B From Ms Junius 11 And Paradise Lost: Possible Connections, Alicia D. Arnold

Masters Theses

This thesis looks at the ongoing debate concerning John Milton's potential use of Genesis B from MS Junius II when creating Paradise Lost. Much of the thesis looks at the probability of John Milton's ability to access or know Genesis B. Included is an annotated translation of "Satan in Hell" from Genesis B. The last chapter looks at the given translation and Paradise Lost to see if there are similarities in dialect, theme, and word-choices, or if Paradise Lost has Old English markers. The conclusion is that the debate must continue as there is currently not enough evidence to prove …

Hanging The Servant Girl To Hunting The Ripper: The Victorian Birth Of The True Crime Genre, Jonathan G. Brown

Masters Theses

More definitive answers about the creation and form of the modern True Crime genre narrative can be found by exploring, not the creators of True Crime narratives, but by following reader expectations and examining the social situation from which True Crime narratives were able to arise. Theorists in the genre field such as Lloyd Bitzer Carolyn Miller and Amy Devitt have introduced and refined the view of genre as a social action. In this view, genre does not come about as a set of rules imposed upon types of literature to bring order, but as a societally accepted creation constructed …

Everything Leaves A Trace: D. H. Lawrence, Modernism, And The English Bildungsroman Tradition, Justin Miles Mcgee

Masters Theses

During the transition from the nineteenth to the twentieth-century, the Bildungsroman acted as a vehicle for artists’ reflections on the turbulent time. The Bildungsroman is especially well suited to capture the fragmentation and disillusionment characteristic of modernism because of its sensitivity to the community’s role in the individual’s social normalization. D. H. Lawrence’s autobiographical novel Sons and Lovers (1913) embodies the jarring transition from the world of the Victorian Bildungsroman to modernity. While Lawrence’s novel still relies on characteristics of the Victorian Bildungsroman, it makes a significant attempt to break away from the Victorian Bildungsroman. Lawrence uses the …

The Problem Of Love And Codes Of Conduct For The Younger Courtiers In King Lear, Debora L. Pfeiffer

Masters Theses

The courtiers Edmund and Edgar are critical to the action of King Lear, yet there has been little scholarship which has treated these characters in depth. I argue that one way to comprehend them and their significance in the play's action is to analyze their behavior according to the standards of the Renaissance conduct books that were circulating in England at the beginning of the seventeenth century when the play was written. Baldassare Castigligone's The Book of the Courtier, Niccolo Machiavelli's The Prince, and Desiderius Erasmus's The Education of a Christian Prince each sheds light on important themes …

Eruptive Baroque Hysteria In English Neoclassical Literature, Royce Lee Best

Masters Theses

"Eruptive Baroque Hysteria in English Neoclassical Literature" explores the persistence and intrusion of early-seventeenth-century baroque aesthetics in otherwise bourgeois, neoclassical works of the English Restoration. These "baroque eruptive" moments, I argue, can be read as particular instances that articulate historically-specific anxieties felt by aristocrats, including the restructuring of the family unit and the dual appeal and abhorrence of continental Catholicism. The introduction discusses the poetry of John Wilmot, earl of Rochester; chapter 1 discusses William Wycherley's The Country Wife; chapter 2 discusses Thomas Otway's Venice Preserv'd; and the conclusion chapter probes into several early eighteenth-century works.

The Liminal Mirror: The Impact Of Mirror Images And Reflections On Identity In The Bloody Chamber And Coraline, Staci Poston Conner

Masters Theses

In Angela Carter’s The Bloody Chamber (1979) and Neil Gaiman’s Coraline (2002), mirrors play a large role in the development of the female protagonist’s identity. Tracing the motif of physical mirrors and mirrored realities in these texts offers a deeper understanding of each protagonist’s coming of age and coming to terms with her own identity. Though Angela Carter’s short stories are for an adult audience, they are remakes of fairy tales, which are often viewed as children’s literature, or at least literature about the child. Though the appropriate reading age for Coraline is debatable, it can tentatively be categorized as …

Mina Loy And The Electric Body, Debra Elizabeth Cardell

Masters Theses

Abstract Mina Loy, modernist poet and artist, experimented with theories of feminism and class within her own artwork. This creates a complex point of interpretation for the reader because of overlap and contradiction. The concept of ekphrasis, when manipulated for Loy’s context, opens possibilities of understanding Loy’s many contradictions. Since the body and material world play a central role in Loy’s art, ekphrasis is a lens through which we can begin to see the relationship between Loy’s art and writing along with her feminism.

