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Full-Text Articles in Arts and Humanities
Laurence Sterne: A Different Way Of Approaching The Notion Of Life In The Early Novel, Robert Metaxatos
Laurence Sterne: A Different Way Of Approaching The Notion Of Life In The Early Novel, Robert Metaxatos
Undergraduate Honors Theses
This thesis employs the later philosophy of Michel Foucault to think through the unique set of socio-cultural problems that emerged alongside the early novel. I endeavor to explain the development of “biopower” and the concomitant (yet historically grounded) concept of a mass population in order to round off a nettlesome tendency among historicist rise-of-the-novel critics to focus on the creation of a bourgeois individual at this time. To that end, the texts of Anglo-Irish author Laurence Sterne bear out a unique narratorial response to biopower that begins with the ‘body’ of his work: i.e., Shandeism. Signaling the importance of the …
Flipping The Castle: Evolution Of Gothic Spaces In The Domestic Sphere, Kate Lucas
Flipping The Castle: Evolution Of Gothic Spaces In The Domestic Sphere, Kate Lucas
Undergraduate Honors Theses
"Flipping the Castle" explores topics of domesticity in Gothic literature over the course of three centuries. The Gothic is a genre with roots in 18th century British literature, but more broadly, it can be described as horror that has a social function, and it is the birthplace of some of the most successful narratives in horror fiction. The aspects of the Gothic this research is concerned with is its themes of unchecked masculine aggression versus repressed femininity, its ability to adapt over time, and its preoccupation with setting, specifically the home, whether that be a medieval castle, a haunted house, …
With Inviolable Voice, We Melt Into Each Other With Phrases: The Construction And Deconstruction Of Heteroglossia In T.S. Eliot's The Waste Land And Virginia Woolf's The Waves, Alexa Kelly
Undergraduate Honors Theses
This essay analyzes the ways in which T.S. Eliot and Virginia Woolf simultaneously construct and deconstruct linguistic environments that embody Mikhail Bakhtin's notion of heteroglossia. In The Waste Land and The Waves, Eliot and Woolf construct elements of Bakhtin's novel before dismantling those same elements through the formation of linguistic imbalance. Both authors generate heteroglossia by incorporating numerous speech types and speech genres into their texts through variations of idiolect, sociolect, and literary allusion. These speech types then dialogize each other within the texts. However, the works then diverge from heteroglossia through an imbalance of the centrifugal and centripetal …