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‘Framed And Clothed With Variety’: Print Culture, Multimodality, And Visual Design In John Derricke’S Image Of Irelande, Andie Silva

Publications and Research

This chapter argues that the twelve illustrative plates in John Derricke's Image of Ireland (1581) were the author's primary focus, aimed at readers who practiced the kinds of ‘laudable exercises’ demanded of committed Protestants: a kind of reading that was recursive, studious, and dynamic. This essay contextualises Derricke’s Image in relation to printer John Day’s output in the late sixteenth century as well as to contemporary illustrated texts from which Derricke may have drawn inspiration as a reader and woodcarver. I focus on the seven plates containing small alphabetical keys and their impact on how and in what order we …