When Family And Politics Mix: Female Agency, Mixed Spaces, And Coercive Kinship In Sir Gawain And The Green Knight, The Awntyrs Off Arthure At Terne Wathelyne, And “The Deth Of Arthur” From Le Morte Darthur, Lainie Pomerleau

Masters Theses

In this paper I will be examining the relationship and rivalry between Morgan and Guinevere, sisters by law, and the intricate combination of love, family loyalty, and political obedience they both elicit from their shared nephew, Gawain through the systemized use of coercive kinship. I will be arguing that Morgan and Guinevere are connected by a desire to exert control and influence on the masculine, chivalric world of Camelot. In order to do so, Guinevere accesses and utilizes the masculinized, political forms of influence available to her, while Morgan is dependent on the more traditionally female modes of access through …

Tied In Lusty Leese: Animalization And Agency In Troilus And Criseyde, Kendra Marie Slayton

Masters Theses

Chaucer’s Troilus and Criseyde is a tale fraught with ambiguity, and particularly so concerning issues of gender, agency, and free will. Critical readings often focus on depicting TC as Chaucer’s didactic portrayal of a flawed and transitory humanity, with Troilus’s death and transcendence taken as the primary lens through which to seek final meaning in the poem. However, I argue that Chaucer’s use of natural tropes, vocabulary, and artistry also reveal that the poem, before it reaches its transcendental ending, indicts not only the mortal world at large but more specifically the at-times misogynist conventions of the genre itself. Specifically, …

Pubs, Temperance, And The Construction Of Irishness In James Joyce's Ulysses, Leslie Sweet Myrick

Masters Theses

Ulysses can be read as a bar crawl; three episodes and part of a fourth are set in public houses, while various characters walk to and from drinking activities and establishments throughout the day. However, Ulysses' main character, Leopold Bloom, is an extremely moderate drinker and not considered "a regular" patron at any public house. His practicing of temperance is one example of how Bloom does not embody the typical Irish masculinity. However, the drinking culture in Ulysses has not been fully explored in context of the temperance movement which was an ongoing cause in 1904 Dublin despite Guinness's Brewery …

Queering The Sublime: Virginia Woolf, Sexology, And Sexuality, Emily Whitmore

Masters Theses

Using Virginia Woolf's novels, The Voyage Out, Mrs. Dalloway, To the Lighthouse, and Orlando, I begin to explore moments where the characters experience the sublime as defined by Edmund Burke. Woolf uses the traditional sublime, but complicates the concept beyond its initial intention. The moments that mimic the sublime, but include the body, the natural world, and artistic creativity grows into what I will call the "queer sublime," which is new for both Woolf scholarship and for the sublime. Woolf's experimentation with the term and part of the "queer sublime" also helps to create a different …

Deronda And The Tigress: Judaism, Buddhism, And Universal Compassion In George Eliot’S Daniel Deronda, Joshua Frank Moats

Masters Theses

Many scholars have discussed Judaism and the ethics of George Eliot in Daniel Deronda, but few have explored the impact of Buddhism upon the novel. This thesis is the first study to demonstrate the influence of Buddhism upon George Eliot's fiction. By tracing Eliot's interest in the emerging field of comparative religion, I argue that Buddhism offered Eliot a unique religion that was compatible with her secular humanism. Although Buddhism appears explicitly in Deronda in only a few instances, I contend that Eliot uses the tradition of Jewish mysticism known as Kabbalism as the predominant theology in Deronda because …

Evoking Unity: Toward A Communal Phenomenology In Virginia Woolf And William Faulkner, Phillip Douglas Bandy

Masters Theses

Contemporary readings of William Faulkner and Virginia Woolf typically situate these canonical authors within their historical contexts as exponents of the material conditions of modernity or as the literary precursors of postmodernism, as writers of indeterminacy and linguistic play. In this thesis, I argue for a mode of reading Woolf and Faulkner grounded not in history or language, but in consciousness as the irreducible basis of human experience. That is, by invoking the philosophical tradition of phenomenology, I claim that both authors attempted to engage more fully with not simply a historical moment called “modernity,” but a human reality characterized …

Framing Jane: Film Adaptation And Jane Eyre, 1934-2006, Joy Wohlman Boyce

Masters Theses

No abstract provided.