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The Contributions And Effects Of The Drama On Paradise Lost, Robert Elliott Bayliss
The Contributions And Effects Of The Drama On Paradise Lost, Robert Elliott Bayliss
Master's Theses
Upon reading John Milton's Paradise Lost, one cannot help but notice that its tone, its moving scenes and confrontations, and its moments of psychological and cathartic impact all help to shape what one might call the poem's total effect -- the impressions it leaves with the reader. Upon close examination it becomes obvious that Milton was consummately adept in his adaptation of the dramatic element in his great epic. What is generally unrecognized, yet surprisingly evident, is that the dramatic element plays a unique and singularly important role in building the poem's grandeur. This dramatic element, more than any of …
The Problem Of Satan In Milton's Paradise Lost, Jeanne Saunders
The Problem Of Satan In Milton's Paradise Lost, Jeanne Saunders
Master's Theses
By 1641 John Milton had prepared a rather detailed outline for a tragic drama, Adam Unparadised. The design was to take form and grow, not as a religious drama, but as a magnificent epic poem which would "assert Eternal Providence,/And justify the ways of God to men" (I.25-26). In the original design for the drama the character and person of Satan did not constitute a basis for sustained interest. However, when Paradise Lost was finished in 1665, this was no longer the case; Satan, as an historical figure treated by the poetic and religious imagination of Milton, emerged as one …