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Literature in English, British Isles

Bridgewater State University

Undergraduate Review

2012

Articles 1 - 2 of 2

Full-Text Articles in Arts and Humanities

Wounded Women, Varied Voice, Kathryn Johnston Jan 2012

Wounded Women, Varied Voice, Kathryn Johnston

Undergraduate Review

Daphne du Maurier and Sylvia Plath both use voice as a tool in their respective pieces, “La Sainte-Vierge” and “Lesbos.” Through the implementation of varied voices, these women convey female interiors. Du Maurier’s use of a third-person narrative voice in her short story “La Sainte-Vierge” allows her to comment on the lives of the main characters through the eyes of an outsider. Du Maurier’s outsider reveals a naïve and delusional housewife, unhealthy in her denial within a failing relationship. Contrasting with du Maurier’s Marie is Plath’s first-person voice of a scorned, dissatisfied housewife in her poem, “Lesbos.” Plath’s use of …


Carlyle, Arnold, And Wilde: Art And The Departure From Humanism To Aestheticism In The Victorian Era, Caitlin Larracey Jan 2012

Carlyle, Arnold, And Wilde: Art And The Departure From Humanism To Aestheticism In The Victorian Era, Caitlin Larracey

Undergraduate Review

The Victorian era of British literature spanned almost an entire century and saw writers from Carlyle to Rossetti, Kipling to Barrett Browning, and Dickens to Tennyson. The fabric of London changed as industry and invention flourished, along with poverty and social decay. Significant changes in politics, science, and religious thinking emerged as well. As British society moved further away from its roots in agriculture and devout religion, British literature also moved further away from its roots in Renaissance humanism towards the decadence and aestheticism that characterize late nineteenth-century works. By tracing the shift of styles and use of rhetorical devices …